Some admirers have called Gene LeBell, a.k.a. "The Toughest Man Alive," the deadliest man on the planet. His wife says sarcastically, "He's just from another world." LeBell wears many hats, having grown up in boxing and wrestling gyms around the world and spending a lifetime studying many of the different martial arts. LeBell has won national judo championships, wrestled professionally for over 20 successful years, announced professional wrestling on television for 15 years, and refereed professional boxing and wrestling matches all over the world. The Godfather of Grappling tells the amazing story of this grappling master, who has also been a TV and movie actor and a top Hollywood stuntman for more than half a century. Featuring forewords by "Rowdy" Roddy Piper and Chuck Norris, just two of the many celebrities he counts as friends, and packed with dozens of photos and illustrations, The Godfather of Grapping is an inspirational tale sure to entertain fans of professional wrestling, the martial arts, movies, television, and just about anything else Gene LeBell has taken on during his storied career.

The Toughest Man Alive is the action packed autobiography of martial arts legend and Hollywood leading stuntman Gene LeBell. Within the pages of this new second edition, you will discover never before told stories. LeBell lifts the curtain on his famous friends and co-workers, Muhammad Ali, Bruce Lee, Sylvester Stallone, Sugar Ray Robinson, Bob Wall, Chuck Norris, and Burt Reynolds to name a few.LeBell has wrestled Bears, performed some of the most dangerous stunts in Hollywood and fought some of the deadliest men in the world. This is the true story of a fascinating legend that will be treasured by martial arts enthusiasts and beyond. This new edition includes more new black and white photographs.

This book has taken Gene years to write, and it is his legacy to the world of grappling. It is a massive text on the art of finishing holds. Among the 500-plus pages are chapters on grips and handles; catches and grabs; foot and leg controls; arm bars and shoulderlocks; wristlocks and twists; straight leglocks; ankle bends and twists; chokes; and necklocks and cranks. Many of the techniques shown in the volume are old, never-before-seen pro wrestling techniques. There will never be another grappling text containing so many unique and devastating finishing holds -- unless Gene LeBell pens a sequel.

When most people think of Dan Gable, they think of an almost mythic intensity toward wrestling. A Wrestling Life 2 explains what have come to be known as the Gable Trained principles that Gable follows to keep his life full of "wins," revelations about how to cultivate success at the highest levels, and the reasons behind these steps for living well. Gable brings together his thoughts about his words, actions, failures, and achievements, while telling countless engaging stories. Readers will learn about the start of his wrestling career in Waterloo, how he went from being an Iowa State wrestler to a University of Iowa coach, and about his international and Olympic wrestling and coaching.

One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.

Irvin Muchnick ' a widely published writer and nephew of the late, legendary St. Louis wrestling promoter Sam Muchnick ' has produced a book unlike any other on the astonishing growth of professional wrestling and its profound impact on mainstream sports and society. In Wrestling Babylon, he traces the demise of wrestling's old Mafia-like territories and the rise of a national marketing base thanks to cable television, deregulation and a culture-wide nervous breakdown. Naturally, the figure of WWE's Vince McMahon lurks throughout, but equally evident is the public's late-empire lust for bread, circuses, and blood. As this book demonstrates, the more cartoonishly unreal wrestling got, the more chillingly real it became. What truly distinguishes Wrestling Babylon, however, is Muchnick's ability to show how professional wrestling has become the ur-carnival for a culture that feeds on escapist displays of humiliation, revenge, fantasy characters, and sex. His People magazine article on Hulk Hogan blew the lid off the drug abuse of the sport's signature superstar. His award-winning Penthouse profile of the ill-starred Von Erich clan was the first to connect the dots between wrestling, televangelism, and MTV-style production values. His never-before-published investigation of the death of Jimmy "Superfly" Snuka's girlfriend suggests the cover-up of a murder. The book's appendix ' a comprehensive listing of the dozens of wrestlers who died prematurely over the last generation, with little or no attention ' is both a valuable resource for wrestling historians and a shocking document of the ruthless way sports entertainment eats its own.