In Brother to a Dragonfly, Will D. Campbell (1924–2013) writes about his life growing up poor in Amite County, Mississippi, during the 1930s alongside his older brother, Joe. Though they grew up in a close-knit family and cared for each other, the two went on to lead very different lives. After serving together in World War II, Will became a highly educated Baptist minister who later became a major figure in the early years of the civil rights movement, and Joe became a pharmacist who developed a substance abuse problem that ultimately took his life. Brother to a Dragonfly also serves as a historical record. Though Will's love and dedication to his brother are the primary story, interwoven throughout the narrative is the story of the Jim Crow South and the civil rights movement. Will is present through many of the most pivotal moments in history—he was one of four people who escorted black students integrating the Little Rock public schools; he was the only white person present at the founding of the SCLC; he helped CORE and SNCC Freedom Riders integrate interstate bus travel; he joined Dr. Martin Luther King Jr.'s campaign of boycotts, sit-ins, and marches in Birmingham; and he was at the Lorraine Motel the night Dr. King was assassinated. Will's accomplishments, however, never take the spotlight from his brother, and as his relationship with Joe evolves, so does Will's faith. Featuring a new foreword by Congressman John Lewis, this book brings back to print the combined lives of Will Campbell—Will the brother and Will the preacher.

A memoir with the suspense and intrigue of a political thriller, Let the Bastards Go recounts how two seemingly ordinary men - bolstered by their faith - led an extraordinary mission."--BOOK JACKET.

Fantasy meets crime caper in the first book of a landmark, enduringly popular epic series about a roguish group of conmen, which George R. R. Martin has called “fresh, original, and engrossing . . . gorgeously realized.” An orphan’s life is harsh—and often short—in the mysterious island city of Camorr. But young Locke Lamora dodges relentless danger, becoming a thief under the tutelage of a gifted con artist. As leader of the band of light-fingered brothers known as the Gentlemen Bastards, Locke is soon infamous, fooling even the underworld’s most feared ruler. But in the shadows lurks someone still more ambitious and deadly. Faced with a bloody coup that threatens to destroy everyone and everything that holds meaning in his mercenary life, Locke vows to beat the enemy at his own brutal game—or die trying.

Have you ever wondered... How Did God Do It? How did God perform the many miracles and supernatural events described in the Holy Bible - without violating the laws of physics and chemistry that He Himself put into place? And without conflicting with the basic tenets of Judaism and Christianity? This book proposes a theory that marries faith and rationality in a symphony of science and scripture....

Not only is this a companion book to the jazz punk album of the same name by the Taxpayers, this is a remembrance of a life filled with contradictions — cowardice and bravery, falsehoods and candidness, glory and failure — told from the perspective of Henry Turner, a baseball hero turned psyche ward street minstrel. In the late 1970s, Henry Turner went from being a local hero and star pitcher of the Georgia Tech Wildcats to an abusive, alcoholic drifter. After spending his later years in homeless encampments and psych wards, Turner turned his demons to his advantage and became a kind, beloved street story-teller, a friend of the down-and-out, and a public transit angel. God, Forgive These Bastards explores the brief moments that can shape or lives and the power of forgiving even the most wretched actions with compassion and understanding.

"Searing . . . explores how identity forms love, and love, identity. Written in engrossing, intimate prose, it makes us rethink how blood’s deep connections relate to the attachments of proximity."—Andrew Solomon, author of Far from the Tree In the early 1980s, Mary Hall is a little girl growing up in poverty in Camden, New Jersey, with her older brother Jacob and parents who, in her words, were "great at making babies, but not so great at holding on to them." After her father leaves the family, she is raised among a commune of mothers in a low-income housing complex. Then, no longer able to care for the only daughter she has left at home, Mary's mother sends Mary away to Oklahoma to live with her maternal grandparents, who have also been raising her younger sister, Rebecca. When Mary is legally adopted by her grandparents, the result is a family story like no other. Because Mary was adopted by her grandparents, Mary’s mother, Peggy, is legally her sister, while her brother, Jacob, is legally her nephew. Living in Oklahoma with her maternal grandfather, Mary gets a new name and a new life. But she's haunted by the past: by the baby girls she’s sure will come looking for her someday, by the mother she left behind, by the father who left her. Mary is a college student when her sisters start to get back in touch. With each subsequent reunion, her family becomes closer to whole again. Moving, haunting, and at times wickedly funny, Bastards is about finding one's family and oneself.