When the first edition of The Glory Game was published in 1972, it was instantly hailed as the most insightful book about the life of a football club ever published. Hunter Davies was, and still is, the only author ever to be allowed into the inner sanctum of a top-level football team (Tottenham Hotspur) and his pen spared nothing and no one. 'His accuracy is sufficiently uncanny to be embarrassing,' wrote Bob Wilson in the New Statesman. 'Brilliant, vicious, unmerciful,' wrote The Sun. Davies spent a whole season with the team, training with them, visiting the players' homes and witnessing the dressing-room confrontations. In the modern era of painstaking media management and tight security, no sportswriter will ever again be granted such unprecedented access. While some features of the game have changed beyond all recognition - notably the all-consuming role that money now plays - inside every club the dramas and tensions revealed by Davies remain, making the book a timeless classic and securing its position as one of the best books about football ever written.

"All his life, he rode after Glory," writers Frederic F. Van de Water of George Armstrong Custer. Ironically, he found it at the Battle of the Little Big Horn. In his introduction to this edition, Paul Andrew Hutton considers the importance of Glory-Hunter, which appeared in 1934 as the first biography to depict Custer in unheroic terms.

“In the beginning we were happy. And we were always excessive. So in the beginning we were happy to excess.” With these opening lines Sean Wilsey takes us on an exhilarating tour of life in the strangest, wealthiest, and most grandiose of families. Sean's mother is a 1980s society-page staple, regularly entertaining Black Panthers and movie stars in her marble and glass penthouse. His enigmatic father uses a jet helicopter to drop Sean off at the video arcade and lectures his son on proper hygiene in public restrooms. When Sean, "the kind of child who sings songs to sick flowers," turns nine years old, his father divorces his mother and marries her best friend. Sean's life blows apart. His mother has a "vision" of salvation that requires packing her Louis Vuitton luggage and traveling the globe, a retinue of multiracial children in tow. Follow Sean as he candidly recounts his life growing up in a wealthy family all while discovering who he is amongst San Francisco's social elite.

Rodney Stark's provocative new book argues that, whether we like it or not, people acting for the glory of God have formed our modern culture. Continuing his project of identifying the widespread consequences of monotheism, Stark shows that the Christian conception of God resulted--almost inevitably and for the same reasons--in the Protestant Reformation, the rise of modern science, the European witch-hunts, and the Western abolition of slavery. In the process, he explains why Christian and Islamic images of God yielded such different cultural results, leading Christians but not Muslims to foster science, burn "witches," and denounce slavery. With his usual clarity and skepticism toward the received wisdom, Stark finds the origins of these disparate phenomena within monotheistic religious organizations. Endemic in such organizations are pressures to maintain religious intensity, which lead to intense conflicts and schisms that have far-reaching social results. Along the way, Stark debunks many commonly accepted ideas. He interprets the sixteenth-century flowering of science not as a sudden revolution that burst religious barriers, but as the normal, gradual, and direct outgrowth of medieval theology. He also shows that the very ideas about God that sustained the rise of science led also to intense witch-hunting by otherwise clear-headed Europeans, including some celebrated scientists. This conception of God likewise yielded the Christian denunciation of slavery as an abomination--and some of the fiercest witch-hunters were devoted participants in successful abolitionist movements on both sides of the Atlantic. For the Glory of God is an engrossing narrative that accounts for the very different histories of the Christian and Muslim worlds. It fundamentally changes our understanding of religion's role in history and the forces behind much of what we point to as secular progress.

'Raw, frank and utterly heartfelt, but full of love and joy too, one of the most moving and uplifting memoirs I've ever read.' Daisy Buchanan 'Evanna's account of overcoming an eating disorder gives an unsparing insight into the mental health system, and the journey to true recovery. A beautifully courageous and honest memoir.' Bonnie Wright 'As well as charting her adolescent battle with anorexia, it offers a darkly compelling, highly topical account of journeying from girlhood to womanhood in the spotlight of global celebrity.' The Mail on Sunday 'A raw and powerful memoir, it shares lessons banishing self-hatred.' The Sunday Telegraph 'Gradually, I began to feel this dawning awareness that womanhood was coming for me, that it was looming inevitably, and it didn't feel safe...' Evanna Lynch has long been viewed as a role model for people recovering from anorexia and the story of her casting as Luna Lovegood in the Harry Potter films has reached almost mythic proportions. Here, in her fascinating new memoir, Evanna confronts all the complexities and contradictions within herself and reveals how she overcame a life-threatening eating disorder, began to conquer her self-hate and confronted her fear of leaving the neatness and safety of girlhood for the unpredictable journey of being a woman, all in the glare of the spotlight of international fame. Delving into the very heart of a woman's relationship with her own body, Evanna explores the pivotal moments and choices in her life that led her down the path of creativity and dreaming and away from the empty pursuit of perfection, and reaches towards acceptance of the wild, sensual and unpredictable reality of womanhood. This is a story of the tragedy and the glory of growing up, of mourning girlhood and stepping into the unknown, and how that act of courage is the most magical and creatively liberating thing a woman can do.

The opening chapters of the book of Genesis hint at the challenges our species will face. The tree of the knowledge of good and evil symbolizes materialism, and the tree of life the Word of God. Its detail rich pages, and multifaceted allegories, history, hymns and stories, reveal a succession of Divine Messengers right down to the present day