In the present tense, tells of the times during which the Globe Theatre was built and gives its history; includes a pop-up theater, punch-out characters to use in it, and two booklets of scenes from Shakespeare's plays.

Reproduction of the original: The Globe Drama by Randall Roberts, George M. Baker

The Two Noble Kinsmen is Shakespeare’s final play written before his death in 1616. He collaborated on it with John Fletcher; later, Fletcher took over as playwright for the King’s Men. The plot derives from “The Knight’s Tale” in Chaucer’s Canterbury Tales. Thebes and Athens are at war. The tyrant Creon of Thebes commands Arcite and Palamon to fight for him. After a battle against Theseus, they end up captured and imprisoned. From their cell window, they see a beautiful woman named Emilia. Arcite and Palamon’s friendship turns into rivalry when they challenge each other to a fight to the death—with the victor claiming Emilia. This Standard Ebooks edition is based on the 1894 Royal Shakespeare edition. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

"The book is primarily centered on John Dee and Robert Fludd" - Preface.

(Book). Shakespeare was a man of the theatre to his core, so it is no surprise that he repeatedly contemplated the nuts and bolts of his craft in his plays and poems. Shakespeare scholar Nick de Somogyi here draws together all the cherishable set pieces including "All the world's a stage," Hamlet's encounters with the Players, and Bottom's amateur theatricals along with many other oblique but no less revealing glances, and further insights into theatre practice by Shakespeare's contemporaries and rivals. De Somogyi's commentary takes us through the entire process of Shakespeare's theatrical production, from its casting and auditions, via rehearsals, costumes, and props, to its premiere and audience reception. Shakespeare on Theatre eavesdrops on the urgently whispered noises-off in the "tiring-house" and inhales the heady aroma of the Globe's first audiences.

The essays collected here explore the representation of contemporary cartographic knowledge within a variety of English Renaissance dramatic texts. Including a preface and introduction that contextualize English cartographic awareness in the late sixteenth century, Playing the Globe provides a wide-ranging exploration of the rich variety of mental maps that shaped England's attitudes toward itself and others and continues to affect the ways in which the Anglo-American world imagines itself.