Cultural studies scholarship on the television talk show, especially the 'audience discussion' genre, was guardedly hopeful about its democratic or feminist potential. In this exciting new volume, Kathleen Dixon investigates the relationship between the talk genre and democracy, but through a new emphasis on art, broadly defined. The Global Village Revisited: Art, Politics, and Television Talk Shows explores three case studies from Belgium, Bulgaria, and the United States, and reveals how these cases interanimate to produces a new view of the talk show as a global phenomenon, and as a negotiation among the forces of late capitalism, the unnamed but still palpable audience, and the individual rhetors, artists, and technicians who make the shows. Dixon treats the globalization of media and culture as a dynamic process that yields different results according to time and place. While the way in which television talk shows serve democracy may be hard to define precisely, The Global Village Revisited demonstrates the importance and necessity of this question in cultural studies.

The personal stories of the Gao villagers demonstrate and are related to changes in China. This is a close study of Gao Village twenty years after the author, an anthropologist and native of Gao village, wrote his original ethnography Gao Village. It combines ethnographic analysis, personal vignettes, and a number of fascinating stories, which presents a convincing yet complex picture of how Gao villagers interact with the outside world. With his sympathetic and insider's approach, the author argues that rural Chinese display great entrepreneurship and inner strength of selfimprovement; they are active contributors to China's economic boom.

This book is about Gao Village, in Jiangxi province, where the author was born and brought up, leaving when he was twenty-one to study English at Xiamen University. Since emigrating to Australia in 1990, he has returned every year to Gao Village, where his brother still lives. Several accounts of village life in China have been published, but all have been by Western or urban Chinese scholars. Mobo Gao's account is in every sense one from the inside. Though written as an academic work, it does not eschew personal stories and experiences relevant to the themes addressed. These cover a forty-year period and fall into four distinct themes; the village before and after land reform; the commune system; the dismantling of the communes; and the unfolding impact of the market economy, including increased migration to urban areas, from the late 1980s onwards.

This interdisciplinary collection of articles by scholars who have returned to previously investigated villages relates village studies to the global rural-urban transformation. Drawing on anthropological, sociological, historical, and economic perspectives, these essays are based on grass-roots level research analyzed in the context of national and global policies and their local level impact._

Leading scholars discuss ideology and hotly contested post-structuralist theory.

One of the world's most intensively studied societies, Bali has hosted scholars and writers as renowned as Margaret Mead, Gregory Bateson, Miguel Covarrubias, Fred Barth, and Hildred and Clifford Geertz. Staying Local in the Global Village is part of a continuing tradition in which Balinese and foreign scholars reflect on the processes of transformation that link Bali to Indonesia and the world beyond. The chapters in this volume are based on research carried out in the early 1990s, when Suharto's New Order still enjoyed widespread legitimacy in Indonesia. Even then, political consensus in Bali was weakened by the inhabitants' view of themselves as an exploited minority of Hindus in a nation dominated by Islamic Javanese. As this book reveals, the ambivalent positioning of Balinese vis-à-vis the national and the global in recent decades has been played out in many different spheres of life. Contributors take up a number of themes that reflect different articulations of the local throughout the twentieth century. Early chapters provide a bird's-eye view of the public culture, local history, definitions of "Balinese-ness," and political struggles over land and sacred space. Later chapters explore specific aspects of Balinese participation in the transformations associated with the tourism-dominated provincial economy, the growth of communications and mass media, and the incursions of the nation-state trough its imperatives of economic development and rationalist discourses. New forms of traditional hegemony, status struggles over the priesthood, contestation about cultural authenticity by marginal groups within the island itself, women's work, the performing arts, and television watching, are all considered in this light, providing a highly nuanced and "local" perspective of global processes in Bali. Contributors: Linda Connor, Mark Hobart, Brett Hough, Graeme MacRae, Ayami Nakatani, Michel Picard, I Gde Pitana, Thomas Reuter, Raechelle Rubinstein, Putu Suasta, Margaret Wiener