Many people characterize urban renewal projects and the power of eminent domain as two of the most widely despised and often racist tools for reshaping American cities in the postwar period. In A World More Concrete, N. D. B. Connolly uses the history of South Florida to unearth an older and far more complex story. Connolly captures nearly eighty years of political and land transactions to reveal how real estate and redevelopment created and preserved metropolitan growth and racial peace under white supremacy. Using a materialist approach, he offers a long view of capitalism and the color line, following much of the money that made land taking and Jim Crow segregation profitable and preferred approaches to governing cities throughout the twentieth century. A World More Concrete argues that black and white landlords, entrepreneurs, and even liberal community leaders used tenements and repeated land dispossession to take advantage of the poor and generate remarkable wealth. Through a political culture built on real estate, South Florida’s landlords and homeowners advanced property rights and white property rights, especially, at the expense of more inclusive visions of equality. For black people and many of their white allies, uses of eminent domain helped to harden class and color lines. Yet, for many reformers, confiscating certain kinds of real estate through eminent domain also promised to help improve housing conditions, to undermine the neighborhood influence of powerful slumlords, and to open new opportunities for suburban life for black Floridians. Concerned more with winners and losers than with heroes and villains, A World More Concrete offers a sober assessment of money and power in Jim Crow America. It shows how negotiations between powerful real estate interests on both sides of the color line gave racial segregation a remarkable capacity to evolve, revealing property owners’ power to reshape American cities in ways that can still be seen and felt today.

Based on the author's thesis (doctoral)--New York University, 2011.

Fortified by the theories of Henri Lefebvre, David Harvey, and Jürgen Habermas, this is the first book to focus on the tumultuous emergence of the African American working class in Jacksonville between Reconstruction and the 1920s. Cassanello brings to light many of the reasons Jacksonville, like Birmingham, Alabama, and other cities throughout the South, continues to struggle with its contentious racial past.

Uncover the truth about the scandal that shook the Texas Baptist community, buried for over a century. In 1894 Steen Morris raped Antônia Teixeira. Both had been guests in the house of Baylor University president Rufus Burleson. The assault took place in Burleson’s backyard and was the first of a series of assaults that eventually left the young Baylor student pregnant. Rather than hold the guilty party accountable, Rufus Burleson and other prominent members of the Baptist community in Waco launched a campaign of intimidation, victim-blaming, and cover-up to preserve the virtuous image of their institution. In Remembering Antônia Teixeira, Mikeal C. Parsons and João B. Chaves painstakingly peel back the layers of concealment that have accumulated over a century of enforced silence about the case. Beginning with Antonia’s father Antônio Teixeira, a priest who had renounced Catholicism and become a pillar of the Baptist community in Brazil, Parsons and Chaves uproot romanticized and hagiographical accounts of the Southern Baptist Convention’s foreign missions. They then follow Antônia’s journey north, her assault, and the subsequent scandal that shook Texas—until it was intentionally erased. Iconoclastic and meticulous, Remembering Antônia Teixeira calls attention to how religious institutions have used selective memory to maintain power. In doing so, this book takes a first step toward dismantling those structures of oppression.

As a contribution to the Fortress series on World Christianity as Public Religion, this volume delves into questions of religious alterity and justice in World Christianity. This volumeasks what histories, practices, or identities have been left invisible in the field of World Christianity, and emphasizes liberationist concerns to consider what the field has overlooked or misrepresented. It recognizes that World Christianity scholarship has elevated voices of marginalized Christians from the Global South and challenged Eurocentric modes in the study of religion, but scholars of World Christianity must also attend to the margins of the field itself. Attention to the overlooked "other" within World Christianity scholarship reveals communities that have been excluded and questions of justice within the Global South that have been neglected. This volume points to gender, sexuality, and race as intersectional themes ripe for exploration within the field, while also identifying areas of study that have fallen outside the dominant World Christianity narrative, such as the Middle East and the theological expression of indigenous and aboriginal communities in the aftermath of European colonization. The contributors to this volume advance a robust intercontinental conversation around alterity and the evasion of justice in World Christianity.

This multilayered study of the representation of black masculinity in musical and cultural performance takes aim at the reduction of African American male culture to stereotypes of deviance, misogyny, and excess. Broadening the significance of hip-hop culture by linking it to other expressive forms within popular culture, Miles White examines how these representations have both encouraged the demonization of young black males in the United States and abroad and contributed to the construction of their identities. From Jim Crow to Jay-Z traces black male representations to chattel slavery and American minstrelsy as early examples of fetishization and commodification of black male subjectivity. Continuing with diverse discussions including black action films, heavyweight prizefighting, Elvis Presley's performance of blackness, and white rappers such as Vanilla Ice and Eminem, White establishes a sophisticated framework for interpreting and critiquing black masculinity in hip-hop music and culture. Arguing that black music has undeniably shaped American popular culture and that hip-hop tropes have exerted a defining influence on young male aspirations and behavior, White draws a critical link between the body, musical sound, and the construction of identity.