Christian J. Collier' s poems of witness have the kind of keen insight that slices to the heart of the subject. The Gleaming of the Blade examines Black masculinity in the contemporary American South, alongside the lingering ghosts of the past, and how it feels to be Black in a country whose divisions and struggles could signal the end of civilization. These poems never shy away, interrogating harsh injustices and contending with the truth of today' s America, a truth sometimes beautiful, sometimes biting.

A sharp-tongued disgraced-noble-turned-mercenary has to stop the world collapsing into chaos in this gripping, savagely funny epic fantasy packed with unforgettable characters, for fans of Joe Abercrombie. Exile. Mercenary. Lover. Monster. Pennyblade. Kyra Cal’Adra has spent the last four years on the Main, living in exile from her people, her power and her past. A commrach, she's welcome among the humans only for her rapierwork. They don't care about her highblood, which of the gleaming towers she came from, nor that her family aspires to rule the Isle. On the Main, superstitions and monsters are in every shadow, but Kyra is haunted by the ghost of Shen, the love of her life and lowblood servant she left behind. She survives by wit and blade alone in a land that would see her dead for who she is, for who she loves. When her fellow pennyblades betray her, Kyra is forced to track the demon preying on the souls of the commoners. She must tear the masks off to see the true face of things, as the age-old conflict between the Main and the Isle threatens to erupt once more.

As the only female detective in Tokyo's most elite police unit, Mariko Oshiro has to fight for every ounce of respect, especially from her new boss. But when he gives her the least promising case possible, the attempted theft of an old samurai sword, it proves more dangerous than anyone on the force could have imagined. Mariko's investigation has put her on a collision course with a curse centuries old and as bloodthirsty as ever. She is only the latest in a long line of warriors and soldiers to confront this power, and even the sword she wields could turn against her.

There is an unseen world of good and evil where nightmares are fought and hope is reborn. Enter The Door Within. Aidan Thomas is miserable. Within two weeks, Aidan’s life is completely uprooted as his parents move the family across the country to care for his ailing grandfather. The quiet but imaginative Aidan is struggling with attending a new school and fitting in with a new group of friends. But when he begins having nightmares and eerie events occur around his neighborhood, Aidan finds himself drawn to his grandfather's basement—where he discovers three ancient scrolls and a mysterious invitation to another world. No longer confined to the realm of his own imagination, Aidan embarks on an adventure where he discovers a long-fought war between good and evil. With the fate of two worlds hanging in the balance, Aidan faces Paragory, the eternal enemy with unfathomable power. Will Aidan be willing to risk everything and trust the unseen hand of the one true King? With over 250,000 copies sold in The Door Within trilogy, this is a perfect time to introduce the series to a new tween audience The fantasy genre is wildly popular among young readers, and this series will leave tweens and teens on the edge of their seats. Meets national education standards.

"Full of wonder." —Elizabeth Acevedo A Best Book of the Year at BuzzFeed, Refinery29, and Entropy Magazine What makes a self? In her remarkable debut collection of poems, Destiny O. Birdsong writes fearlessly towards this question. Laced with ratchetry, yet hungering for its own respectability, Negotiations is about what it means to live in this America, about Cardi B and top-tier journal publications, about autoimmune disease and the speaker’s intense hunger for her own body—a surprise of self-love in the aftermath of both assault and diagnosis. It’s a series of love letters to black women, who are often singled out for abuse and assault, silencing and tokenism, fetishization and cultural appropriation in ways that throw the rock, then hide the hand. It is a book about tenderness and an indictment of people and systems that attempt to narrow black women’s lives, their power. But it is also an examination of complicity—both a narrative and a black box warning for a particular kind of self-healing that requires recognizing culpability when and where it exists.