Most books written about Gilbert & Sullivan have focused on the authors rather than the works. With this detailed examination of all fourteen operas, Gayden Wren fills this void. His bold thesis finds the key to the operas' longevity, not in the clever lyrics, witty dialogue, or catchy music, but in their timeless themes, which speak to audiences as powerfully now as they did the first time the operas were performed. This volume is essential reading for any devotee of these enchanting works, or indeed for anyone who loves musical theater.

Welcome to Topsy-Turvydom, a magicalkingdom (well, more like an opera stage)full of pirates, policemen, fairies, and fakemustaches! Mr. Gilbert and Mr. Sullivanhave ruled this kingdom together in peace,but one day, Mr. Sullivan decides he'shad enough. Every opera they write is thesame silly old story, and he's ready forsomething different. Something serious!Mr. Gilbert is stunned. He's lost hisbusiness partner and his best friend, andhe needs a brilliant idea in order to gethim back. When Mr. Gilbert comes acrossa Japanese street fair, inspiration strikes,and The Mikado is born! Gilbert andSullivan reunite for their greatest workyet, showing that good things can comefrom an argument between friends.

The comic operas of Gilbert and Sullivan are a performing arts phenomenon. Wildly popular when first produced, they are if anything even more popular today. The Complete Annotated Gilbert & Sullivan provides the complete text of all thirteen of the Gilbert and Sullivan operas still being performed today, including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado. Each work is thoroughly annotated, with the text, including stage directions, given on the right-hand page, and the notes on the left. The annotations provide a wealth of information--everything from the identity of real-life people mentioned in the opera, to clear explanations of obscure words and phrases (such as legal terms) and other literary references, to comments from first-night critics, and much more. In addition, Bradley has written a marvelously informative introduction to the book as well as superb introductions to each piece, describing the genesis of the work, its performance history, and other fascinating tidbits. A goldmine of information, The Complete Annotated Gilbert & Sullivan will delight the hearts of Savoyards everywhere.

Reproduction of the original.

'A Gilbert is of no use without a Sullivan.' With these words, W.S. Gilbert summed up his reasons for persisting in his collaboration with Arthur Sullivan despite the combative nature of their relationship. In fact, Michael Ainger suggests in Gilbert and Sullivan the success of the pair's work is a direct result of their personality clash, as each partner challenged the other to produce his best work. After exhaustive research into the D'Oyly Carte collection of documents, Ainger offers the most detailed account to date of Gilbert and Sullivan's starkly different backgrounds and long working partnership. Having survived an impoverished and insecure childhood, Gilbert flourished as a financially successful theater professional, married happily and established himself as a property owner. His sense of proprietorship extended beyond real estate, and he fought tenaciously to protect the integrity of his musical works. Sullivan, the product of a supportive family who nourished his talent, was much less satisfied with stability than his collaborator. His creative self-doubts and self-demands led to nervous and physical breakdowns, but it also propelled the team to break the successful mode of their earliest work to produce more ambitious pieces of theater, including The Mikado and The Yeoman of the Guards . Offering previously-unpublished draft libretti and personal letters, this thorough double-biography will be an essential addition to the library of any Gilbert and Sullivan fan.

An international team of contributors, including film director Mike Leigh, presents fresh insights into the work of Gilbert and Sullivan.

Talks about Gilbert and Sullivan as individuals and as collaborators.