This “ambitious, supernatural coming-of-age story” (The LA Times) is a sweeping tale of ghosts in the modern world, and one woman's struggle to create her own destiny. There are ghosts on the Black Isle. Ghosts that no one can see. No one...except Cassandra. Uprooted from Shanghai with her father and twin brother, young Cassandra finds the Black Isle's bustling, immigrant-filled seaport, swampy jungle, and grand rubber plantations a sharp contrast to the city of her childhood. And she soon makes another discovery: the Black Isle is swarming with ghosts. Haunted and lonely, Cassandra at first tries to ignore her ability to see the restless apparitions that drift down the street and crouch in cold corners at school. Yet despite her struggles with these spirits, Cassandra comes to love her troubled new home. And soon, she attracts the notice of a dangerously charismatic man. Even as she becomes a fearless young woman, the Isle's dark forces won't let her go. War is looming, and Cassandra wonders if her unique gift might be her beloved island's only chance for salvation . . . Taking readers from the 1920s, through the Japanese occupation during WWII, to the Isle's radical transformation into a gleaming cosmopolitan city, The Black Isle is a sweeping epic--a deeply imagined, fiercely original tale from a vibrant new voice in fiction.

This “ambitious, supernatural coming-of-age story” (The LA Times) is a sweeping tale of ghosts in the modern world, and one woman's struggle to create her own destiny. There are ghosts on the Black Isle. Ghosts that no one can see. No one...except Cassandra. Uprooted from Shanghai with her father and twin brother, young Cassandra finds the Black Isle's bustling, immigrant-filled seaport, swampy jungle, and grand rubber plantations a sharp contrast to the city of her childhood. And she soon makes another discovery: the Black Isle is swarming with ghosts. Haunted and lonely, Cassandra at first tries to ignore her ability to see the restless apparitions that drift down the street and crouch in cold corners at school. Yet despite her struggles with these spirits, Cassandra comes to love her troubled new home. And soon, she attracts the notice of a dangerously charismatic man. Even as she becomes a fearless young woman, the Isle's dark forces won't let her go. War is looming, and Cassandra wonders if her unique gift might be her beloved island's only chance for salvation . . . Taking readers from the 1920s, through the Japanese occupation during WWII, to the Isle's radical transformation into a gleaming cosmopolitan city, The Black Isle is a sweeping epic--a deeply imagined, fiercely original tale from a vibrant new voice in fiction.

"Paula Quinn captures the heart of the Highlands" (Monica McCarty, New York Times bestselling author) in this sweeping, epic romance, perfect for fans of Outlander. This Highlander will risk everything to find his daughter . . . Lachlan MacKenzie has nothing left to lose since his wife and daughter were killed. But when a shadowy figure reveals his little girl might still be alive, Lachlan will do whatever it takes to find her -- even abduct a lass from the MacGregor clan for an exchange. Being caught would mean certain death. But the laird of the Black Isle won't let anything -- or anyone -- interfere with his mission . . . not even his beautiful, stubborn captive. Even his heart All Mailie MacGregor wants is to return home to her family. And the Highland beast who captured her can go to the devil. Her plan: to thwart him at any cost and win her freedom. But she never expected to be so drawn to the fierce warrior and the desire in his eyes.

This book offers new insights on socially and culturally engaged Gothic ghost stories by twentieth century and contemporary female writers; including Shirley Jackson, Angela Carter, Toni Morrison, Ali Smith, Susan Hill, Catherine Lim, Kate Mosse, Daphne du Maurier, Helen Dunmore, Michele Roberts, and Zheng Cho. Through the ghostly body, possessions and visitations, women’s ghost stories expose links between the political and personal, genocides and domestic tyrannies, providing unceasing reminders of violence and violations. Women, like ghosts, have historically lurked in the background, incarcerated in domestic spaces and roles by familial and hereditary norms. They have been disenfranchised legally and politically, sold on dreams of romance and domesticity. Like unquiet spirits that cannot be silenced, women’s ghost stories speak the unspeakable, revealing these contradictions and oppressions. Wisker’s book demonstrates that in terms of women’s ghost stories, there is much to point the spectral finger at and much to speak out about.

"This resource in contemporary Gothic literature, film, and television takes a thematic approach, providing insights into the many forms the Gothic has taken in the twenty-first century"--

Gazetteer of Scottish and Irish Ghosts is the first comprehensive collection of ghostly legends and modern reports of ghosts and hauntings through the Highlands, Lowlands and Isles of Scotland and the whole of Ireland. Here are such varied phenomena as the ‘big grey man of Ben MacDhui’ - the haunted mountain vouched for by professors, doctors and mountaineers of considerable standing; or the curious disturbances at the Edinburgh home of Sir Alexander Seton - subsequent to his wife’s removing an ancient bone from an Egyptian tomb. Do you know where a vampire lurks in the shadows of a ruined church? Where giant footsteps cause panic to hardened climbers? Where the red glow of battle shines annually? Where corpses whisper? These and many other strange stories, legends and authentic accounts of ghostly happenings have been catalogued alphabetically for easy reference. In addition to presenting a profusion of fascinating reports from the towns and valleys, lochs and lakes, mountains and rivers, historic castles and houses of these lovely countries, Peter Underwood draws on his twenty-five years of study and practical investigation to describe a rich patchwork of reported happenings that cannot be explained in material or scientific terms. All in all, A Gazetteer of Scottish and Irish Ghosts provides a unique reference book and guide to the ghost population of these lands. The result of many years study, it is a worthy successor to the earlier Gazetteer of British Ghosts by the same author.

Generally considered one of milestones in the development of modern drama, August Strindberg's chamber play The Ghost Sonata (1907) has variously been hailed as the first expressionist, surrealist and absurdist drama. In this monograph of the play as text and as performance —the first of its kind—Egil Trnqvist examines, in four chapters, the source text, various translations of it into English, the stage versions of Max Reinhardt, Olof Molander and Ingmar Bergman, and select radio and TV adaptations. In two framing chapters the background and impact of the play are illuminated. Focusing on Bergman's 1973 production, the book in addition contains a rehearsal diary and a transcription of this production. It is concluded with an annotated list of select productions.