In this charming fiction debut, a young woman moves to Manhattan in search of romance and excitement—only to find that her apartment is haunted by the ghost of a cantankerous Beat Generation writer in need of a rather huge favor. For Eve Weldon, moving to Greenwich Village is a dream come true. She’s following in the bohemian footsteps of her mother, who lived there during the early sixties among a lively community of Beat artists and writers. But when Eve arrives, the only scribe she meets is a grumpy ghost named Donald, and the only writing she manages to do is for chirpy segments on a morning news program, Smell the Coffee. The hypercompetitive network environment is a far cry from the genial camaraderie of her mother’s literary scene, and Eve begins to wonder if the world she sought has faded from existence. But as she struggles to balance her new job, demands from Donald to help him complete his life’s work, a budding friendship with a legendary fashion designer, and a search for clues to her mother’s past, Eve begins to realize that community comes in many forms—and that the true magic of the Village is very much alive, though it may reveal itself in surprising ways.

What Hemingway's A Moveable Feast did for Paris in the 1920s, this charming yet undeceivable memoir does for Greenwich Village in the late 1940s. In 1946, Anatole Broyard was a dapper, earnest, fledgling avant-gardist, intoxicated by books, sex, and the neighborhood that offered both in such abundance. Stylish written, mercurially witty, imbued with insights that are both affectionate and astringent, this memoir offers an indelible portrait of a lost bohemia. We see Broyard setting up his used bookstore on Cornelia Street—indulging in a dream that was for him as romantic as “living off the land or sailing around the world” while exercizing his libido with a protegee of Anais Nin and taking courses at the New School, where he deliberates on “the new trends in art, sex, and psychosis.” Along the way he encounters Delmore Schwartz, Caitlin and Dylan Thomas, William Gaddis, and other writers at the start of their careers. Written with insight and mercurial wit, Kafka Was the Rage elegantly captures a moment and place and pays homage to a lost bohemia as it was experienced by a young writer eager to find not only his voice but also his place in a very special part of the world.

In his brilliant second novel, Dermot McEvoy sweeps his readers into the midst of one of the most heated political races in New York City history, where an unlikely player decides to make her presence known. First it hits the papers that the Virgin Mary has appeared to Jackie Swift, an affable G.O.P. congressman with a couple of nasty habits. She then appears in a dream to Wolfe Tone O’Rourke, a liberal political consultant who is still haunted by the ghost of Bobby Kennedy, whose death he feels responsible for.Swift uses the Virgin, soon styled “Our Lady of Greenwich Village,” to put a strong anti-abortion spin on his current run for office, which immediately polarizes Greenwich Village. O’Rourke, beset by his many demons, sees something familiar in the Virgin’s dancing eyes and the line of her smile and decides to run against Swift with the campaign slogan “NO MORE BULLSHIT.” With help from unlikely characters like Cyclops Reilly, a one-eyed newspaper columnist for the Daily News, and Simone “Sam” McGuire, O’Rourke’s pretty, no-nonsense assistant, Tone is sent on a transcontinental journey that forces him to confront his own ghosts and dig deep into his family history, all to answer one burning question: What does Our Lady of Greenwich Village really want him to do? Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Aaron Burr was once the vice president of the United States. Now his ghost is said to stalk a restaurant in Greenwich Village in New York City. What other ghosts are lurking in the city's shadows? Discover the haunted places of one of America's most notable cities. Between these pages, readers will find just the right amount of scariness for a cold, dark night.

The story of a notorious New York eccentric and the journalist who chronicled his life: “A little masterpiece of observation and storytelling” (Ian McEwan). Joseph Mitchell was a cornerstone of the New Yorker staff for decades, but his prolific career was shattered by an extraordinary case of writer’s block. For the final thirty-two years of his life, Mitchell published nothing. And the key to his silence may lie in his last major work: the biography of a supposed Harvard grad turned Greenwich Village tramp named Joe Gould. Gould was, in Mitchell’s words, “an odd and penniless and unemployable little man who came to this city in 1916 and ducked and dodged and held on as hard as he could for over thirty-five years.” As Mitchell learns more about Gould’s epic Oral History—a reputedly nine-million-word collection of philosophizing, wanderings, and hearsay—he eventually uncovers a secret that adds even more intrigue to the already unusual story of the local legend. Originally written as two separate pieces (“Professor Sea Gull” in 1942 and then “Joe Gould’s Secret” twenty-two years later), this magnum opus captures Mitchell at his peak. As the reader comes to understand Gould’s secret, Mitchell’s words become all the more haunting. This ebook features an illustrated biography of Joseph Mitchell including rare images from the author’s estate.

"Like the best of the pulps, the narratives are creepy, darkly comical and elegantly composed, with lovingly detailed descriptions of place and an ample whiff of lurid decay." - Fangoria BOROUGHS OF THE DEAD is a collection of ten short horror stories set in and around New York City. Beneath its modern facade, New York City teems with dark secrets, faded spirits, and unnameable horrors. BOROUGHS OF THE DEAD weaves fact and myth, fiction and legend to tell ten of the most terrifying tales of the haunted metropolis. A medical doctor abandons all rationality when he falls in love with the spirit of a murdered woman. The nightmares of an adolescent boy come to life and stalk him to the deadly, polluted waters of Newtown Creek. A cholera demon wipes out the thieves and murderers of the Five Points. From ghost stories to zombie narratives to weird tales, BOROUGHS OF THE DEAD contains evils as diverse as Gotham itself.

Bohemia in America, 1858–1920 explores the construction and emergence of "Bohemia" in American literature and culture. Simultaneously a literary trope, a cultural nexus, and a socio-economic landscape, la vie bohème traveled to the United States from the Parisian Latin Quarter in the 1850s. At first the province of small artistic coteries, Bohemia soon inspired a popular vogue, embodied in restaurants, clubs, neighborhoods, novels, poems, and dramatic performances across the country. Levin's study follows la vie bohème from its earliest expressions in the U.S. until its explosion in Greenwich Village in the 1910s. Although Bohemia was everywhere in nineteenth- and twentieth-century American culture, it has received relatively little scholarly attention. Bohemia in America, 1858–1920 fills this critical void, discovering and exploring the many textual and geographic spaces in which Bohemia was conjured. Joanna Levin not only provides access to a neglected cultural phenomenon but also to a new and compelling way of charting the development of American literature and culture.