German Post-Expressionism is the first study to reconstruct historically the evolution of Die neue Sachlichkeit, the slogan coined as a designation for the Post-Expressionist figural art that developed throughout Germany following the failed revolution of 1919. Rather than starting with the moment this Post-Expressionist movement was christened with a slogan (1923), Crockett investigates the sources and precepts of Post-Expressionism beginning with the anti-Expressionist stance of Dada in 1918 and the loss of faith in Expressionism on the part of some of its chief supporters during 1919-20.

The study addresses a number of issues, among them the importance that manuscripts and text editing have in our comprehension of fiction; how Agnon composed some of his short works, lending them an indeterminacy and force to serve as comments on the human condition. In addition, the final chapters demonstrate several approaches to the interpretation of A Guest for the Night from thematic, linguistic, and intratextual perspectives.

The classic reference work that provides annually updated information on the countries of the world.

This book provides a reappraisal of Germany’s military between the mid-nineteenth century and the end of the First World War. At its core is the following question: how 'German' was the imperial German army? This army, which emerged from the Wars of Unification in 1871, has commonly been seen as the 'school of the nation'. After all – so this argument goes – tens of thousands of young men passed through its ranks each year, with conscripts undergoing an intense program of patriotic education and returning to civilian life as fervent German nationalists and ardent supporters of the German emperor, or Kaiser. This book reexamines this assumption. It does not deny that devotion to the Fatherland and loyalty to the Kaiser were widespread among German soldiers in the decades following unification. It nevertheless shows that the imperial German army was far less homogenous and far more faction-ridden than has hitherto been acknowledged.

Describes the life of German politician and activist Ernst Thèalmann, who once led the German Communist Party but lost the 1932 presidential election to Adolf Hitler, and examins how his legacy became one of the most important propaganda toold in centralEurope.