In the eighteenth century, it would not have been impossible to encounter an elephant or a kangaroo making its way down the Strand, heading towards the menagerie of Mr. Pidcock at the Exeter Change. Pidcock's was just one of a number of commercial menagerists who plied their trade in London in this period the predecessors to the zoological societies of the Victorian era. As the British Empire expanded and seaborne trade flooded into London's ports, the menagerists gained access to animals from the most far-flung corners of the globe, and these strange creatures became the objects of fascination and wonder. Many aristocratic families sought to create their own private menageries with which to entertain their guests, while for the less well-heeled, touring exhibitions of exotic creatures both alive and dead satisfied their curiosity for the animal world. While many exotic creatures were treasured as a form of spectacle, others fared less well turtles went into soups and civet cats were sought after for ingredients for perfume. In this entertaining and enlightening book, Plumb introduces the many tales of exotic animals in London.

John cannot explain how or why Mary Toft, the wife of a local journeyman, has managed to give birth to a dead rabbit. John and Zachary realize that nothing in their experience as rural physicians has prepared them to deal with a situation like this. When King George I learns of Mary's plight, she and her doctors are summoned to London

In this beguiling work Posnett journeys to some of the most far-flung locales on the planet to bring seven wonders of the natural world--eiderdown, vicu-a fiber, sea silk, vegetable ivory, civet coffee, guano, and edible birds' nests--that promise ways of using nature without damaging it.out damaging it.

Menagerie is the story of the panoply of exotic animals that were brought into Britain from time immemorial until the foundation of the London Zoo — a tale replete with the extravagant, the eccentric, and — on occasion — the downright bizarre. From Henry III's elephant at the Tower, to George IV's love affair with Britain's first giraffe and Lady Castlereagh's recalcitrant ostriches, Caroline Grigson's tour through the centuries amounts to the first detailed history of exotic animals in Britain. On the way we encounter a host of fascinating and outlandish creatures, including the first peacocks and popinjays, Thomas More's monkey, James I's cassowaries in St James's Park, and Lord Clive's zebra — which refused to mate with a donkey, until the donkey was painted with stripes. But this is not just the story of the animals themselves. It also the story of all those who came into contact with them: the people who owned them, the merchants who bought and sold them, the seamen who carried them to our shores, the naturalists who wrote about them, the artists who painted them, the itinerant showmen who worked with them, the collectors who collected them. And last but not least, it is about all those who simply came to see and wonder at them, from kings, queens, and nobles to ordinary men, women, and children, often impelled by no more than simple curiosity and a craving for novelty.

This collection of essays comprises short "biographies" of a number of famous taxidermied animals. Each essay traces the life, death and museum "afterlife" of a specific creature, illuminating the overlooked role of the dead beast in the modern human-animal encounter through practices as disparate as hunting and zookeeping.

Georgian landscape gardens are among the most visited and enjoyed of the UK's historical treasures. The Georgian garden has also been hailed as the greatest British contribution to European Art, seen as a beautiful composition created from grass, trees and water - a landscape for contemplation. But scratch below the surface and history reveals these gardens were a lot less serene and, in places, a great deal more scandalous.Beautifully illustrated in colour and black & white, this book is about the daily life of the Georgian garden. It reveals its previously untold secrets from early morning rides through to evening amorous liaisons. It explains how by the eighteenth century there was a desire to escape the busy country house where privacy was at a premium, and how these gardens evolved aesthetically, with modestly-sized, far-flung temples and other eye-catchers, to cater for escape and solitude as well as food, drink, music and fireworks. Its publication coincides with the 2016 tercentenary of the birth of Lancelot 'Capability' Brown, arguably Britain's greatest ever landscape gardener, and the book is uniquely positioned to put Brown's work into its social context.