Social and religious historians have conducted much research on Scottish colonial migrations to Ulster; however, there remains historical debate as to whether the Irish Sea in the seventeenth century was an intervening obstacle or a transportation artery. Vann presents a geographical perspective on the topic, showing that most population flows involving southwest Scotland during the first half of the seventeenth century were directed across the Irish Sea via centuries-old sea routes that had allowed for the formation of evolving cultural areas. As political or religious motivational factors presented themselves in the last half of that century, Vann holds, the established social and familial links stretched along those sea routes facilitated chain migration that led to the birth of a Protestant Ulster-Scots community. Vann also shows how this community constituted itself along religious and institutional rubrics of dissent from the Church of England, Church of Scotland, and Church of Ireland.

The book offers an exciting new map of the cultural geography of the Romantic era, and establishes a dynamic methodology for future comparative work."--BOOK JACKET.

Extensively revised for this edition, these essays combine to build a picture of Scottish history from the time of the Picts and the Britons, through the Wars of Independence, the Reformation and the time of the Covenanters, to the Union of the Parliaments in 1707 and the impact of industrialization on Victorian Scotland.

Northern Ireland, Scotland, and Wales—storied lands that have sparked the global imagination through their legends and centuries-old traditions—often seem to be eclipsed by the neighboring England. While there are many similarities between them, each is culturally distinct, with languages, traditions, and identities not shared by the others. But even as Northern Ireland, Scotland, and Wales each work to safeguard their unique heritages, they have also worked together and with England, despite the often tense relationships between them that have at times made coexistence difficult and independence movements frequent. The histories, peoples, and traditions of these remarkable lands are the subjects of this comprehensive volume.

'The most powerful representation yet of the race which has repeatedly changed history as we know it' - The Scotsman Alistair Moffat's journey, from the Scottish islands and Scotland, to the English coast, Wales, Cornwall and Ireland, ignores national boundaries to reveal the rich fabric of culture and history of Celtic Britain which still survives today. This is a vividly told, dramatic and enlightening account of the oral history, legends and battles of a people whose past stretches back many hundred of years. The Sea Kingdoms is a story of great tragedies, ancient myths and spectacular beauty.

In a lecture entitled ’Scotland’s shame’, delivered at the Edinburgh Festival in August 1999, Scotland’s leading musical composer James MacMillan sought in an explosive way to expose the continuing pervasiveness of anti-Irish and anti-Catholic sectarianism and bigotry in contemporary Scotland. A decade of heated public debate has followed. Drawing upon post-colonial critiques of the provincial nature of metropolitan theory, this book approaches the Scotland's shame debate as, in many ways, itself a classic metrocentric cultural struggle over the true and essential telos of a once colonised population. It argues that the most interesting question the debate has provoked, a question which thus far has failed to generate a worthy answer, is: is the Irish Catholic encounter with Scotland intelligible and if so, what is the nature of this intelligibility? The purpose of this book is to harness the complex and rich theory of colonialism which French philosopher, political activist and novelist Jean-Paul Sartre developed and struggled over, to venture a qualified and partial interpretation of the Irish Catholic experience of Scotland. Nevertheless, in so doing, the book takes seriously the charge of metrocentricism as it bears on the search for the meaning of the Irish Catholic adventure in Scotland and refuses to permit any simplistic interpretation of this adventure. Presenting findings from a new oral history archive consisting of 67 interviews with members of the Irish Catholic community in Scotland, attention is given to the themes of national identity, estrangement and belonging; diasporic imaginings of Ireland; anti-imperial activism, agitation and advocacy; culture, faith and family; and poverty, work education and equality.