In Kate Hoefler’s realistic and poetic picture book debut about the wide open West, the myth of rowdy, rough-riding cowboys and cowgirls is remade. A timely and multifaceted portrayal reveals a lifestyle that is as diverse as it contrary to what we've come to expect.

If you like your cowboys sexy, your heroines forgetful and your marriages convenient, this gentle parody of cowboy romances will leave you with a smile on your face and a sigh on your lips. Discover romantic comedy at its best in this captivating tale of a woman who finds her one true love and the cowboy hero afraid to give his heart. Michelle Garrison is a prolific romance writer whose career is suddenly on a downslide. Her plots are boring, her writing is stale and her readers are fleeing for greener pastures. Desperate to revive her career, Michelle sets out to write a bestseller, and who could make a more worthy hero than a cowboy. Force-marched to a dude ranch by her editor, Michelle soon finds herself trudging along a mountain road with no memory of who she is or where she's going, but thanks to the quintessential sexy cowboy hero, Michelle is saved. Swept up in her cowboy's arms, even Michelle can see the parody in her own story: "Everything she'd read about cowboys must be true, she thought, almost hysterically. No wonder they made such popular heroes in romances." This is a revised author’s cut reissue—Cowboy in My Pocket was originally published by Hard Shell Word Factory in 2001 "Kate Douglas bills her romance as a 'gentle parody of contemporary category romance' but in doing so creates a delightful love story that proves there's a good reason why certain plot devices become cliches—they really work on an emotional level . . . the author might have thought she was poking fun, but the romance reader has the last laugh with this sparkling romantic comedy!" —Gerry Benninger for Romantic Times Magazine

The Western introduces the novice to the pleasures and the meanings of the Western film, shares the excitement of the genre with the fan, addresses the suspicions of the cynic and develops the knowledge of the student. The Western is about the changing times of the Western, and about how it has been understood in film criticism. Until the 1980s, more Westerns were made than any other type of film. For fifty of those years, the genre was central to Hollywood's popularity and profitability. The Western explores the reasons for its success and its latter-day decline among film-makers and audiences alike. Part I charts the history of the Western film and its role in film studies. Part II traces the origins of the Western in nineteenth-century America, and in its literary, theatrical and visual imagining. This sets the scene to explore the many evolving forms in successive chapters on early silent Westerns, the series Western, the epic, the romance, the dystopian, the elegiac and, finally, the revisionist Western. The Western concludes with an extensive bibliography, filmography and select further reading. Over 200 Westerns are discussed, among them close accounts of classics such as Duel in the Sun, The Wild Bunch and Unforgiven, formative titles like John Ford's epic The Iron Horse, and early cowboy star William S. Hart's The Silent One together with less familiar titles that deserve wider recognition, including Comanche Station, Pursued and Ulzana's Raid.

"After battling a serious illness, Grace Cameron realizes one thing: her son needs his father. But how can she face Nathan Teague after seven years of lies? To ease into it, she enrolls her boy in the Cowboy Camp run by the Teague family on their Texas Hill Country ranch. ... Nathan is in shock when Grace comes back to town. ... how can he ever trust the woman who stole his son from him"--P. [4] of cover.

In an emotionally rich Western romance filled with passion, peril, and thrills, Kenny continues the all-American saga begun in "A Cowboy Christmas" with the second book of her trilogy featuring three adopted brothers. Original.

When Dallas society bride Elizabeth Eve Barrington discovers her intended’s financial ulterior motives for marriage, she hightails it out of the church in her wedding gown and hops in the back of a parked and beat-up pickup truck. Happy to leave the big city, sexy cowboy Connor McCall jumps in his truck, revs up his engine, and then heads home to Honor, Texas with the goal of saving his family's failing ranch. Hours later and miles down country roads, Connor discovers the stowaway bride, and he’s pretty sure she’s feigning amnesia. What’s a cowboy to do? Cowboy up, of course. He takes Eve home, determined to solve her mystery. What he discovers is a lot of smoke–and where there's smoke, there's fire, with the heat generating between them hot enough to burn. Will Connor be damned if he falls for the beautiful runaway bride or will he be damned if he doesn’t?