The Genius of Erasmus Darwin provides insight into the full extent of Erasmus Darwin's exceptional intellect. He is shown to be a major creative thinker and innovator, one of the minds behind the late eighteenth-century industrial revolution, and one of the first, if not the first, to perceive the living world (including humans) as part of a unified evolutionary scenario. The contributions here provide contextual understandings of Erasmus Darwin's thought, as well as studies of particular works and accounts of the later reception of his writings. In this way it is possible to see why the young Samuel Taylor Coleridge was moved to describe Darwin as 'the first literary character in Europe, and the most original-minded man'.Erasmus Darwin, Charles Darwin's grandfather, was one of the leading intellectuals of eighteenth-century England. He was a man with an extraordinary range of interests and activities: he was a doctor, biologist, inventor, poet, linguist and botanist. He was also a founding member of the Lunar Society, an intellectual community that included such eminent men as James Watt and Josiah Wedgwood.

Dr Erasmus Darwin seemed an innocuous Midlands physician, a respectable stalwart of eighteenth-century society. But there was another side to him. Botanist, physician, Lunar inventor and popular poet, Darwin was internationally renowned for extraordinary poems explaining his theories about sex and science. Yet he became a target for the political classes, the victim of a sustained and vitriolic character assassination by London's most savage satirists. Intrigued, prize-winning historian Patricia Fara set out to investigate why Darwin had provoked such fierce intellectual and political reaction. Inviting her readers to accompany her, she embarked on what turned out to be a circuitous and serendipitous journey. Her research led her to discover a man who possessed, according to Samuel Taylor Coleridge, 'perhaps a greater range of knowledge than any other man in Europe.' His evolutionary ideas influenced his grandson Charles, were banned by the Vatican, and scandalized his reactionary critics. But for modern readers he shines out as an impassioned Enlightenment reformer who championed the abolition of slavery, the education of women, and the optimistic ideals of the French Revolution. As she tracks down her quarry, Patricia Fara uncovers a ferment of dangerous ideas that terrified the establishment, inspired the Romantics, and laid the ground for Victorian battles between faith and science.

Eminent historian Paul Johnson provides a rich, succinct portrait of Charles Darwin Charles Darwin is arguably the most influential scientist of all time. His Origin of Species forever changed our concept of the world’s creation. Darwin’s revolutionary career is the perfect vehicle for historian Paul Johnson. Marked by the insightful observation, spectacular wit, and highly readable prose for which Johnson is so well regarded, Darwin brings the gentleman-scientist and his times brilliantly into focus. From Darwin’s birth into great fortune to his voyage aboard the Beagle, to the long-delayed publication of his masterpiece, Johnson delves into what made this Victorian gentleman into a visionary scientist—and into the tragic flaws that later led Darwin to support the burgeoning eugenics movement. Johnson’s many admirers as well as history and science buffs will be grateful for this superb account of Darwin and the everlasting impact of his discoveries.

While historians of science have focused significant attention on Erasmus Darwin’s scientific ideas and milieu, relatively little attention has been paid to Darwin as a literary writer. In The Poetry of Erasmus Darwin: Enlightened Spaces, Romantic Times, Martin Priestman situates Darwin’s three major poems - The Loves of the Plants (1789), The Economy of Vegetation (1791) and The Temple of Nature (1803) - and Darwin himself within a large, polymathic late-Enlightenment network of other scientists, writers, thinkers and social movers and shakers. Interpreting Darwin’s poetry in terms of Darwin’s broader sense of the poetic text as a material space, he posits a significant shift from the Enlightenment’s emphases on conceptual spaces to the Romantic period’s emphases on historical time. He shows how Darwin’s poetry illuminates his stance toward all the major physical sciences and his well-formulated theories of evolution and materially based psychology. Priestman’s study also offers the first substantial accounts of Darwin’s mythological theories and their links to Enlightenment Rosicrucianism and Freemansonry, and of the reading of history that emerges from the fragment-poem The Progress of Society, a first-ever printed edition of which is included in an appendix. Ultimately, Priestman’s book offers readers a sustained account of Darwin’s polymathic Enlightenment worldview and cognate poetics in a period when texts are too often judged by their adherence to a retrospectively constructed ’Romanticism’.