Hampton Court Palace has the finest Baroque park and garden layout in Britain. Set within 2,000 acres of parkland and bounded on its south and east sides by the River Thames, the historic landscape possesses a rich overlay of garden improvements from the early sixteenth to the twenty-first centuries. This book explores the history of this landscape. Among the many themes it addresses are the role and impact of patrons, designers and estate workers; planting and horticultural techniques; statuary, fountains and other garden ornaments; and maintenance and conservation. The photographs that accompany the text, by acclaimed photographer Vivian Russell, constitute the most comprehensive topographical survey of the palace's gardens since the late eighteenth century.

Hampton Court Palace, to the south-west of London, is one of the most famous and magnificent buildings in Britain. The original palace was begun by Cardinal Wolsey, but it soon attracted the attention of his Tudor king and became the centre of royal and political life for the next 200 years. In this new, lavishly illustrated history, the stories of the people who have inhabited the palace over the last five centuries take centre stage. Here Henry VIII and most of his six wives held court, Shakespeare and his players performed, and Charles I escaped arrest after his defeat in the Civil War. William III and Mary II introduced French court etiquette, and Georgian kings and princes argued violently amid the splendid interiors. Alongside the royal residents, there have been equally fascinating characters among courtiers and servants. Queen Victoria opened the palace to the public in the nineteenth century, and since then millions of visitors have been drawn to Hampton Court by its grandeur, its beauty and the many intriguing stories of those great and small who once lived here.

“If you can't get to the High Line. . . this is the next best thing.” —The Washington Post Before it was restored, the High Line was an untouched, abandoned landscape overgrown with wildflowers. Today it’s a central plaza, a cultural center, a walkway, and a green retreat in a bustling city that is free for all to enjoy. This beautiful, dynamic garden was designed by Piet Oudolf, one of the world’s most extraordinary garden designers. Gardens of the High Line, by Piet Oudolf and Rick Darke, offers an in-depth view into the planting designs, plant palette, and maintenance of this landmark achievement. It reveals a four-season garden that is filled with native and exotic plants, drought-tol­erant perennials, and grasses that thrive and spread. It also offers inspiration and advice on recreating its iconic, naturalistic style. Featuring stunning photographs by Rick Darke and an introduction by Robert Hammond, the founder of the Friends of the High Line, this large-trim, photo-driven book is a must-have gem of nature of design.

The book takes as its starting point the argument that the only way to understand fully a building such as Hampton Court is to set it in the political and social context of its time and to explore the lives and motivations of its builders. The picture that emerges is on the one hand intensely personal - one of architects and builders fulfilling the whims of kings and princes. On the other hand, it is bureaucratic: Hampton Court is revealed first as the royal household, then as a palace claimed by grace-and-favour residents and finally, by visitors and tourists as their own. The history of the building is taken right up to the beginning of the twenty-first century. The twentieth-century story of Hampton Court is one of conservation and of changing attitudes towards opening up the complex to the public - it covers everything from the agonising discussions as to whether to build public lavatories to an account of the private enterprise that caused an octogenarian to make a personal fortune out of opening the maze to the public. It includes also the story of the terrible fire of 1986 and its aftermath. Social history and architectural history sit side by side in this intriguing account. New and important attributions are made to the architects Hugh May, Nicholas Hawksmoor, William Talman, Colen Campbell and Edward Blore amongst others. Moreover, the palace and its setting are placed in their European context and their long-term architectural significance is gauged. The book is lavishly illustrated with original paintings, prints and drawings, while a specially commissioned suite of plans and reconstructions reveals the evolving form of the buildings.

Twenty years ago, Dan Pearson was invited to make a garden at the 240- hectare Tokachi Millennium Forest in Hokkaido, Japan. Part of the intention was to entice city dwellers to reconnect with nature and improve land that had been lost to intensive agriculture, and this was achieved along with much more. By tuning into the physical and cultural essence of the place and applying a light touch in terms of cultivation, this world class designer has created a remarkable place which has its heart in Japan's long-held respect for nature and its head in contemporary ecological planting design. The bold, uplifting sweep of the Meadow Garden mixes garden plants with natives while the undulating landforms of the Earth Garden bring sculptural connection with the mountains beyond. Under the skillful custodianship of Midori Shintani, the garden has evolved beautifully to reflect principles that lie at the heart of Japanese culture: observation of seasonal changes, practical tasks carried out with care and an awareness of the interconnectedness of all living things. This beautiful, instructive book allows us all to experience something of the Tokachi effect, gain expert insights into how to plant gardens that feel right for their location, and reconnect with the land and wildlife that surround us.

The gardens of the Italian Lakes are a favourite destination for garden lovers and groups. The gardens around Lake Como and Lake Maggiore, in the far north of Italy, are admired throughout the world for their beauty and variety in a magnificent natural location. This book sets out to become the standard work on these gardens as there is nothing of this kind on the market at the moment. It will appeal both to the specialist and enthusiast preparing for a visit. The common factor for all these gardens is their setting in this landscape of exceptional scenery. Lake Como is a deep lake hemmed in like a fjord by towering mountains. Lake Maggiore has more the character of an inland sea, with ferries crossing to the famous island gardens for an afternoon in another world. Both lakes are lined with the towers, villas and grand hotels that speak of a complex history including key events in Italy's struggle to achieve nationhood, inspiration for a string of illustrious writers and composers, and a long line of distinguished visitors. The gardens include: Villa Melzi, Bellagio: an early 19th-century romantic park on the lake shore Villa Carlotta, Cadenabbia: a terraced 17th-century property with woodland Villa del Balbianello, Lenno: a famously picturesque loggia Villa D'Este, Cernobbio: a 16th-century cascade garden with royal connections Villa Cicogna Mozzoni, Bisuschio: an intact 16th-century villa garden Villa Della Porta Bozzolo, Casalzuigno: a rural baroque garden Isola Bella, Stresa: a well-known island garden Isola Madre, Stresa: an island retreat of flowers and birds Villa San Remigio, Pallanza: an Edwardian garden made by two lovers Villa Taranto, Pallanza: one of the world's great woodland gardens

Visit over forty of Ireland's most beautiful gardens without moving from your armchair with this stunning book, ranging from the grand old demesnes of the Anglo-Irish ascendancy to the intensely personal creations of passionate plantsmen and garden makers. Visitors to Ireland are often surprised at the 'palm trees' that make so many gardens look as if they belong in a holiday postcard. How can such exotics survive on an island that is as far north as the prairies of Canada and the pine forests of Siberia? The answer lies in the tail of the Gulf Stream - the North Atlantic Drift - which wraps around this green land on the western edge of Europe. Its warm and watery embrace bestows the renowned 'soft' climate that allows those palm trees (in fact, New Zealand cordylines) to make their homes here - along with tree ferns from Australia and bananas from Japan. Plants from colder regions, including rhododendrons, primulas and all manner of alpines, are equally happy. So, with a range of plants that runs from the subtropical to the subarctic, and a landscape that varies from gently pastoral to savagely rugged, the aptly named Emerald Isle has some of the most romantic and interesting gardens in the world. The result of a lifetime visiting, considering and writing about gardens in Ireland, and several years of dedicated photography, this is a truly comprehensive exploration of a fascinating subject.