"The Garden Politic shows how Americans in the nineteenth century used plants to understand their nation, mobilizing them for many different political ends, from abolition to private property. It also shows the importance of everyday gardening practices to broader environmental understandings, and suggests the lessons that this earlier period might offer our contemporary environmental imaginations"--

War is the natural occupation of man . war-and gardening. Winston Churchill to Siegfried Sassoon, 1918 In the common public perception, contemporary gardening is understood as suburban, as leisure activity, as television makeover opportunity. Its origins are seen as religious or spiritual (Garden of Eden), military (the clipped lawn, the ha-ha and defensive ditches), aristocratic or monarchical (the stately home, the Royal Horticultural Society). Radical Gardening travels an alternative route, through history and across landscape, linking propagation with propaganda. For everyday garden life is not only patio, barbecue, white picket fence, topiary, herbaceous border.. From window box to veggie box, from political plot to flower power, this book uncovers and celebrates moments, movements, gestures, of a people's approach to gardens and gardening. It weaves together garden history with the counterculture, stories of individual plants with discussion of government policy, the social history of campaign groups with the pleasure and dirt of hands in the earth, as well as original interviews alongside media, pop and art references, to offer an informing and inspiring new take on an old subject.

"The Garden Politic shows how Americans in the nineteenth century used plants to understand their nation, mobilizing them for many different political ends, from abolition to private property. It also shows the importance of everyday gardening practices to broader environmental understandings, and suggests the lessons that this earlier period might offer our contemporary environmental imaginations"--

While most of the existing literature on community gardens and urban agriculture share a tendency towards either an advocacy view or a rather dismissive approach on the grounds of the co-optation of food growing, self-help and voluntarism to the neoliberal agenda, this collection investigates and reflects on the complex and sometimes contradictory nature of these initiatives. It questions to what extent they address social inequality and injustice and interrogates them as forms of political agency that contest, transform and re-signify ‘the urban’. Claims for land access, the right to food, the social benefits of city greening/community conviviality, and insurgent forms of planning, are multiplying within policy, advocacy and academic literature; and are becoming increasingly manifested through the practice of urban gardening. These claims are symptomatic of the way issues of social reproduction intersect with the environment, as well as the fact that urban planning and the production of space remains a crucial point of an ever-evolving debate on equity and justice in the city. Amid a mushrooming over positive literature, this book explores the initiatives of urban gardening critically rather than apologetically. The contributors acknowledge that these initiatives are happening within neoliberal environments, which promote –among other things - urban competition, the dismantling of the welfare state, the erasure of public space and ongoing austerity. These initiatives, thus, can either be manifestation of new forms of solidarity, political agency and citizenship or new tools for enclosure, inequality and exclusion. In designing this book, the progressive stance of these initiatives has therefore been taken as a research question, rather than as an assumption. The result is a collection of chapters that explore potentials and limitations of political gardening as a practice to envision and implement a more sustainable and just city.

Shelley Saguaro's unique book illustrates the persistent presence of gardens in literature. Gardens in fiction do not simply represent a familiar theme, Saguaro contends, but are bound up with wider aesthetic and ideological issues. As with literary forms, so too are gardens subject to transformations. Encompassing a wide array of twentieth- and twenty-first century authors, including Virginia Woolf, Eudora Welty, Carol Shields, J. M. Coetzee, Toni Morrison, Leslie Marmon Silko, Jamaica Kincaid, Don DeLillo, and Philip K. Dick, this book's preoccupations are signalled in the evocatively titled chapters: Botanical Modernisms; Natural History and Postmodern Grafting; Postcolonial Landscapes; How Does Your Cyber Garden Grow?; and Coevolutionary Histories - the Poetics of a Paradox. Informed by postcolonial, formalist, feminist, and psychoanalytic theories, Garden Plots is a must read for all those alive to the space gardens inhabit in the literary landscape.

This monograph examines the contributions of landscape design to authority and to organization of public life in imperial Russia. Analyzing how tsars and nobles inscribed their political aspirations in the gardens they designed or inhabited, this study maps out a distinct trajectory in the meaning of landscape design. Based partly on archival documents, it explores the reasons for Catherine the Great's keen interest in landscape design. It reconstructs Grigorii Potemkin's attempts to transform the Crimea physically and symbolically into the garden of the empire. And it reveals the centrality of the garden for noblemen such as Andrei Bolotov and Alexander Kurakin, who expressed their political philosophy and their anxieties about unstable social relations through landscaping. The book follows the destiny of western aesthetic categories, notably of the picturesque, as they are first adopted, then transformed, and ultimately rejected. It analyzes the historical role and mythological representations of the country estate, along with Leo Tolstoy's fraught commitment to Yasnaya Polyana and his critique of estate mythology in War and Peace. Finally, this study exposes how the current fashion for gardening in Russia, in particular among New Russians, alludes to imperial landscaping culture in order to justify a retreat from the public sphere.

One of Canadian Prime Minister Justin Trudeau’s “10 Books Everyone Should Read” This fascinating study of democracy in the 21st century is a much-needed call for citizens to reach across the aisle and put power back into the hands of individuals—not Big Government Eric Liu and Nick Hanauer outline a simple but revolutionary argument for why our most basic assumptions about democracy need updating for the 21st century. They offer a roadmap for those looking for a way forward from an American life marked by divisive conversations. In a world with widespread political upheaval, a deep wellspring of civic engagement and collective action is emerging. America is finding that our cultural and political dialogue is spiking over everything from racial and social justice to fighting the ever-widening income gap, to climate change—even how we might best collaborate as active citizens to heal our democracy. Timely, inspiring, and highly charged, The Gardens of Democracy is a much-needed call to action for citizens to embrace their roles in a democratic society. To model positivity and good citizenship, plus ensure liberty and justice for all, we must achieve compromise by reaching across the aisle and putting the power to execute programs back in the hands of individuals, not big government. We must redefine how we view prosperity in order to move from a dog-eat-dog mentality that perpetuates the top 1% to a communal and inclusive movement that illustrates that we’re all better off when we’re all better off.