Mimi laid the box in the bench and opened it carefully. Inside were rows and rows of coloured pastels that shimmered in the light. She rolled them under her fingertips and her imagination began to fill with amazing pictures. When Mimi is given a box of magical pastels, she discovers that she can draw the Garden of Empress Cassia – a drawing so beautiful and real that people are transported inside it. But the pastels are ancient, mysterious and powerful, and in the wrong hands can be very dangerous . . .

In this guide, two experienced school librarians provide a selection of books for librarians, teachers and parents. The Fiction Gateway is an essential resource that supports individual, group and social reading program and provides an instant guide to matching children's interests with suitable reading material.

The flute music stops, and my breath catches in my throat. Silence falls like a veil. Then I hear something - no, I feel it in my chest. 'Steady yourself,' Por Por whispers. 'It's here . . . ' When Celeste travels to China to visit her grandmother, she uncovers an incredible family secret. And with this secret comes danger and adventure. If Celeste is to save her family and friends, she must learn to harness her rare and powerful gift as a ghost-hunter. . . From the award-winning author of The Garden of Empress Cassia

"It's 1864 . . . and Poppy, disguised as a boy, has escaped from the aboriginal mission at Bird Creek near Echuca. Her dream is to find her brother Gus, who ran away to pan for gold. But travelling alone through the Australian bush is full of danger and adventure . . . Journey with Poppy across all four exciting stories about a girl who dreams of a better life during the Gold Rush. Resourceful, brave and kind, Poppy is an unforgettable Australian Girl."

This book, first published in 1982, was the first translation of the Chinese classic Yü-t-‘ai hsin-yung – the unique anthology of love poems, compiled in AD 545. This traces the development of love poetry from the second century BC to its full flowering in the fifth and sixth centuries AD. Dr Birrell’s incisive introductory essay provides a concise survey of the historical and literary setting to the poems and explains the conventions governing courtly love poetry. In particular, the reader’s attention is drawn to the many and varied artistic uses of imagery in the poems. Major poets are noted for their artistic achievement and for their contribution to the development of the genre. Dr Birrell also supplies a valuable section of notes on the poems to guide the reader through unfamiliar historical events, legends, anecdotes and famous places and people, and there is a similar section of notes on the poets offering biographical details.

With her master dead and her oaths foresworn, necromancer and spy Isyllt Iskaldur finds herself in exile. Hounded by assassins, she seeks asylum in Assar, the empire she so recently worked to undermine. Warlords threaten the empire's fragile peace, and the empress is beset by enemies within the court. Even worse, darkness stirs in the deep desert. Ancient spirits long held captive are waking -- spirits that can destroy Assar faster than any army. Accompanied by an outcast jinn, Isyllt must travel into the heart of the desert to lay the darkness there to rest once more. But her sympathies are torn between the captive spirits and the order of mages sworn to bind them. And whichever choice she makes could raze the empire to dust.

In preparing a book of etiquette for ladies, I would lay down as the first rule, "Do unto others as you would others should do to you." You can never be rude if you bear the rule always in mind, for what lady likes to be treated rudely? True Christian politeness will always be the result of an unselfish regard for the feelings of others, and though you may err in the ceremonious points of etiquette, you will never be impolite. Politeness, founded upon such a rule, becomes the expression, in graceful manner, of social virtues. The spirit of politeness consists in a certain attention to forms and ceremonies, which are meant both to please others and ourselves, and to make others pleased with us; a still clearer definition may be given by saying that politeness is goodness of heart put into daily practice; there can be no _true_ politeness without kindness, purity, singleness of heart, and sensibility.