J.T. Greathouse continues his Pact and Pattern fantasy series, hailed by New York Times bestselling author Anthony Ryan as “a captivating epic of conflicted loyalties and dangerous ambition.” The boy once known as Wen Alder has become the rebel witch Foolish Cur. Schooled in both the powers that bound him to serve the emperor as well as the furious, wild magic of his mother’s ancestors, he was torn between two worlds, until he realized the brutal nature of the emperor and his rule. Joining the rebellion, he soon experienced the painful sacrifices that come with defiance. Now the emperor—covetous of all the magic he controls—has decided to take his ruthless quest for power to the gods themselves. If he succeeds, the gods will unleash a storm of death and destruction unlike any even imagined. Only Foolish Cur has the skills and strength to stave off such a nightmare. While Foolish Cur fights the Empire in Nayen, others wage their own rebellions. A successful tutor opens a school to preserve his own dying culture while a warrior of the plains discovers powers long thought lost. And a servant of the empire begins to question the violence that threatens to engulf them all... Praise for The Hand of the Sun King: “An original fantasy filled with magic and culture.” — New York Times bestselling author Kevin J. Anderson "An outstanding debut novel with ... twists that will keep you reading late into the night." — Michael Mammay, author of the Planetside series “A great coming of age story about a foolish boy who seeks to unravel the secrets of magic and maybe do something good in the process. I absolutely loved it.” — Nick Martell, author of Kingdom of Liars “Set in a fantastical world of magic with a rich history, this novel fits beautifully into its genre while also addressing some failings of the genre by turning them on their head.” — Dawn Vogel, author of History That Never Was

A history of the colonial tea plantation regime in Assam, which brought more than one million migrants to the region in northeast India, irrevocably changing the social landscape.

Gardens of Empire is the first book which gives a detailed analysis of the foundation, extent, management and achievements of the 120 botanic gardens, herbaria and botanic stations - from Hong Kong to British Honduras, Malacca to the Gold Coast, Fiji to Malta, Jamaica to Sydney - which flourished in the Victorian British empire. There young British curators faced the hazards of malaria, blackwater fever, occasionally a hostile indigenous population, snakes and dangerous animals, personal penury, and jealous settlers who usually opposed any suggestion of diversification from monoculture or of preserving the natural bush for ecological reasons. This is the story of a lost world - where pith-helmeted botanists tamed jungles and supplied Kew with the flora of the empire.

A new epic begins fueled by visions promising him prolonged life and political power, the dying Corajidin, leader of a millennia-old dynasty, has brought the nation of Shrīan to civil war. But is his bright destiny assured, or do the events unfolding around him promise a more ignoble, and finite, future Indris, warrior-mage of the Sēq Scholars and scion of a rival Great House, is caught in the upheaval. Driven by loyalty and conscience to return to a city that haunts his past, Indris reluctantly accepts the task of finding a missing man, the only one able to steer the teetering nation toward peace? The celebrated warrior-poet, Mari, touches both men's lives: one as daughter, one as lover. As her world unravels around her, can she be true to both her duty to blood, and her own desires for freedom and happiness.

Vast legions of gods, mages, humans, dragons and all manner of creatures play out the fate of the Malazan Empire in this first book in a major epic fantasy series from Steven Erikson. The Malazan Empire simmers with discontent, bled dry by interminable warfare, bitter infighting and bloody confrontations with the formidable Anomander Rake and his Tiste Andii, ancient and implacable sorcerers. Even the imperial legions, long inured to the bloodshed, yearn for some respite. Yet Empress Laseen's rule remains absolute, enforced by her dread Claw assassins. For Sergeant Whiskeyjack and his squad of Bridgeburners, and for Tattersail, surviving cadre mage of the Second Legion, the aftermath of the siege of Pale should have been a time to mourn the many dead. But Darujhistan, last of the Free Cities of Genabackis, yet holds out. It is to this ancient citadel that Laseen turns her predatory gaze. However, it would appear that the Empire is not alone in this great game. Sinister, shadowbound forces are gathering as the gods themselves prepare to play their hand... Conceived and written on a panoramic scale, Gardens of the Moon is epic fantasy of the highest order--an enthralling adventure by an outstanding new voice. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In Gardens of the Roman Empire, the pioneering archaeologist Wilhelmina F. Jashemski sets out to examine the role of ancient Roman gardens in daily life throughout the empire. This study, therefore, includes for the first time, archaeological, literary, and artistic evidence about ancient Roman gardens across the entire Roman Empire from Britain to Arabia. Through well-illustrated essays by leading scholars in the field, various types of gardens are examined, from how Romans actually created their gardens to the experience of gardens as revealed in literature and art. Demonstrating the central role and value of gardens in Roman civilization, Jashemski and a distinguished, international team of contributors have created a landmark reference work that will serve as the foundation for future scholarship on this topic. An accompanying digital catalogue will be made available at: www.gardensoftheromanempire.org.

Like their penchant for clubs, cricket, and hunting, the planting of English gardens by the British in India reflected an understandable need on the part of expatriates to replicate home as much as possible in an alien environment. In Flora's Empire, Eugenia W. Herbert argues that more than simple nostalgia or homesickness lay at the root of this "garden imperialism," however. Drawing on a wealth of period illustrations and personal accounts, many of them little known, she traces the significance of gardens in the long history of British relations with the subcontinent. To British eyes, she demonstrates, India was an untamed land that needed the visible stamp of civilization that gardens in their many guises could convey. Colonial gardens changed over time, from the "garden houses" of eighteenth-century nabobs modeled on English country estates to the herbaceous borders, gravel walks, and well-trimmed lawns of Victorian civil servants. As the British extended their rule, they found that hill stations like Simla offered an ideal retreat from the unbearable heat of the plains and a place to coax English flowers into bloom. Furthermore, India was part of the global network of botanical exploration and collecting that gathered up the world's plants for transport to great imperial centers such as Kew. And it is through colonial gardens that one may track the evolution of imperial ideas of governance. Every Government House and Residency was carefully landscaped to reflect current ideals of an ordered society. At Independence in 1947 the British left behind a lasting legacy in their gardens, one still reflected in the design of parks and information technology campuses and in the horticultural practices of home gardeners who continue to send away to England for seeds.