Cardano, next to Vesalius the greatest physician of his day, was also a devoted and skilled gambler who played for personal pleasure and profit. His mathematical genius enabled him to devise simple rules of probability for his own benefit and for his gambling contemporaries. These he collected in his Book on Games of Chance and embellished them with essays on the tricks of cheats and kibitzers, as well as on psychological rules of play. In this biography of a stormy Renaissance personality, Cardano's gambling studies are deciphered for the first time, and a translation of the Book on Games of Chance is appended. Originally published in 1953. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Fyodor Dostoevsky’s novel The Gambler is one of the most profound literary works to treat the phenomenon of gambling with a remarkable depth of psychological analysis and a wide-ranging cultural and philosophical exploration of obsessive behavior, from addictive gambling to erotic passion. This novel delves into the cultural, psychological, and philosophical issues surrounding games of chance such as temporality, freedom, rebellion, choice, uncertainty, determinism, and creativity. This is the first book in English dedicated to The Gambler. This volume considers the phenomenon of gambling from a broad interdisciplinary perspective, focusing not only on medical and psychological concepts of gambling as pathology, but also on the broader cultural, philosophical, religious, and aesthetic aspects of the problem. What triggers fascination with risk-taking and various aleatory activities? What are the relations between gambling, play, and creativity? Can gambling be seen as a form of social or existential rebellion and protest or even a quest for freedom? Scholars from a variety of fields, including psychiatry, psychology, philosophy, literary studies, and musicology, have contributed to this volume and analyzed Dostoevsky’s view of gambling as a fundamental problem of human existence, with implications in the realms of philosophy, religion, and aesthetics.

FINALIST FOR THE PEN JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY “Feminism, history, literature, politics—this tale has all of that, and a heroine worthy of her own turn in the spotlight.” —Therese Anne Fowler, bestselling author of Z: A Novel of Zelda Fitzgerald A revelatory new portrait of the courageous woman who saved Dostoyevsky’s life—and became a pioneer in Russian literary history In the fall of 1866, a twenty-year-old stenographer named Anna Snitkina applied for a position with a writer she idolized: Fyodor Dostoyevsky. A self-described “girl of the sixties,” Snitkina had come of age during Russia’s first feminist movement, and Dostoyevsky—a notorious radical turned acclaimed novelist—had impressed the young woman with his enlightened and visionary fiction. Yet in person she found the writer “terribly unhappy, broken, tormented,” weakened by epilepsy, and yoked to a ruinous gambling addiction. Alarmed by his condition, Anna became his trusted first reader and confidante, then his wife, and finally his business manager—launching one of literature’s most turbulent and fascinating marriages. The Gambler Wife offers a fresh and captivating portrait of Anna Dostoyevskaya, who reversed the novelist’s freefall and cleared the way for two of the most notable careers in Russian letters—her husband’s and her own. Drawing on diaries, letters, and other little-known archival sources, Andrew Kaufman reveals how Anna protected her family from creditors, demanding in-laws, and her greatest romantic rival, through years of penury and exile. We watch as she navigates the writer’s self-destructive binges in the casinos of Europe—even hazarding an audacious turn at roulette herself—until his addiction is conquered. And, finally, we watch as Anna frees her husband from predatory contracts by founding her own publishing house, making Anna the first solo female publisher in Russian history. The result is a story that challenges ideas of empowerment, sacrifice, and female agency in nineteenth-century Russia—and a welcome new appraisal of an indomitable woman whose legacy has been nearly lost to literary history.

Abramson (Hebrew literature, U. of Oxford) presents a detailed critical description and thematic analysis of Amichai's work, with reference to the historical background from which it has emerged. The problems of an emerging national culture are seen subjectively through the eyes of one of its most sensitive and perceptive literary observers. Studies in literary theory and history by the influential Russian linguist (1890-1938), edited, translated, and introduced by Anatoly Liberman. Annotation copyrighted by Book News, Inc., Portland, OR

The third volume in Juliet E. McKenna's acclaimed Tales of Einarinn series. The sequel to The Swordsman's Oath.

Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element light can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.

Screening calls from her father's creditors, hiding his mail from her mother—being the child of a compulsive gambler wasn't easy, and Annette B. Dunlap thought for years that her experience was a singular one. In early adulthood, she was fortunate enough to learn that she was not unique, that other children had grown up with parents (usually fathers) addicted to gambling. But when she learned, shortly before her mother died, that her grandfather had also been involved in gambling, she realized the extent to which gambling was a part of her family history. As she delved further into the subject, she also discovered the extent to which gambling is, in her words, "a peculiarly Jewish addiction." Framing the issue of gambling in both historical and sociological terms, Dunlap examines the struggle between the "official" Jewish community—Jewish leaders have long either condemned or ignored the evils of gambling—and the significant number of everyday Jews who continue to gamble, many at a level that would be considered addictive. Gambling continues to be a serious problem within the Jewish community, Dunlap argues, regardless of whether the person is Orthodox or a Jew in name only. The Gambler's Daughter is both a personal story of a father's gambling addiction and a more general inquiry into the hidden history of gambling in the Jewish community. Readers who either live or have lived with an addictive family member will find the book useful, as will those students of Jewish social history interested in a long-ignored facet of American Jewish life.