Two friends search for their heart’s desire in this small-town romantic story set in Ireland. Kerry McCormack has fallen in love all over again with her husband Stephen, and after a heartbreaking loss, she longs for another child. But will her lifelong quest of having a farm bring an end to her marriage? Her best friend Fiona Whelan has left her free-spirited life behind her. Or so she thinks—until she finds herself caught between Dublin artist Colm, the man she was once mad about, and the sweet, youthful passion of Davie, who can see the woman she’s meant to be. A fun read for gardeners and country-lovers, The Galway Girls is a warmhearted tale of women’s friendship and love lost and love found among the misty green hills of the Irish countryside! Susan Colleen Browne's Village of Ballydara series, set in a sleepy Irish village, features heartfelt novels of love, friendship and family...The Galway Girls is the sequel to The Hopeful Romantic, Book 3 of the series--here's praise for The Hopeful Romantic: “The pages of this engaging story explores many facets about marriage, relationships, and family life… We certainly do hope that the author will continue to transport us to the Emerald Isle in her next novel in the Village of Ballydara series.” —Chanticleer Reviews

“They don’t come much tougher than Ken Bruen’s Irish roughneck, Jack Taylor,” and crime thrillers don’t get any better than this (The New York Times Book Review). Jack Taylor has never quite been able get his life together, but now he has truly hit rock bottom. Still reeling from a violent family tragedy, Taylor is busy drowning his grief in Jameson and uppers, as usual, when a high-profile officer in the local Garda is murdered. After another Guard is found dead, and then another, Taylor’s old colleagues from the force implore him to take on the case. The plot is one big game, and all of the pieces seem to be moving at the behest of one dangerously mysterious team: a trio of young killers with very different styles, but who are united their common desire to take down Jack Taylor. Their ring leader is Jericho, a psychotic girl from Galway who is grieving the loss of her lover, and who will force Jack to confront some personal trauma from his past. As sharp and sardonic as it is starkly bleak and violent, Galway Girl shows master raconteur Ken Bruen at his best: lyrical, brutal, and ceaselessly suspenseful.

In this romantic suspense thriller by a New York Times bestseller, a Texas Ranger must rescue his wife and family from danger in the Adirondacks. Texas Ranger Jack Galway knows his wife Susanna loves him, so when their marriage hits a rough patch, he supports her decision to take their two teenaged daughters to Boston for a break. But when a few weeks turns into several months, Jack heads to Boston to get his family back. Packing up the girls and her grandmother, Susanna heads to her cabin in the Adirondacks, trying to escape her fears, her secrets and even the man she loves. Little does she know she’s being followed, not just by her husband but also by a murderer . . . Trapped in the mountains, Jack and Susanna must find strength in each other if they hope to keep their family together and escape the cabin alive. Originally published in 2002 Praise for The Cabin “[A] thrilling romance with plenty of action, mystery and suspense that keep the reader fascinated.” —The Romance Readers Connection “Brisk pacing and colorful characterizations sweep the reader toward a dramatic and ultimately satisfying denouement.” —Publishers Weekly

Ancient heroes from Irish mythology and folklore come to life in the modern world in this dark, atmospheric story. At once a thrilling chase novel and a wry reimagining of Ireland’s oldest epic, it is sure to enthrall readers of Neil Gaiman and Cassandra Khaw. Everybody is after the girl in the bog. One morning in a field in Connemara, a farmer unearths the body of a young woman, two thousand years old, preserved under layers of peat. Later that evening, she awakens in unfamiliar modern Ireland, ripping a hole through space and time and setting awhirl old animosities and long-held grudges. Shadowy figures follow her from the pagan past, and each emerges with a claim on the girl from the bog. With help from a trio of wannabe teenage witches, she goes on the run. Joining in the chase is an American archaeologist who wants to keep the discovery for herself and two befuddled farmers trapped in the plot. Hosts of fairies out for the night work their magic and mischief, and in the blue hour before sunrise, the saga unfolds in a battle for the ages. Part fantasy, part mystery, part thriller, part send-up, this comic and poignant love song to Irish literature and the gift of gab does not merely bend genres; it braids them into Celtic knots.

Footsteps in the Dew is a novel which details the social history of rural Ireland between the two World Wars.

Ordinary Masochisms reveals how literary works from the nineteenth and twentieth centuries frequently challenged the prevailing view of masochism as a deviant behavior, an opinion supported by many sexologists and psychoanalysts in the 1800s. In these texts, Jennifer Mitchell highlights everyday examples of characters deriving pleasure from pain in encounters and emotions such as flirtations, courtships, betrothals, lesbian desires, religious zeal, marital relationships, and affairs. Mitchell begins by examining the archetypal tale of Samson and Delilah together with Venus in Furs by Leopold von Sacher-Masoch, from whom masochism gets its name. Through close readings, Mitchell then argues that Charlotte Brontë’s Villette, George Moore’s A Drama in Muslin, D. H. Lawrence’s The Rainbow, and Jean Rhys’s Quartet all experiment with masochistic relationships that are more complex than they seem. Mitchell shows that, far from being victimized, the characters in these works achieve self-definition and empowerment by pursuing and performing pain and that masochism is a generative response rather than a destructive force beyond their control. Including readings of Octave Mirbeau’s The Torture Garden and Ian McEwan’s The Comfort of Strangers, Mitchell traces shifts in public consciousness regarding sex and gender and discusses why masochism continues to be categorized as a perversion today. The literary world, she asserts, has repeatedly questioned this notion as well as masochism’s associations with passivity and femininity, using the behavior to defy heteronormative and heteropatriarchal gender dynamics.