In The Odes of Horace, Steele Commager examines the odes with particular attention both to their language and structure and to the effect a poem is intended to, or does, produce. Horace’s conciseness and apparent clarity phrase by phrase tempt us into believing that there is an equally concise and clear meaning to be assigned to a poem, or even to his thought as a whole. Yet Horace has no systematic philosophy to impart; his poems record only an imaginative apprehension of the world. Each ode is a calculated assault on our sensibilities, a deliberate invasion of our consciousness. Only by yielding to each in its entirety can we momentarily share Horace’s vision.

Greek and Roman mythology has fascinated people for more than two millennia, and its influence on cultures throughout Europe, America, North Africa, and the Middle East attests to the universal appeal of the stories. This title examines the best-known figures of Greek and Roman mythology together with the great works of classic literature.

This book asks what it means to write poetry in and about the Anthropocene, the name given to a geological epoch where humans have a global ecological impact. Combining critical approaches such as ecocriticism and posthumanism with close reading and archival research, it argues that the Anthropocene requires poetry and the humanities to find new ways of thinking about unfamiliar spatial and temporal scales, about how we approach the metaphors and discourses of the sciences, and about the role of those processes and materials that confound humans’ attempts to control or even conceptualise them. Poetry and the Anthropocene draws on the work of a series of poets from across the political and poetic spectrum, analysing how understandings of technology shape literature about place, evolution and the tradition of writing about what still gets called Nature. The book explores how writers’ understanding of sciences such as climatology or biochemistry might shape their poetry’s form, and how literature can respond to environmental crises without descending into agitprop, self-righteousness or apocalyptic cynicism. In the face of the Anthropocene’s radical challenges to ethics, aesthetics and politics, the book shows how poetry offers significant ways of interrogating and rendering the complex relationships between organisms and their environments in a world increasingly marked by technology.