John Gregorson Campbell was a folklorist who collected and published the traditions of their native Highlands and Islands during the second half of the 19th century and first few years of the 20th. This work includes his views on superstitions, witchcraft and second sight.

Belief in the existence of a parallel world and in otherworldly phenomena has long been established in Irish tradition, and facets of such belief continue to be found in contemporary Irish society. This book, with two accompanying compact discs, examines aspects of the enduring fascination the Irish imagination has with supernatural beings, encounters, and occurrences, as represented in song and music. The material contained in this publication, which includes recorded sound, photographs, and manuscript transcriptions, is drawn from National Folklore Collection/Cnuasach Bhealoideas Eireann at University College Dublin. The book addresses a number of illuminating aspects of popular tradition, such as: the connection between the supernatural and excellence in the performance of music and song * the dangers inherent in engaging with the fairies * the fear of abduction or loss * benign supernatural encounters * the existence of otherworldly creatures * the physical landscape, as perceived in inherited oral knowledge. There are encounters that reflect the blending of Christian and non-Christian ideas. The inclusion of contemporary performers alongside older archival material is testament to the fact that the National Folklore Collection continues to grow and remains the most important repository of Irish vernacular culture. The songs, music, and lore contained here are the foundation stone upon which the book rests, and the selected examples are illustrated with numerous black-and-white photographs. There can be little doubt that the full spectrum of human experience is better comprehended with an understanding of traditional lore and belief. The Otherworld: Music & Song from Irish Tradition addresses an important aspect of that human experience and seeks to encourage just such an engagement. It is a book for both the general reader and scholars of folklore. (Series: Scribhinni Bealoidis / Folklore Studies - Vol. 21) *** "The book itself boasts an endlessly informative text and many resonant photographs of singers, musicians, collectors and -- most of all -- landscape features. The last of these record Ireland's unsettling countryside, home to fairies, banshees and ghosts, and serve to set already evocative songs and tunes in places that are of, at once, this world and the otherworld. If there is another compilation like this one, I have never heard of it, and I doubt that it could be as stimulating as this one, a unique and (almost literally) haunting excursion into mystery and melody." - Jerome Clark, Rambles.Net, May 18, 2013 *** "This remarkable book with its breathtaking old photos (and two magical CDs) offers Irish traditional music and song associated with fairies of the Otherworld... Material was gleaned from all over Ireland, and not just from professional musicians; most was collected from islanders, urbanites, farmers, students, teachers and Travellers... Most songs are sung a cappella, and most instrumentalists perform solo, offering intense listening experiences, as jigs, waltzes, laments, dirges, and recitations chronicle legends, local history, religion, and supernatural happenings." - The Celtic Connection, June 2013~

John Gregorson Campbell (1834-91) was one of the most outstanding folklorists working in Scotland during the nineteenth century. Based on materials which he had gathered in the 1850s and 1860s, his Superstitions of the Highlands and Islands of Scotland and Witchcraft and Second Sight in the Highlands and Islands were published posthumously in 1900 and 1902. Engagingly written in an anecdotal style, they introduce us to a galaxy of fairies, witches, ghosts and supernatural creatures, as well as general superstitions and the beliefs and rituals of the traditional calendar. Having been written as a single work, they are now reunited as one volume. In a lively introduction, Ronald Black illuminates Campbell's work with extensive explanatory notes and a radically revised biography of the collector, supported by bibliography, maps and index.

Through prayers, chants, and practical exercises, Celtic Visions teaches readers how to tap into their inner spiritual power, enabling them to experience heightened perception and open portals to other realms of existence. Drawn from ancient Gaelic and Welsh sources, this visionary guide reveals the truth behind the prophetic visions of the druids and seers. It explains their methods for communicating with the Otherworld through omens and fairy lore and explores the Celtic gift of "second sight"—the ability to perceive both the visible and the invisible aspects of reality.