The Functions of Unnatural Death in Stephen King: Murder, Sickness, and Plots examines over thirty of King’s works and looks at the character deaths within them, placing them first within the chronology of the plot and then assigning them a function. Death is horrific and perhaps the only universal horror because it comes to us all. Stephen King, known as the Master of Horror, rarely writes without including death in his works. However, he keeps death from being repetitious or fully expected because of the ways in which he plays with the subject, maintaining what he himself has called a childlike approach to death. Although character deaths are a constant, the narrative function of those deaths changes depending on their placement within the plot. By separating out the purposes of early deaths from those that come during the rising action or during the climax, this book examines the myriad ways character deaths in King can affect surviving characters and therefore the plot. Even though character deaths are frequent and hardly ever occur only once in a book, King’s varying approaches to, and uses of, these deaths show how he continues to play with both the subject and its facets of horror throughout his work.

Includes the stories “The Body” and “Rita Hayworth and Shawshank Redemption”—set in the fictional town of Castle Rock, Maine A “hypnotic” (The New York Times Book Review) collection of four novellas—including the inspirations behind the films Stand By Me and The Shawshank Redemption—from Stephen King, bound together by the changing of seasons, each taking on the theme of a journey with strikingly different tones and characters. This gripping collection begins with “Rita Hayworth and the Shawshank Redemption,” in which an unjustly imprisoned convict seeks a strange and startling revenge—the basis for the Best Picture Academy Award-nominee The Shawshank Redemption. Next is “Apt Pupil,” the inspiration for the film of the same name about top high school student Todd Bowden and his obsession with the dark and deadly past of an older man in town. In “The Body,” four rambunctious young boys plunge through the façade of a small town and come face-to-face with life, death, and intimations of their own mortality. This novella became the movie Stand By Me. Finally, a disgraced woman is determined to triumph over death in “The Breathing Method.” “The wondrous readability of his work, as well as the instant sense of communication with his characters, are what make Stephen King the consummate storyteller that he is,” hailed the Houston Chronicle about Different Seasons.

*An NBC Today Show Book Club Pick!* *A Seventeen Magazine Best YA Book of 2018!* *A Kirkus Best YA Fantasy Book of the Year* *A We Need Diverse Books 2018 Must-Read* "Epic thrills, heart-punching romance, and a marvel of a hero" --Adam Silvera, New York Times-bestselling author of They Both Die at the End The people of Uztar have long looked to the sky with hope and wonder. Nothing in their world is more revered than the birds of prey and no one more honored than the falconers who call them to their fists. Brysen strives to be a great falconer—while his twin sister, Kylee, rejects her ancient gifts for the sport and wishes to be free of falconry. She’s nearly made it out, too, but a war is rolling toward their home in the Six Villages, and no bird or falconer will be safe. Together the twins must journey into the treacherous mountains to trap the Ghost Eagle, the greatest of the Uztari birds and a solitary killer. Brysen goes for the boy he loves and the glory he's long craved, and Kylee to atone for her past and to protect her brother's future. But both are hunted by those who seek one thing: power. In this first young-adult fantasy novel in a trilogy, Alex London launches a soaring saga about the memories that haunt us, the histories that hunt us, and the bonds of blood between us.

Many readers know Stephen King for his early works of horror, from his fiction debut Carrie to his blockbuster novels The Shining, The Stand, and Misery, among others. While he continues to be a best-selling author, King’s more recent fiction has not received the kind of critical attention that his books from the 1970s and 1980s enjoyed. Recent novels like Duma Key and 1/22/63 have been marginalized and, arguably, cast aside as anomalies within the author’s extensive canon. In Stephen King’s Contemporary Classics: Reflections on the Modern Master of Horror, Philip L. Simpson and Patrick McAleer present a collection of essays that analyze, assess, and critique King’s post-1995 compositions. Purposefully side-stepping studies of earlier work, these essays are arranged into three main parts: the first section examines five King novels published between 2009 and 2013, offering genuinely fresh scholarship on King; the second part looks at the development of King’s distinct brand of horror; the third section departs from probing the content of King’s writing and instead focuses on King’s process. By concentrating on King’s most recent writings, this collection offers provocative insights into the author’s work, featuring essays on Dr. Sleep, Duma Key, The Girl Who Loved Tom Gordon, Joyland, Under the Dome, and others. As such, Stephen King’s Contemporary Classics will appeal to general fans of the author’s work as well as scholars of Stephen King and modern literature.

From The Long Walk to The Outsider, Stephen King’s output reflects the major political concerns of the previous fifty years. This book is the first sustained study of the complex ways in which King’s texts speak to their unique political moments. By exploring this aspect of the author’s popular works, readers might better understand the numerous crises that Americans currently face – the book surveys King’s corpus to address a wide range of issues, including the spread of neoliberalism, the Bush-Cheney doctrine, and the chaos of the populist present. Although the fiction outwardly declares itself to be anti-political (thus reflecting a widespread shift away from democracy in the aftermath of the 1960s), political energies persist just beneath the surface. Given the possibility of a political resurgence that haunts so many of his page-turners, Stephen King produces horror and hope in equal measure.

Stephen King frequently places his human characters in danger against a supernatural antagonist. These characters, being realists of the late 20th and early 21st centuries, must first overcome their disbelief at what is happening to them, and then decide what to do about it. Both their explanations for the strange happenings and their attempts to deal with them can be divided into four main categories: cultural appropriation; Christianity, especially Catholic rites; attempts at utter destruction; and a resignation to simply live--or die--with the supernatural intact. This book examines over 30 of King's works, revealing that the overall success of the characters in removing the supernatural threat from their towns, or perhaps defeating it entirely, does not depend fully on which of these four paths of action they choose. It is possible for any attempt to destroy the supernatural threat to fail, and what works in one of King's books will not have the same outcome in another. For King, the most likely success comes when his characters can choose a course of action that allows them to stand and be true to themselves.

Though often disparaged by literary critics, Stephen King's work has influenced a generation of horror and science fiction writers. Acting as a study guide, this book features the important critical interpretations of the horror master's work.