Colette Bryce's The Heel of Bernadette was one of the most highly praised new collections of recent years, winning both the Aldeburgh Prize for best first collection, and the Strong Award for best new Irish poet. Her second, The Full Indian Rope Trick – the title poem already the winner of the 2003 National Poetry Competition – sees a leap forward in confidence and range, with Bryce's dark lyric and darker wit finding many different voices. Whatever subject the poet takes – an Ulster childhood and the child's growing awareness of her divided community, the surreal life of the natural world, or the more disturbing shadows thrown by our love and desire – it is always addressed with both a compelling emotional candour and an astonishingly musical intelligence. Pillar Talk That magician/who stationed himself on a pillar/over Manhattan/for thirty-five hours/knows nothing whatever/of loneliness/or how it is/for people like us/who have no soft acre/of cardboard boxes/not even the eggshell/flashbulbs of the press/or the well-meant antics/of neighbours with a mattress/to temper the thought/of the hard, hard earth,/to break the fall./Nothing at all.

Explores one of the most successful hoaxes of all time from the mystical East, and why people were so easily fooled.

"The author challenges what many of today's social and political philosophers widely accept: that social injustice is identified with inequality and social justice with equality. Rather, Jasay argues that justice preempts so-called social justice, so any attempt to adorn equality in the robes of social justice is an illusion, a sleight of hand, 'much as the Indian rope in the notorious trick is made to stand up skyward on its own.' The fifteen articles in this collection include both published and unpublished papers written over the years 2008 to 2012."--from publisher description.

"How Indian magic descended from the realm of the gods to become a popular amusement for the masses around the globe"--Provided by publisher.

‘In the mythical Indian rope trick, the rope stands straight up. Onlookers know, however, that the rope is staying up because the fakir wills it to stay up. India’s democracy is much the same. Some observers have found it hard to see how it could support itself, and many have expected it to fall. But it will stand if Indians want it to, and use their collective will to give it strength.’ When India shook off the chains of colonial rule in 1947, predictions abounded on how long it would take for the world’s largest democracy to fall apart. The new nation appeared to be too large and too diverse to be held together by a powerful centre, and some argued that it was an artificial creation that would soon break apart at the seams. Yet, more than 60 years and 16 general elections later, and through conflict, poverty, wars, famines, natural disasters, communal riots and separatist movements, nothing has stopped the Indian juggernaut from rolling on. Amid the chaos of 800 million voters and more than 8,000 candidates, the 2014 mandate marked yet another turn in India’s continuing tryst with democracy. What has kept the Indian system of governance ticking even as its neighbours have either become autocratic states or descended into dysfunctionality? How has India proved to the world that democracy may find its best home in the seemingly infinite mass that is the Indian population? In this testament to the resilience and indomitability of the Indian state, Roderick Matthews, bestselling author of Jinnah vs Gandhi, peels back layers to unveil a story that goes to the heart of this success. In exploring what it has taken for the country to overcome challenges, both external and internal, and drawing comparisons with the recent histories of India’s neighbours, Matthews argues that India’s constitutional foundations have allowed the nation to become the bedrock of democracy in the modern world.'

An essential title for every magician, The Encyclopedia of Rope Tricks is the only book of its kind.Magical genius Stewart James, over the course of 40+ years, compiled three volumes of the Encyclopedia of Rope Tricks. Now, for the first time, these classic works have been collected, newly edited, and combined in a single hardbound volume. Over the course of nearly 450 large-format pages, James describes every nuance of this fascinating branch of conjuring. Hundreds of effects are described. Puzzles share the pages with stage-filling illusions, legendary feats (like the fabled Indian Rope Trick), escapes, spirit effects, cut and restored tricks, penetrations, trick knots, suspensions, and James' famous Sefalaljia, to name but a few. Rope tricks are the ultimate form of "pack small, play big" magic. And many impromptu feats that can be worked at the drop of a hat - often with borrowed rope - are described in these pages. Mini-miracles for virtually every type of performer are illuminated in these pages. From kid-show worker to close-up magician and parlor prestidigitator, rope tricks to suit nearly every taste, theme, and interest (not to mention skill) level are included.Many of the greatest magical minds of the last 100 years contributed to the Encyclopedia of Rope Tricks, including Harlan Tarbell, David Devant, Jay Marshall, Martin Gardner, Eddie Joseph, Larry Becker, G.W. Hunter, Sid Lorraine, Bob Hummer, Jean Hugard, Winston Freer, Burling Hull, T. Page Wright, U.F. Grant, William Larsen, Sr., Dunninger, Percy Abbott, P.C. Sorcar, Tenkai Ishida, Will Brema, and many, many more. The Encyclopedia of Rope Tricks is an invaluable reference work. Hardbound, 7x10". 456 pages, with over 1500 illustrations. With an introduction by Mac King and new essay on the Indian Rope Trick by Peter Lamont.

This fascinating book takes us on a journey through the history of Indian magic, exploring the origins of popular tricks like the rope trick and Indian cups and ball. From ancient times, Indian magicians were known for their mystical powers, not just their entertainment skills. We learn about the early use of charms and talismans, and even the existence of Indian fortune tellers during the Roman Empire. The book also contrasts the style of Indian magic in comparison to other Asian cultures, as well as their counterparts in Europe.