Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.

A major bilingual anthology of twentieth-century Latin American poetry During a century of extraordinary change, poets became the chroniclers of deep polarizations. From Rubén Darío's quest to renew the Spanish language to César Vallejo's linking of religion and politics, from Jorge Luis Borges's cosmopolitanism to Pablo Neruda's placement of poetry as uncompromising speaker for the downtrodden, and from Alejandra Pizarnik's agonies of the self to Humberto Ak'Abal's examination of all things indigenous, it is through verse that the hemisphere's cantankerous collective soul in an age of overhaul might best be understood. A brilliant, moving, and thought-provoking summation of these forking paths, The FSG Book of Twentieth-Century Latin American Poetry invites us to look at an illustrious literary tradition with fresh eyes. Ilan Stavans, one of the foremost scholars of Hispanic culture and a distinguished translator, goes beyond easy geographical and linguistic categorizations in gathering these works. This bilingual anthology features eighty-four authors from sixteen different countries writing in Spanish, Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, and Spanglish. The poems are rendered into English in inspired fashion by first-rate translators such as Elizabeth Bishop, Galway Kinnell, W. S. Merwin, Alastair Reid, Mark Strand, and Richard Wilbur. In these pages the reader will experience the power of poetry to account for a hundred years in the life of a restless continent.

The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.

During the last hundred years, the private and public voices of Latin American poetry have offered a wealth of imaginative responses to the region‘s social and political experiences. In the face of capitalist modernization, dictatorship and imperialist domination, poets have fought back. The Gathering of Voices argues that the best of Latin American poetry has set out to rediscover its roots in local experience and to enter a dialogue with the “ordinary” discourses of popular culture and tradition. The implication is that an alternative response to oppression is possible, one inspired by the shared global expeiences of alienation, exclusion and exploitation. The possibility of a universal emancipation is evoked in the transformation of language. Each chapter of the volume explores a crucial moment in this dialogue of voices, focusing on key texts, including works by Cardenal, Neruda, Vallejo and the Andrades. With extensive studies of the previously neglected tradition of Brazilian verse, the book provides a guide to the history of poetic debate and practice in 20th-century Latin America. The book includes complete poems of the artists discussed and should appeal to a general readership interested in Latin American culture. It is also a useful text for courses in literature and poetry.

This collection brings together 53 stories that span the history of Latin American literature and represent the most dazzling achievements in the form. It covers the entire history of Latin American short fiction, from the colonial period to present.

"Large anthology includes work by 58 poets. Extensive, but general, introduction. Poets arranged chronologically from Jose Marti to Marjorie Agosin. Volume includes few surprises and relatively few women. Bilingual format. Many translators; great fluct

More than a century has now passed since F.T. Marinetti's famous "Futurist Manifesto" slammed the door on the nineteenth century and trumpeted the arrival of modernity in Europe and beyond. Since then, against the backdrop of two world wars and several radical social upheavals whose effects continue to be felt, Italian poets have explored the possibilities of verse in a modern age, creating in the process one of the great bodies of twentieth-century poetry. Even before Marinetti, poets such as Giovanni Pascoli had begun to clear the weedy rhetoric and withered diction from the once-glorious but by then decadent grounds of Italian poetry. And their winter labors led to an extraordinary spring: Giuseppe Ungaretti's wartime distillations and Eugenio Montale's "astringent music"; Umberto Saba's song of himself and Salvatore Quasimodo's hermetic involutions. After World War II, new generations—including such marvelously diverse poets as Sandro Penna, Pier Paolo Pasolini, Amelia Rosselli, Vittorio Sereni, and Raffaello Baldini—extended the enormous promise of the prewar era into our time. A surprising and illuminating collection, The FSG Book of 20th-Century Italian Poetry invites the reader to examine the works of these and other poets—seventy-five in all—in context and conversation with one another. Edited by the poet and translator Geoffrey Brock, these poems have been beautifully rendered into English by some of our finest English-language poets, including Seamus Heaney, Robert Lowell, Ezra Pound, Paul Muldoon, and many exciting younger voices.