Itty is invited to judge the ice sculpture competition at the Frost Festival in this eleventh Itty Bitty Princess Kitty chapter book. The Frost Festival only occurs every five years in Lollyland. And not only has Itty been invited, she’s been asked to judge the big ice sculpture competition! Itty and her best friend, Luna Unicorn, enjoy ice skating, sledding, and other snowy activities at the festival until it’s time for Itty to judge. But before the competition can even begin, there’s an argument between two ice sculptors. One is convinced that the other stole his carving tool! Can Itty find the missing ice pick—and find a way to settle the argument? With easy-to-read language and illustrations on every page, the Itty Bitty Princess Kitty chapter books are perfect for emerging readers.

Includes an excerpt from: Mystery at Mermaid Cove.

Capture the magic of winters past with this stunning gift for all the family by bestselling author Emma Carroll, and award-winning illustrator, Sam Usher. 'A magical adventure to melt the frostiest of hearts' Ben Miller. It’s Christmastime, and searching for magic, Maya finds herself transported back two hundred years to the banks of the frozen river Thames. A boy called Eddie shows Maya the bustle of the glittering frost fair, filled with music, sweet stalls and thrilling rides. Is this all a dream, or can Maya bring a piece of the beautiful frost fair home with her after all . . . ? A winter story of freedom and family, from the award-winning Emma Carroll, with stunning full colour illustrations by Sam Usher, A Night at the Frost Fair is a classic to treasure on the family bookshelf this Christmas and for years to come.

It is a snowy London day in The Great Winter of 1683. We follow our bold narrator as she explores ‘the town on the Thames’, a thousand tents and dancing fires lit on the frozen water with jubilant residents and lively festive revelry. All is a fete upon the ice as she sees jugglers, dancing bears, palm readers and even a merry wedding. Her journey leads her to meet many new companions with whom to spend a starry night upon the river, where they sleep with no inkling of who will be looking down on them in the morning light . . . Carol Ann Duffy's Christmas poem, Frost Fair is inspired by the fairs held on the River Thames in London as it froze over in the uncommonly cold winters of the Little Ice Age. This delightful, moving poem captures the inventiveness of a great city and the drama of winter. Beautifully illustrated by David De Las Heras, Frost Fair is an irresistible read for our festive season.

Presenting an inventive body of research that explores the connections between urban movements, space, and visual representation, this study offers the first sustained analysis of the vital interrelationship between printed images and urban life in early modern London. The study differs from all other books on early modern British print culture in that it seeks out printed forms that were active in shaping and negotiating the urban milieu-prints that troubled categories of high and low culture, images that emerged when the political became infused with the creative, as well as prints that bear traces of the roles they performed and the ways they were used in the city. It is distinguished by its close and sustained readings of individual prints, from the likes of such artists as Wenceslaus Hollar, Francis Barlow, and William Faithorne; and this visual analysis is complemented with a thorough examination of the dynamics of print production as a commercial exchange that takes place within a wider set of exchanges (of goods, people, ideas and money) across the city and the nation. This study challenges scholars to re-imagine the function of popular prints as a highly responsive form of cultural production, capable not only of 'recording' events, spaces and social actions, but profoundly shaping the way these entities are conceived in the moment and also recast within cultural memory. It offers historians of print culture and British art a sophisticated and innovative model of how to mobilize rigorous archival research in the service of a thoroughly historicized and theorized analysis of visual representation and its relationship to space and social identity.