In one brilliant adventure over the course of a year, leading historian and nature writer David Gange kayaked the coasts of Atlantic Britain and Ireland from north to south: every cove, sound, inlet, island. Paddling alone in sun and storms, among whales and seabirds, Gange travelled slowly and close to the water as millions did when coasts were the main arteries of trade and communication. He was in search of island archives and the vast poetic literatures of coastal towns, of neglected social histories that unlock our understanding of this archipelago's past and future. In captivating prose and loving detail, this is a history of Britain and Ireland like not other.

COLLECTIVE WINNER OF THE HIGHLAND BOOK PRIZE AND SHORTLISTED FOR THE WAINWRIGHT PRIZE ‘This is the book that has been wanting to be written for decades: the ragged fringe of Britain as a laboratory for the human spirit’ Adam Nicolson

'This is the book that has been wanting to be written for decades: the ragged fringe of Britain as a laboratory for the human spirit' Adam Nicolson Over the course of a year, leading historian and nature writer David Gange kayaked the weather-ravaged coasts of Atlantic Britain and Ireland from north to south: every cove, sound, inlet, island. The idea was to travel slowly and close to the water: in touch with both the natural world and the histories of communities on Atlantic coastlines. The story of his journey is one of staggering adventure, range and beauty. For too long, Gange argues, the significance of coasts has been underestimated, and the potential of small boats as tools to make sense of these histories rarely explored. This book seeks to put that imbalance right. Paddling alone in sun and storms, among dozens of whales and countless seabirds, Gange and his kayak travelled through a Shetland summer, Scottish winter and Irish spring before reaching Wales and Cornwall. Sitting low in the water, as did millions in eras when coasts were the main arteries of trade and communication, Gange describes, in captivating prose and loving detail, the experiences of kayaking, coastal living and historical discovery. Drawing on the archives of islands and coastal towns, as well as their vast poetic literatures in many languages, he shows that the neglected histories of these stunning regions are of real importance in understanding both the past and future of the whole archipelago. It is a history of Britain and Ireland like no other. cottish winter and Irish spring before reaching Wales and Cornwall. Sitting low in the water, as did millions in eras when coasts were the main arteries of trade and communication, Gange describes, in captivating prose and loving detail, the experiences of kayaking, coastal living and historical discovery. Drawing on the archives of islands and coastal towns, as well as their vast poetic literatures in many languages, he shows that the neglected histories of these stunning regions are of real importance in understanding both the past and future of the whole archipelago. It is a history of Britain and Ireland like no other.

Despite the port’s prominence in maritime history, its cultural significance has long been neglected in favour of its role within economic and imperial networks. Defined by their intersection of maritime and urban space, port towns were sites of complex cultural exchanges. This book, the product of international scholarship, offers innovative and challenging perspectives on the cultural histories of ports, ranging from eighteenth-century Africa to twentieth-century Australasia and Europe. The essays in this important collection explore two key themes; the nature and character of ‘sailortown’ culture and port-town life, and the representations of port towns that were forged both within and beyond urban-maritime communities. The book’s exploration of port town identities and cultures, and its use of a rich array of methodological approaches and cultural artefacts, will make it of great interest to both urban and maritime historians. It also represents a major contribution to the emerging, interdisciplinary field of coastal studies.

The Flemish are among the most important if under-appreciated immigrant groups to have shaped the history of medieval and early modern Scotland. Originating in Flanders, Northern Europe's economic powerhouse (now roughly Belgium and the Netherlands), they came to Scotland as soldiers and settlers, traders and tradesmen, diplomats and dynasts, over a period of several centuries following the Norman Conquest of England in the eleventh century. Several of Scotland's major families – the Flemings, Murrays, Sutherlands, Lindsays and Douglases for instance– claim elite Flemish roots, while many other families arrived as craftsmen, mercenaries and religiously persecuted émigrés. Adaptable and creative people, Flemish immigrants not only adjusted to Scotland's very different environment, but left their profound mark on the country's economic, social and cultural development. From pantiles to golf, from place names to town planning, the evidence of Flemish influence is still readily traceable in Scotland today. This book examines the nature of Flemish settlement in Scotland, the development of economic, diplomatic and cultural links between Scotland and Flanders, and the lasting impact of the Flemish people on Scottish society and culture.

In all the complex cultural history of the islands of Britain and Ireland the idea of the coast as a significant representative space is critical. For many important artists coastal space has figured as a site from which to braid ideas of empire, nation, region, and archipelago. They have been drawn to the coast as a zone of geographical uncertainty in which the self-definitions of the nation founder; they have been drawn to it as a peripheral space of vestigial wildness, of island retreats and experimental living; as a network of diverse localities richly endowed with distinctive forms of cultural heritage; and as a dynamically interconnected ecosystem, which is at the same time the historic site of significant developments in fieldwork and natural science. This collection situates these cultures of the Atlantic edge in a series of essays that create new contexts for coastal study in literary history and criticism. The contributors frame their research in response to emerging conversations in archipelagic criticism, the blue humanities, and island studies, the essays challenging the reader to reconsider ideas of margin, periphery and exchange. These twelve case studies establish the coast as a crucial location in the imaginative history of Britain, Ireland and the north Atlantic edge. Coastal Works will appeal to readers of literature and history with an interest in the sea, the environment, and the archipelago from the 18th century to the present. Accessible, innovative and provocative, Coastal Works establishes the important role that the coast plays in our cultural imaginary and suggests a range of methodologies to represent relationships between land, sea, and cultural work.