China, 1760. The Emperor conquers Altishahr, a Muslim country to the west of his empire and summons a local woman from his new dominion to come to the Forbidden City as his concubine. Meanwhile in the market of Kashgar a girl named Hidligh is kidnapped by Iparhan, a woman scarred by the Emperor's conquest of her homeland and bent on vengeance. Iparhan offers her a deal: Hidligh will become the Emperor's concubine, living a life of luxury. In return she will act as Iparhan's spy. But when Hidligh arrives in the Forbidden City, she enters a frightening new world. Every word she utters may expose her as an imposter. Iparhan is watching from the shadows, waiting to exact her revenge on the Emperor. The Empress is jealous of her new rival. And when Hidligh finally meets the Emperor, she finds herself falling in love... "A passionate story, richly imagined in the spaces of real history. Melissa Addey meticulously evokes a strange, beautiful and harsh society." - Emma Darwin, award-winning author of The Mathematics of Love and A Secret Alchemy. "Melissa Addey has given us a new take on the cherished but controversial legend of 'the Fragrant Concubine, ' one that weaves together the many conflicting versions of the story and plausibly embraces how romance might have blossomed between the brilliant Manchu monarch and his fragrant Muslim consort." - Professor James Millward, author of A Uyghur Muslim in Qianlong's Court: The Meanings of the Fragrant Concubine If you enjoyed Lisa See's Peony in Love, Anchee Min's The Last Empress and Arthur Golden's Memoirs of a Geisha then The Fragrant Concubine will be a new favourite. Set in China's Forbidden City in the 18th century, where the women of the court vie for the Emperor's attention and every concubine must fight for her position.

She did not have an illustrious family background, nor did she have an impeccable appearance. However, she climbed step by step up to the position of concubine. She had given birth to six children for Emperor Kang Xi, and had once pampered the harem! She had had the simplest of loves, had experienced the most complicated plans of a palace, had wanted to see through the walls of the palace cold and lonely, and had also shocked the imperial harem. She was the only one!

China, 1700s. Lady Qing has spent the past seven years languishing inside the high red walls of the Forbidden City. Classed as an Honoured Lady, a lowly-ranked concubine, Qing is neglected by the Emperor, passed over for more ambitious women. But when a new concubine, Lady Ying, arrives, Qing's world is turned upside down. As the highest position at court becomes available and every woman fights for status, Qing finds love for the first time in her life... if Lady Ula Nara, the most ambitious woman at court, will allow her a taste of happiness.

"The Book and the Sword was Louis Cha's first novel, published in 1955. The story has a panoramic sweep which has at its heart a few unbeatable themes: secret societies, kung fu masters, and the sensational rumour so dear to Chinese hearts that the great Manchu Emperor Qian Long was not in fact a Manchu but a Han Chinese, a line of descent that came about as a result of a 'baby swap' on the part of the Chens of Haining in Southern China. It mixes in the exotic flavours of central Asia, a lost city in the desert guarded by wolf packs, and the Fragrant Princess. This lady is an embellishment of an actual historical figure - although whether she actually smelled of flowers, we will never know."--Jacket

For the Chinese, the drive toward growing political and economic power is part of an ongoing effort to restore China's past greatness and remove the lingering memories of history's humiliations. This widely praised book explores the 1500–1800 period before China's decline, when the country was viewed as a leading world culture and power. Europe, by contrast, was in the early stages of emerging from provincial to international status while the United States was still an uncharted wilderness. D. E. Mungello argues that this earlier era, ironically, may contain more relevance for today than the more recent past. Building on the author's decades of research and teaching, this compelling book illustrates the vital importance of history to readers trying to understand China’s renewed rise.

Winner Novel London Award 2019 18th Century China. In a devastating breach of etiquette, the Empress of China cuts off her hair and is exiled by a furious Emperor to 'the cold palace'. Historians still do not know what caused her to take this step. Ula Nara is a happy sixteen-year-old, in love and betrothed. But before she can be married, she must attend the Imperial Daughters' Draft. When she is chosen as a bride to the heir to the throne, her beloved vows to become a monk, while Ula Nara must face a lifetime of regret. Determined to make her pain worth something, she aims for the pinnacle of success: to become Empress. But perhaps being an Empress is not worth as much as she thought and happiness may lie in the simpler things. The final book in the Forbidden City series, this is a chance to understand Ula Nara, a terrifying and powerful rival to the other ladies of the court.

In the Western imagination, the Middle Eastern harem was a place of sex, debauchery, slavery, miscegenation, power, riches, and sheer abandon. But for the women and children who actually inhabited this realm of the imperial palace, the reality was vastly different. In this collection of translated memoirs, three women who lived in the Ottoman imperial harem in Istanbul between 1876 and 1924 offer a fascinating glimpse "behind the veil" into the lives of Muslim palace women of the late nineteenth and early twentieth centuries. The memoirists are Filizten, concubine to Sultan Murad V; Princess Ayse, daughter of Sultan Abdulhamid II; and Safiye, a schoolteacher who instructed the grandchildren and harem ladies of Sultan Mehmed V. Their recollections of the Ottoman harem reveal the rigid protocol and hierarchy that governed the lives of the imperial family and concubines, as well as the hundreds of slave women and black eunuchs in service to them. The memoirists show that, far from being a place of debauchery, the harem was a family home in which polite and refined behavior prevailed. Douglas Brookes explains the social structure of the nineteenth-century Ottoman palace harem in his introduction. These three memoirs, written across a half century and by women of differing social classes, offer a fuller and richer portrait of the Ottoman imperial harem than has ever before been available in English.