In 2005, a dusty collection of papers were discovered in a cellar in Dublin. Untouched since 1860, the papers told the story of Otaro, a Japanese fencing teacher, and Captain Robert Hood, a discharged American soldier. It was a tale of duels, suspense and adventure in a Japan struggling to come to terms with the realities of the steam-powered 19th century. When the two friends discover a samurai lord murdered on the road and his only son and heir kidnapped, they find themselves drawn into a mystery as baffling as it is deadly. They will need sharp wits, sharp swords and stout hearts to survive the enigma that is "The Fox Wife's Tail." Fans of Sir Arthur Conan Doyle, Patrick O'Brian and Agatha Christie will love this old fashioned adventure story.

One cloudless night, a fox falls to earth and comes across a family of humans. As the seasons change and they move their camp, she follows them, growing ever more intrigued by human ways--and especially by the oldest son, Irniq. When Irniq grows older and sets out hunting on his own, he is surprised to enter his tent one day and find the lamp lit, the tea made... and a strange woman who says she is his wife. Tired of being alone, Irniq welcomes the woman. But soon he grows curious and cannot stop himself from asking too many questions. Where did the fox pelt hanging in their tent come from? And why did the fox that had been following him suddenly disappear? Based on award-winning musician Beatrice Deer's powerful song "Fox," this graphic novel reinterprets a traditional Inuit story for a new generation.

For more than a millennium, the fox has been a ubiquitous figure at the margins of the Japanese collective imagination. In the writings of the nobility and the motifs of popular literature, the fox is known as a shapeshifter, able to assume various forms in order to deceive others. Focusing on recurring themes of transformation and duplicity in folklore, theology, and court and village practice, The Fox's Craft explores the meanings and uses of shapeshifter fox imagery in Japanese history. Michael Bathgate finds that the shapeshifting powers of the fox make it a surprisingly fundamental symbol in the discourse of elite and folk alike, and a key component in formulations of marriage and human identity, religious knowledge, and the power of money. The symbol of the shapeshifter fox thus provides a vantage point from which to understand the social practice of signification.

In a novel set in medieval Japan, a young fox kit becomes enamored with a Japanese nobleman and will stop at nothing, even magic and sorcery, to win his heart.

"The fox knows many things, but the hedgehog knows one big thing." This ancient Greek aphorism, preserved in a fragment from the poet Archilochus, describes the central thesis of Isaiah Berlin's masterly essay on Leo Tolstoy and the philosophy of history, the subject of the epilogue to War and Peace. Although there have been many interpretations of the adage, Berlin uses it to mark a fundamental distinction between human beings who are fascinated by the infinite variety of things and those who relate everything to a central, all-embracing system. Applied to Tolstoy, the saying illuminates a paradox that helps explain his philosophy of history: Tolstoy was a fox, but believed in being a hedgehog. One of Berlin's most celebrated works, this extraordinary essay offers profound insights about Tolstoy, historical understanding, and human psychology. This new edition features a revised text that supplants all previous versions, English translations of the many passages in foreign languages, a new foreword in which Berlin biographer Michael Ignatieff explains the enduring appeal of Berlin's essay, and a new appendix that provides rich context, including excerpts from reviews and Berlin's letters, as well as a startling new interpretation of Archilochus's epigram.

An evocative novel that links the lives of a ninth-century poet/nun and a contemporary Asian-American woman.

After receiving her PhD in biology, Raven lived in an isolated cottage in Montana, teaching remotely and leading field classes in Yellowstone National Park. Her only regular visitor was a fox, with whom she developed a friendship and from whom she learned about growth, loss, and belonging.