A U.S. Army Signal Corps combat photographer, the author spent the winter of 1944-45 documenting the Gothic Line campaign, the Florence to Bologna to Bolzano operation that held in check 20 or so crack German divisions. He focused particularly on the brutal infantry battles in the Apennies, the desperate fighting of the Fifth Army in the Po Valley, and the severe weather and terrain that challenged the Allied troops. His memories and photographs of the operations reveal the harsh fighting and sometimes poignant moments of the men engaged in a battle that was overwhelmed by events at war's end and has been largely forgotten by history.

A rediscovered World War I masterpiece—one of the few memoirs about the Italian front—for fans of military history and All Quiet on the Western Front An infantryman’s “harrowing, moving, [and] occasionally comic” account of trench warfare on the alpine front seen in A Farewell to Arms (Times Literary Supplement). Taking its place alongside works by Ernst JŸnger, Robert Graves, and Erich Maria Remarque, Emilio Lussu’s memoir as an infantryman is one of the most affecting accounts to come out of the First World War. A classic in Italy but virtually unknown in the English-speaking world, it reveals in spare and detached prose the almost farcical side of the war as seen by a Sardinian officer fighting the Austrian army on the Asiago plateau in northeastern Italy—the alpine front so poignantly evoked by Ernest Hemingway in A Farewell to Arms. For Lussu, June 1916 to July 1917 was a year of continuous assaults on impregnable trenches, absurd missions concocted by commanders full of patriotic rhetoric and vanity but lacking in tactical skill, and episodes often tragic and sometimes grotesque, where the incompetence of his own side was as dangerous as the attacks waged by the enemy. A rare firsthand account of the Italian front, Lussu’s memoir succeeds in staging a fierce indictment of the futility of war in a dry, often ironic style that sets his tale wholly apart from the Western Front of Remarque and adds an astonishingly modern voice to the literature of the Great War.

In May 1915, Italy declared war on the Habsburg Empire. Nearly 750,000 Italian troops were killed in savage, hopeless fighting on the stony hills north of Trieste and in the snows of the Dolomites. To maintain discipline, General Luigi Cadorna restored the Roman practice of decimation, executing random members of units that retreated or rebelled. With elegance and pathos, historian Mark Thompson relates the saga of the Italian front, the nationalist frenzy and political intrigues that preceded the conflict, and the towering personalities of the statesmen, generals, and writers drawn into the heart of the chaos. A work of epic scale, The White War does full justice to the brutal and heart-wrenching war that inspired Hemingway's A Farewell to Arms.

With The Forgotten Front, George H. Cassar intends to demonstrate Italy's vital contribution to the Allied effort in the First World War. His account of the war in Italy covers the strategic considerations as well as the actual fighting.

Far removed from the bloody battles of attrition in the rain and mud of northern France, there raged another desperate struggle between two of Europeas strongest yet most underrated powers, the Kingdom of Italy and the Empire of Austria-Hungary. Here, along a twisting, curving 475-mile-long battle line, fierce fighting was conducted among the lofty peaks and rugged countryside of the continentas most notorious mountain range, replete with all the difficulties of weather and the awesome challenges of movement and supply. Contingents of troops from all of the major warring powers eventually became involved in this war of extremes. Before it was over, two and one-half million casualties had been suffered and the map of Europe had been changed forever. Battles in the Alps chronicles this important theatre of the Great War, and explains in text and in maps the consequences of Italyas entry into hostilities and the changes resultant from its aftermath. Related incidents in the skies over the Front and on the waves of the adjacent Adriatic Sea are also narrated.

The full story of the first and only time American and Soviets fought side-by-side in World War II At the conference held in in Moscow in October 1943, American officials proposed to their Soviet allies a new operation in the effort to defeat Nazi Germany. The Normandy Invasion was already in the works; what American officials were suggesting until then was a second air front: the US Air Force would establish bases in Soviet-controlled territory, in order to "shuttle-bomb" the Germans from the Eastern front. For all that he had been pushing for the United States and Great Britain to do more to help the war effort--the Soviets were bearing by far the heaviest burden in terms of casualties--Stalin, recalling the presence of foreign troops during the Russian Revolution, balked at the suggestion of foreign soldiers on Soviet soil. His concern was that they would spy on his regime, and it would be difficult to get rid of them afterword. Eventually in early 1944, Stalin was persuaded to give in, and Operation Baseball and then Frantic were initiated. B-17 Flying Fortresses were flown from bases in Italy to the Poltava region in Ukraine. As Plokhy's book shows, what happened on these airbases mirrors the nature of the Grand Alliance itself. While both sides were fighting for the same goal, Germany's unconditional surrender, differences arose that no common purpose could overcome. Soviet secret policeman watched over the operations, shadowing every move, and eventually trying to prevent fraternization between American servicemen and local women. A catastrophic air raid by the Germans revealed the limitations of Soviet air defenses. Relations soured and the operations went south. Indeed, the story of the American bases foreshadowed the eventual collapse of the Grand Alliance and the start of the Cold War. Using previously inaccessible archives, Forgotten Bastards offers a bottom-up history of the Grand Alliance, showing how it first began to fray on the airfields of World War II.

Christian Jennings's At War on the Gothic Line tells the little-known story of the Allied effort to break the German defenses in Northern Italy—told through the eyes of the multi-national force that fought it. In the autumn of 1944, as Patton’s army paraded through Paris, another Allied force was gathering in southern Italy. Spearheaded by over 100,000 American troops, this vast, international army was faced with a grim task—break The Gothic Line, a series of interconnected German fortifications that stretched across the mountains of northern Italy. Striving to reach Europe’s vulnerable underbelly before the Red Army, these Allied soldiers fought uphill against entrenched enemies in some of the final and most brutal battles of the Second World War. In At War on the Gothic Line, veteran war correspondent and historian Christian Jennings provides an unprecedented look inside this unsung but highly significant campaign. Through the eyes of thirteen men and women from seven different countries, Jennings brings history to life as he vividly recounts the courageous acts of valor performed by these soldiers facing overwhelming odds, even as many experienced discrimination at the hands of their allies and superiors. Witness the courage of a young Japanese-American officer willing to die for those under his command. Lie in wait with a troop of Canadian fur trappers turned snipers. Creep along mountain paths with Indian warriors as they assault fortified positions in the dead of night. Learn to fear a one-armed SS-Major guilty of some of the most atrocious war-crimes in the European theater. All these stories and more pack the pages of this faced-paced, action-heavy history, taking readers inside one of the most important, and least discussed, campaigns of World War Two.