Forbidden Passages is the first book to document and evaluate the impact of Moriscos—Christian converts from Islam—in the early modern Americas, and how their presence challenged notions of what it meant to be Spanish as the Atlantic empire expanded.

Challenges the scientific theories on the establishment of civilization and technology • Contains 42 essays by 17 key thinkers in the fields of alternative science and history, including Christopher Dunn, Frank Joseph, Will Hart, Rand Flem-Ath, and Moira Timmes • Edited by Atlantis Rising publisher, J. Douglas Kenyon In Forbidden History writer and editor J. Douglas Kenyon has chosen 42 essays that have appeared in the bimonthly journal Atlantis Rising to provide readers with an overview of the core positions of key thinkers in the field of ancient mysteries and alternative history. The 17 contributors include among others, Rand Flem-Ath, Frank Joseph, Christopher Dunn, and Will Hart, all of whom challenge the scientific establishment to reexamine its underlying premises in understanding ancient civilizations and open up to the possibility of meaningful debate around alternative theories of humanity's true past. Each of the essays builds upon the work of the other contributors. Kenyon has carefully crafted his vision and selected writings in six areas: Darwinism Under Fire, Earth Changes--Sudden or Gradual, Civilization's Greater Antiquity, Ancestors from Space, Ancient High Tech, and The Search for Lost Origins. He explores the most current ideas in the Atlantis debate, the origins of the Pyramids, and many other controversial themes. The book serves as an excellent introduction to hitherto suppressed and alternative accounts of history as contributors raise questions about the origins of civilization and humanity, catastrophism, and ancient technology. The collection also includes several articles that introduce, compare, contrast, and complement the theories of other notable authors in these fields, such as Zecharia Sitchin, Paul LaViolette, John Michell, and John Anthony West.

Since the time of the Italian explorer Christopher Columbus the man credited for the discovery of the new world, the new comers to the world have observed and documented the things which they seen, heard and experienced. The new comers to this world saw the ruins of what appeared as intricately built ancient cities, observed strange yet familiar habits of the indigenous. It wasn't until the mid 19th century that archaeology was even taken serious in this land, yet it would seem as though it was not for the purpose of documentation and understanding of those of the past. 100 years or so earlier Sir Richard Colt Hoare coined the motto for Antiquarianism in Europe, We Speak from Facts not Theory and it would seem here in the Americas, John W Powell and Ephraim George Squire after the creation of the Smithsonian Institution, together reconstructed and change the purpose of the existence of Smithsonian with what would seem to be their motto, We Speak from Theory not from Facts.Since the days Smithsonian took a new path due to the influences of men such as Powell and Squire, thousands if not tens of thousands of artifacts and ruins have been dusted under the rug and or buried in the depths of Smithsonian, with a system of control and a constant threat of taking away their funding exist to this day over the heads of the Museums of this Nation. A threat of mockery and striping of ones title, destroying the ability of making a living in the archaeological world, hangs over the heads of many archaeologist today.The dictatorship of archaeology was now set up, the new religion of Atheism with its Bible of Manifest Destiny and Evolution, but what was the motive? Why would a group of men want to hide the history of this land? What was it that could have motivated the two sons of Methodist Ministers in Palmyra New York in 1830? I just can't put my finger on it.To this day thousands of unusual artifacts remain hidden in the basements of Museums across this land with no explanation as to why they cannot display them without the threat of loosing their funding. It would seem that of every claim of who came to this land first, all seem to forget that when they pushed their way onto the beaches of this new world, someone was peering at them from the bushes. Although not the first to come to this land, Europeans, Hebrew or Jewish and or Roman Jewish people, have been coming to this land as early as possibly 900 BC, and even then, someone was already here. Columbus knew this and so did all the others who followed him and preceded him, and those who funded the expeditions. Who were these people and how did they get here? Is there a written history of these people?It is my desire, not having this threat hanging over my head, to show you even a small portion of the amazing untold history of this land through photographic, archaeological, geographic, and scriptural evidence, legends, documentation of the past told by those who witnessed it, and just plain common sense. It is not my position that because an artifact find was not an "Official" archaeological excavation that we need disregard completely the evidence. Honesty and trust in a find is not inherent in the field of archaeology inclusively, it is within the men who make the find, and tell the story as it occurred. Just because it was not under the dictatorship of Smithsonian, does not make it any less credible, not in the slightest.The field of archaeology has come a long way since the days of the two sons of Methodist Ministers from Palmyra New York, and it seems to have stooped to a new low many would not have ever thought. Many archaeologist of today are fed up and disgusted with the muzzle that is forced upon them with a threat of loosing their livelihood should they stray from the curriculum and the seeming untold oath to it. It is what seems to be, an effort to destroy the concept of God in the mind of the people for the sake of the religion of Evolution.

Art. Asian & Asian American Studies. Filipino American Studies. Co-authored by Abe Ignacio, Enrique de la Cruz, Jorge Emmanuel, and Helen Toribio. THE FORBIDDEN BOOK uses over 200 political cartoons from 1898 to 1906 to chronicle a little known war between the United States and the Philippines. The war saw the deployment of 126,000 U.S. troops, lasted more than 15 years and killed hundreds of thousands of Filipinos beginning in February 1899. The book's title comes from a 1900 Chicago Chronicle cartoon of the same name showing then-President William McKinley putting a lock on a book titled "True History of the War in the Philippines." Today, very few Americans know about the brutal suppression of Philippine independence or the anti-war movement led at that time by the likes of writer Mark Twain, peace activist Jane Addams, journalist Joseph Pulitzer, steel magnate Andrew Carnegie, labor leader Samuel Gompers, and Moorfield Storey, first president of the NAACP. The book reveals how the public was misled in the days leading to the war, shows illustrations of U.S. soldiers using the infamous "water cure" torture (today referred to as "waterboarding"), and describes a highly publicized court martial of soldiers who had killed prisoners of war. The election of 1900 pitted a pro-war Republican president against an anti-war Democratic candidate. In 1902, the Republican president declared a premature "mission accomplished" as the war was beginning to expand to the southern Philippines. The book shows political cartoons glorifying manifest destiny, demonizing the leader of the Filipino resistance President Emilio Aguinaldo, and portraying Filipinos, Puerto Ricans, Cubans, Hawaiians, Chamorros, and other colonials as dark-skinned savages in need of civilization. These images were used to justify a war at a time when three African Americans on average were lynched every week across the south and when the Supreme Court approved the "separate but equal" doctrine. More than a century later, the U.S.- Philippine War remains hidden from the vast majority of Americans. The late historian Howard Zinn noted, "THE FORBIDDEN BOOK brings that shameful episode in our history out in the open... The book deserves wide circulation."

Volume 1 of A History of the Book in America, The Colonial Book in the Atlantic World, encompasses the seventeenth and eighteenth centuries. It is organized around three major themes: the persisting colonial relationship between European settlements and the Old World; the gradual emergence of a pluralistic book trade that differentiated printers from booksellers; and the transition from a 'culture of the Word', organized around an understanding of print as a vehicle of the sacred, to the culture of republicanism, epitomized by Benjamin Franklin, and culminating in the uses of print during the Revolutionary era. The volume will also describe nascent forms of literary and learned culture (including the circulation of manuscripts), literacy and censorship, orality, and the efforts by Europeans to introduce written literary to Native Americans and African Americans.

Forbidden Love is a pathbreaking book that only a master historian could write. The first work for younger readers to describe the true history of racial mixing in America, it exposes how desperately some people have fought to guard our racial borderlines. Gary Nash, a past president of the Organization of American Historians, has been instrumental in rethinking how history should be taught in schools. Now, starting with John Rolfe and Pocahontas, pausing to compare the United States with Canada and Mexico, and ending with his own multiracial classrooms, he shows how racial mixing, and the fear of it, is at the heart of American history.

• A New Republic Best Book of the Year • The Globalist Top Books of the Year • Winner of the Maine Literary Award for Non-fiction Particularly relevant in understanding who voted for who during presidential elections, this is an endlessly fascinating look at American regionalism and the eleven “nations” that continue to shape North America According to award-winning journalist and historian Colin Woodard, North America is made up of eleven distinct nations, each with its own unique historical roots. In American Nations he takes readers on a journey through the history of our fractured continent, offering a revolutionary and revelatory take on American identity, and how the conflicts between them have shaped our past and continue to mold our future. From the Deep South to the Far West, to Yankeedom to El Norte, Woodard (author of American Character: A History of the Epic Struggle Between Individual Liberty and the Common Good) reveals how each region continues to uphold its distinguishing ideals and identities today, with results that can be seen in the composition of the U.S. Congress or on the county-by-county election maps of any hotly contested election in our history.