Mark Doty's prose has been hailed as "tempered and tough, sorrowing and serene" (The New York Times Book Review) and "achingly beautiful" (The Boston Globe). In Still Life with Oysters and Lemon he offers a stunning exploration of our attachment to ordinary things-how we invest objects with human store, and why.

Winner of the 2014 CLASS Reunion Kudos Book Award, fiction category. After the tragic death of Butch Browning’s wife, Jenny, four families begin to realize how precious—and fleeting—their time together is. Each is at a different stage in life: Butch is facing single parenthood. The O’Reillys are expecting their first child. The Andersons are approaching an empty nest, and the Buckleys are so focused on providing their children with everything that they’ve forgotten what they truly need. With just eighteen summers before their children are grown, how do they make the most of that time when life so often gets in the way? As summer flies by, each of these parents must learn about guilt and grace . . . and when to hold on to their kids and when to let go.

Four gorgeous brothers, one small town, and the women who drive them wild.Presley McDaniel lives her life from moment to moment.Making permanent decisions means obligation, and that would force her to stop being the family disappointment. Waitress, fitness instructor, dog walker ... you name the hourly job and she's probably held the position.But when her grandmother can no longer run her book shop in Fawn Hill, a town so small it barely has its own zip code, Presley steps up to help.The move from bustling city to green pastures may be exactly what she needs to sort out her life. But she didn't ask for that happy ending to include a gorgeous veterinarian with an all-American smile and a penchant for snuggling puppies. The good doctor is reliable, responsible, and just the kind of man Presley has always avoided.Love and commitment are predictable.So why, the moment she lays eyes on him, are they all she wants?Keaton Nash has never questioned his steady path.His brothers may tease him about settling into his father's passed-down role of small town veterinarian, but Keaton has never minded his rural roots. And after tragedy struck two years ago, he has a duty as the eldest Nash man to look after his family.What he doesn't need is the sexy, flighty stranger who shows up in town and gets his broken heart beating again. Presley McDaniel is a distraction, a red-headed temptation that is the definition of a bad idea.He's barely recovered from the love who left him to chase bigger dreams, and this woman is bound to do the same.Except for the first time ever, he wants to abandon stability.She makes him want to be reckless.

James Klosty'sMerce Cunninghamwas the first book ever published about Cunningham. It appeared in 1975 and was republished in 1986. Now, for the 100th anniversary of Cunningham's birth, it is reincarnated for a twenty-first-century audience in duotone printing, redesignedand completely reimagined with an additional 140pages of photographs, many published never before. In the years since their passing, the historical importance of the partnership of John Cage and Merce Cunningham has grown to the point where no consideration of avant-garde art, music, and dance in America makes sense if Cunningham and Cage are not posited, serene and smiling, at the wellspring of its inspiration. This is true not only in America but around the globe as well. Art does not exist in a vacuum and neither did Cunningham and Cage. Painters such as Robert Rauschenberg, Jasper Johns, Andy Warhol, Frank Stella, and Robert Morris, and composers such as Earle Brown, Christian Wolff, Morton Feldman, David Tudor, and Pauline Oliveros joined the endeavor. Jasper Johns slyly lured Marcel Duchamp into allowing his iconic Large Glass to be used as decor for a Cunningham dance. Cunningham repeatedly invited Erik Satie (without Satie's permission) into his musical family. This seemingly haphazard association of innovative artists served as the nearest thing America could offer in counterbalance to Diaghilev and his Ballets Russes. In addition to Klosty's photographs of the artists, composers, and dancers;and the dances themselves, both in rehearsal and performance; the book contains texts from Cunningham's associates including John Cage, Jasper Johns, Robert Rauschenberg, Carolyn Brown, Paul Taylor, Lincoln Kirstein, Edwin Denby, and a dozen others.

If you are in love, afraid of being in love or in love but don’t quite know with what, then this is the book for you. If you are unhappily married, happily unmarried, or vice versa, then this book is the distraction you need. If you have children, don’t have children, or ever plan to be a child yourself, then hang on to the monkey bars this book is. If you have one life, infinite loves and time management issues, then you are holding the essential field guide to sorting out the clutter. Or wreckage. Or whatever it is you call yourself.