This comprehensive historical reference offers an in-depth look at the Confederate flags of Missouri during the Civil War. Throughout the 1860s, scores of flags representing the Confederate State of Missouri and its soldiers were unfurled in the fight against the Union armies. Symbolizing the way of life those men sought to protect, these flags provide a unique index to the history of the Civil War in this western state. This comprehensive study of Missouri’s Civil War–era flags presents more than fifty authentic flags, along with information on their origins and the units they represented. The emblems, materials, construction, and dimensions of each flag are also included. From the banner borne by the First Regiment Missouri Volunteer Militia, which serves as a significant reminder of the Camp Jackson massacre, to the famed flag Brig. Gen. Joseph O. Shelby never surrendered, each Missouri ensign represents a moment in history.

This detailed historical reference covers every known flag representing the Confederate State of Carolina and its role in the Civil War. Many flags have represented the state of South Carolina over its long history. After years of locating, measuring, and determining the historical significance of more than one hundred flags displayed during the War Between the States, historian Glenn Dedmondt presents the most detailed and comprehensive look at South Carolina’s Civil War-era flags. Included in this volume are: the Lone Star and Palmetto Flag, the first Southern flag hoisted over Fort Sumter; the Charleston Depot battle flag, and the naval Jack, flown only on a ship of war when in port. Through these banners and the stories that surround them, Dedmondt relates the story of South Carolina’s Civil War years.

In recent years, the Confederate flag has become as much a news item as a Civil War relic. Intense public debates have erupted over Confederate flags flying atop state capitols, being incorporated into state flags, waving from dormitory windows, or adorning the T-shirts and jeans of public school children. To some, this piece of cloth is a symbol of white supremacy and enduring racial injustice; to others, it represents a rich Southern heritage and an essential link to a glorious past. Polarizing Americans, these flag wars reveal the profound--and still unhealed--schisms that have plagued the country since the Civil War. The Confederate Battle Flag is the first comprehensive history of this contested symbol. Transcending conventional partisanship, John Coski reveals the flag's origins as one of many banners unfurled on the battlefields of the Civil War. He shows how it emerged as the preeminent representation of the Confederacy and was transformed into a cultural icon from Reconstruction on, becoming an aggressively racist symbol only after World War II and during the Civil Rights movement. We gain unique insight into the fine line between the flag's use as a historical emblem and as an invocation of the Confederate nation and all it stood for. Pursuing the flag's conflicting meanings, Coski suggests how this provocative artifact, which has been viewed with pride, fear, anger, nostalgia, and disgust, might ultimately provide Americans with the common ground of a shared and complex history.

A tribute to the valiant men who fought under these flags. The Flags of Civil War North Carolina is the history of secession of North Carolina told through the banners that flew over its government, cavalry, and navy. From the flags of the Guilford Greys to the Buncombe Riflemen, this collection is a fascinating portrait of the state's ill-fated battle for independence. Glenn Dedmondt is a member of the Sons of Confederate Veterans. He is the author of The Flags of Civil War Alabama and The Flags of Civil War South Carolina, also published by Pelican.

"[A] thorough and comprehensive study of this tragic, almost forgotten episode of American history." —History "What Sherman did in Georgia and Sheridan in the Valley pales in comparison. This study truly shows the horrible cost inherent in any civil war." —Civil War Courier "[A] well written and compelling account of an aspect of the Civil War which has not received sufficient attention." —Southern Historian "Compelling . . ." —Publishers Weekly "[A] fast-paced . . .absorbing discourse . . . Black Flag is a highly recommended book that transports the reader to the towns and dusty highways of Kansas and Missouri during the Civil War." —Kansas History From 1861 to 1865, the region along the Missouri-Kansas border was the scene of unbelievable death and destruction. Thousands died, millions of dollars of property was lost, entire populations were violently uprooted. It was here also that some of the greatest atrocities in American history occurred. Yet in the great national tragedy of the Civil War, this savage warfare has seemed a minor episode. Drawing from a wide array of contemporary documents—including diaries, letters, and first-hand newspaper accounts—Thomas Goodrich presents a hair-raising report of life in this merciless guerrilla war. Filled with dramatic detail, Black Flag reveals war at its very worst, told in the words of the participants themselves. Bushwhackers and Jayhawkers, soldiers and civilians, scouts, spies, runaway slaves, the generals and the guerrillas—all step forward to tell of their terrifying ordeals. From the shocking, sensational massacres at Lawrence, Baxter Springs, and Centralia to the silent terror of a woman at home alone in the Aburnt district, Black Flag is a horrifying day-by-day account of life, death and war, told with unforgettable immediacy.

In the Civil War, rough-and-tumble St. Louis played a key role as a strategic staging ground for the Union army. A citadel of free labor in a slave state, it also harbored deeply divided loyalties that mirrored those of its troubled nation. Until now, however, the fascinating story of wartime St. Louis has remained largely unchronicled. By the mid-nineteenth century, St. Louis had become the nation's greatest inland city, providing a "gateway to the West," a riverine crossroads for national commerce, and an ideal base for expansion-minded industrialists from the abolitionist Northeast. Yet as Louis Gerteis reveals, many of its citizens were staunchly dedicated to both slavery and the southern agrarian tradition. For them especially, federal martial law was an outrage, one that only served to nail the coffin shut on their loyalty to the Union. Gerteis's rich and engaging narrative encompasses a wide range of episodes and events involving the lynching of freeman Francis McIntosh and murder of publisher Elijah Lovejoy, the infamous Dred Scott saga (which began in St. Louis), city politics and martial law, battles in and around the city (at Camp Jackson, Wilson's Creek, and Pea Ridge), major river campaigns, manufacture of ironclad combat ships, prison camps and hospitals, and efforts to secure civil rights for blacks while denying the same to former Confederates who would not swear loyalty to the Union. Featuring famous figures like Thomas Hart Benton, John C. Fremont, Claiborne Jackson, Ulysses S. Grant, and Sterling Price, Gerteis's study also sheds considerable light on the participation of women and the status of blacks throughout the conflict, offering gripping images of black and white Missourians contending with the issue of emancipation. Ultimately, Gerteis offers a compelling portrait of a war-torn city-teeming with wounded soldiers, displaced civilians, runaway slaves, federal prisoners, and profiteers-that was forever changed by its wartime experiences, even as it anchored Union victory in the west.