There were very few land burials in Moon Beach. It was considered old-fashioned, unhealthy and something that only happened to the poor. Instead the dead were buried in ocean cemeteries, twelve miles out. A special festival was held every year in their honour. Children loved it. They were given white chocolate bones, marzipan skulls and ice-cream coffins on a stick. There were costume parties too. You had to wear something blue because that was the colour people went when they were buried under the sea. You could paint your hands and face if you liked, or even dye your hair. That's what people did in Moon Beach. Turned blue once a year. And then they turned blue forever...

Moon Beach is a city built on the business of burial; funeral parlours are everywhere, low-rise like fast-food chains. But just as death is a way of life in Moon Beach, life there shows all the sign of corruption and decay. It is a place filled with colourful eccentrics and unworldly happenings.

The Gates of Hell is the follow up to Michael Livingston’s amazing The Shards of Heaven, a historical fantasy that reveals the hidden magic behind the history we know, and commences a war greater than any mere mortal battle. Alexandria has fallen, and with it the great kingdom of Egypt. Cleopatra is dead. Her children are paraded through the streets in chains wrought of their mother's golden treasures, and within a year all but one of them will be dead. Only her young daughter, Cleopatra Selene, survives to continue her quest for vengeance against Rome and its emperor, Augustus Caesar. To show his strength, Augustus Caesar will go to war against the Cantabrians in northern Spain, and it isn't long before he calls on Juba of Numidia, his adopted half-brother and the man whom Selene has been made to marry—but whom she has grown to love. The young couple journey to the Cantabrian frontier, where they learn that Caesar wants Juba so he can use the Trident of Poseidon to destroy his enemies. Perfidy and treachery abound. Juba's love of Selene will cost him dearly in the epic fight, and the choices made may change the very fabric of the known world. “Livingston has spiced real history with a compelling dose of fantasy! Wonderfully imaginative and beautifully told.” —Bernard Cornwell, bestselling author of The Pagan Lord, on The Shards of Heaven At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

On growing up in the American South of the 1960s—an all-American white boy—son of a long line of Methodist preachers, in the midst of the civil rights revolution, and discovering the culpability of silence within the church. By the Pulitzer Prize-winning journalist and columnist for The Birmingham News. "My dad was a Methodist preacher and his dad was a Methodist preacher," writes John Archibald. "It goes all the way back on both sides of my family. When I am at my best, I think it comes from that sermon place." Everything Archibald knows and believes about life is "refracted through the stained glass of the Southern church. It had everything to do with people. And fairness. And compassion." In Shaking the Gates of Hell, Archibald asks: Can a good person remain silent in the face of discrimination and horror, and still be a good person? Archibald had seen his father, the Rev. Robert L. Archibald, Jr., the son and grandson of Methodist preachers, as a moral authority, a moderate and a moderating force during the racial turbulence of the '60s, a loving and dependable parent, a forgiving and attentive minister, a man many Alabamians came to see as a saint. But was that enough? Even though Archibald grew up in Alabama in the heart of the civil rights movement, he could recall few words about racial rights or wrongs from his father's pulpit at a time the South seethed, and this began to haunt him. In this moving and powerful book, Archibald writes of his complex search, and of the conspiracy of silence his father faced in the South, in the Methodist Church and in the greater Christian church. Those who spoke too loudly were punished, or banished, or worse. Archibald's father was warned to guard his words on issues of race to protect his family, and he did. He spoke to his flock in the safety of parable, and trusted in the goodness of others, even when they earned none of it, rising through the ranks of the Methodist Church, and teaching his family lessons in kindness and humanity, and devotion to nature and the Earth. Archibald writes of this difficult, at times uncomfortable, reckoning with his past in this unadorned, affecting book of growth and evolution.

A riveting story of one man's life and ministry during the explosion of Christian missions in nineteenth-century America, Against the Gates of Hell is the biography of Henry T. Perry, a missionary to Turkey from 1866 to 1913. Based heavily on previously unpublished letters and diaries from the ABCFM (American Board of Commissioners of Foreign Missions) archives in Harvard's Houghton Library, Against the Gates of Hell provides an eyewitness account of the last years of the Ottoman Empire, years that are the foundation for the modern Middle East. Perry's diary also reveals a life wholly committed to Christ, by his example challenging the reader in his own Christian walk. Here too can be found historical testimonies of Muslim/Christian relations which have assumed renewed importance since the events of September 11, 2001.Against the Gates of Hell is classic narrative history, carefully researched, attentive to human interest detail, and contextually rich in historical background. Because of the richness of the historical background, the work becomes a cultural history as well as a biography. The book includes firsthand, eyewitness accounts of the 1894-1895 Armenian massacres and the 1915 Armenian genocide. Against the Gates of Hell is especially timely for the 100th anniversary in 2015 of the 1915 Armenian Genocide, the first genocide of the twentieth century.

New Egypt is a village somewhere in the South of England. A village that nobody has ever left. Peach, the sadistic chief of police, makes sure of that. Then, one misty morning, a young couple secretly set their baby son Moses afloat on the river, in a basket made of rushes. Years later, Moses is living above a nightclub, mixing with drug-dealers, thieves and topless waitresses. He knows nothing about his past - but it is catching up with him nevertheless, and it threatens to put his life in danger. Terror, magic and farce all have a part to play as the worlds of Peach and Moses slowly converge.