Lily's a young girL with a best friend, Manlo, who regales her about the ocean far away from the lagoon where they meet each day and talk. he offers her an adventure to go and see all he has been telling her about. She will become a mermaid in order to go with Mango. Lily is so excited she agrees to his offer without asking questions what it all it entails. As best friends Mano believes what he wants in life is the same Lily wants. Manlo takes her to places she heard of and those she hasn't but their adventure takes a turn and Lily's found she agreed to more than she realised because she didn't ask questions about the transition.

Will Pam’s secret tear her family apart? After the market crash of 1929, the Bowmaker family in Leigh-on-Sea are struggling to make ends meet. In these harsh times they must support each other or they risk their tight-knit family falling apart. But Pamela Bowmaker has a secret. Her sweetheart is George Bryant, whose family has been feuding with the Bowmakers’ since before she was born. With a baby on the way, Pam will need her family’s help more than ever. Can their love heal old wounds for the sake of their baby, or are some grudges too deep to mend? A warm-hearted and gripping saga, from the author of The Factory Girl and A Girl in Wartime

How do texts speak with authority? That is the question at the heart of Kierkegaard's theory and practice of "indirect communication." None of Kierkegaard's texts respond to this question more concisely and powerfully than the four discourses he wrote about the lily in the Gospel. The Lily's Tongue is a nuanced, sustained reading of these Lily Discourses. Kierkegaard takes the lilies as authoritative, rather than merely "figural" or "metaphorical." This book is a careful exploration of what Kierkegaard means by this authority. Frances Maughan-Brown demonstrates how Kierkegaard argues that the key is in the act of reading itself—no text can have authority unless the reader grants it that authority because no text can entirely avoid figural language. Texts don't speak directly; their tongue is always the lily's tongue. What is revealed in the Lily Discourses is a groundbreaking theory of figure, which requires a renewed reading of Kierkegaard's major pseudonymous works.

When Lily Dietz, an ambitious yet short-tempered Asian-American NYC homicide detective, and longtime partner John Fremont begin to work a unique but gruesome murder case, cryptic clues in the evidence start to link with Lily's dark and troubling past-one deeply imprinted with many psychological and emotional issues. Borderline manic-depressive and a self-destructive alcoholic, Lily is strikingly beautiful and spoiled by her younger brother, CJ, a NBA All-Star basketball Knicks player, due to guilt uprooting from their own family history; separations of heart-wrenching losses and disappointments. The hunt for the killer escalates when the detectives discover more than one murder. Someone with cruel and twisted intentions motivated by a taste for sophistication yet also depravity is targeting and brutally mutilating Asian-American women. And somehow, the murderer knows Lily far too well. Soon the game of cat-and-mouse becomes a thrilling chase from beginning to end, where Lily's reality and the people in it begin to doubt her, not only as a detective but as a person. Who will be able to save this damaged soul? Or who will be the one to destroy it?

Susan Gerstein (nee Zsuzsa Osvath) is an artist living in New York City. She is married to David and is the mother of Lisa. In "Lily's Daughter" she remembers her early life growing up in Nazi-occupied, war-torn and ultimately Communist-dominated Hungary, culminating in her daring escape into the West.

When tragedy strikes, she must find a new path... Lily Thorpe is spirited, ambitious and desperate to escape the poverty of her Lake District home, and marry her secret sweetheart Dick Rawlins. But tragedy strikes and Dick is killed in a boating accident caused by the wealthy and arrogant Clermont-Read family. Lily is forced to reassess her future, and she embarks on a quest for revenge and marries Bertie Clermont-Read. The young couple are rejected by his family and suffer the same poverty Lily had tried to escape. Lily starts a passionate affair with local steam boat captain Nathan Monroe and when she is threatened with vengeance she must decide who is more important – her husband or her lover. A page-turning saga of love and heartache, perfect for fans of Katie Flynn and Val Wood.

His elder daughter was all he—and a number of other men—found they wanted in a woman, and Lily soon learned to use her good looks and lively personality to the best advantage. But she was also hard-working and practical and, in her lifetime, held down a number of jobs which, in those times, women were not expected to be able to do. Was it a good life? Depends on what is meant by ‘good.’ Looking back, Lily would probably say there were plenty of good times, and more than a few regrets. But at least she lived it to the full. In every way. Here is her story.