The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.

The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave

This fresh look at the Gospel of Matthew highlights the unique contribution that Matthew's rich and multilayered portrait of Jesus makes to understanding the connection between the Old and New Testaments. Patrick Schreiner argues that Matthew obeyed the Great Commission by acting as scribe to his teacher Jesus in order to share Jesus's life and work with the world, thereby making disciples of future generations. The First Gospel presents Jesus's life as the fulfillment of the Old Testament story of Israel and shows how Jesus brings new life in the New Testament.

Many biblical scholars believe that the Gospel of Matthew was written after those of Mark and Luke. In this controversial book, an eminent politician who is also a distinguished classical scholar refutes this idea, using textual and literary criticism to assert that the Gospel of Matthew preceded the other gospels. Translating and analysing the original Greek source, Powell proceeds to concentrate upon the text of Matthew, as being the earliest form of the gospel that we possess, and to demonstrate how its peculiar characteristics can best be accounted for as being the result of insertions and manipulations, often theologically motivated. Powell argues that the Gospel of Matthew represents an attempted compromise between a pro-gentile book and a critical revision of that book produced for the judaising wing of the early Church, and that material intended to appeal to the followers of John the Baptist was also introduced. The Gospel of Matthew, though given the form of consecutive narrative, is, says Powell, essentially a theological debate carried on by means of allegory: was Jesus the Son of God or a Davidic king?

"Magisterial. . . . A learned, brilliant and enjoyable study."—Géza Vermès, Times Literary Supplement In this exciting book, Paula Fredriksen explains the variety of New Testament images of Jesus by exploring the ways that the new Christian communities interpreted his mission and message in light of the delay of the Kingdom he had preached. This edition includes an introduction reviews the most recent scholarship on Jesus and its implications for both history and theology. "Brilliant and lucidly written, full of original and fascinating insights."—Reginald H. Fuller, Journal of the American Academy of Religion "This is a first-rate work of a first-rate historian."—James D. Tabor, Journal of Religion "Fredriksen confronts her documents—principally the writings of the New Testament—as an archaeologist would an especially rich complex site. With great care she distinguishes the literary images from historical fact. As she does so, she explains the images of Jesus in terms of the strategies and purposes of the writers Paul, Matthew, Mark, Luke, and John."—Thomas D’Evelyn, Christian Science Monitor

The Gospel of Matthew and Its Readers is a biblical commentary with a difference. Howard Clarke first establishes contemporary scholarship's mainstream view of Matthew's Gospel, and then presents a sampling of the ways this text has been read, understood, and applied through two millennia. By referring forward to Matthew's readers (rather than back to the text's composers), the book exploits the tensions between what contemporary scholars understand to be the intent of the author of Matthew and the quite different, indeed often eccentric and bizarre ways this text has been understood, assimilated, and applied over the years. The commentary is a testament to the ambiguities and elasticity of the text and a cogent reminder that interpretations are not fixed, nor texts immutably relevant. And unlike other commentaries, this one gives space to those who have questioned, rejected, or even ridiculed Matthew's messages, since Bible-bashing, like Bible-thumping, is a historically significant part of the experience of reading the Bible.