Finding of the Mayflower.

"First published in the United Kingdom under the title The Mayflower generation by Chatto & Windus, an imprint of Vintage, a Penguin Random House company"--Verso.

In the first book he has both written and illustrated, master artist P.J. Lynch brings a Mayflower voyager’s story to vivid life. At a young age, John Howland learned what it meant to take advantage of an opportunity. Leaving the docks of London on the Mayflower as an indentured servant to Pilgrim John Carver, John Howland little knew that he was embarking on the adventure of a lifetime. By his great good fortune, John survived falling overboard on the crossing of the Atlantic Ocean, and he earned his keep ashore by helping to scout a safe harbor and landing site for his bedraggled and ill shipmates. Would his luck continue to hold amid the dangers and adversity of the Pilgrims’ lives in New England? John Howland’s tale is masterfully told in his own voice, bringing an immediacy and young perspective to the oft-told Pilgrims’ story. P.J. Lynch captures this pivotal moment in American history in precise and exquisite detail, from the light on the froth of a breaking wave to the questioning voice of a teen in a new world.

Taking a long chronological view and a wide-ranging, interdisciplinary approach, this is an innovative and distinctive book. It is the definitive work on the posthumous reputation of the ever-popular warrior queen of the Iceni, Queen Boadicea/Boudica, exploring her presence in British historical discourse, from the early-modern rediscovery of the works of Tacitus to the first historical films of the early twentieth century. In doing so, the book seeks to demonstrate the continuity and persistence of historical ideas across time and throughout a variety of media. This focus on continuity leads into an examination of the nature of history as a cultural phenomenon and the implications this has for our own conceptions of history and its role in culture more generally. While providing contemporary contextual readings of Boudica's representations, Martha Vandrei also explores the unique nature of historical ideas as durable cultural phenomena, articulated by very different individuals over time, all of whom were nevertheless engaged in the creative process of making history. Thus this study presents a challenge to the axioms of cultural history, new historicism, and other mainstays of twentieth- and twenty-first- century historical scholarship. It shows how, long before professional historians sought to monopolise historical practice, audiences encountered visions of past ages created by antiquaries, playwrights, poets, novelists, and artists, all of which engaged with, articulated, and even defined the meaning of "historical truth". This book argues that these individual depictions, variable audience reactions, and the abiding notion of history as truth constitute the substance of historical culture.

“The Myth of the "Mayflower"” is a 1921 work by G. K. Chesterton. Within it, he attempts to separate fact from fiction concerning the story of the 'Mayflower', an English ship that transported early Pilgrims to the New World in 1620. The ship has since become an important part of American history and culture, as well as the subject of innumerable works of art, plays, films, poems, songs, books, etc. This fascinating treatise is highly recommended for those with an interest in this famous sea voyage and in American history and culture in general. Gilbert Keith Chesterton (1874– 1936) was an English philosopher, theologian, writer, and literary and art critic. Other notable works by this author include: “Heretics, Project Gutenberg” (1905), “The Innocence of Father Brown” (1911), and “The Man Who Was Thursday” (1908). Read & Co. History is republishing this classic work now complete with a specially-commissioned new biography of the author.

The voyage of the Mayflower is recounted through the eyes of the children on board.