With friends like these, who needs enemies? A twisting psychological thriller about what lies behind a marriage’s façade—and the deadly results . . . Hazel and Jamie are happily married. Or so it would seem. Behind closed doors, things are far from normal. Jamie has an unhealthy obsession, and Hazel is more worried about herself than her husband. So when Millicent injects herself into their lives, with Jamie firmly in her sights, the trio end up on a path that will end in death. Everyone has secrets. Everyone has a dark side. But who is good, who is bad, and who is going to get away with murder?

The twisted, but fascinating, mind of a serial killer is revealed with terrifying consequences in this astonishing and shocking exploration. with 20 b&w photos.

What She Left Behind. . . Everyone in Savannah, Georgia knows the Remington estate. The rambling old house bears blatant testimony not just to the esteemed family's vast wealth, but to unbearable tragedy and whispered secrets. Soon, the Remingtons will all come home to this secluded plantation nestled deep in the shadow of moss-covered trees. Then they will have to die. . .one by one. . . Hasn't Just Come Back To Haunt Her. . . For Charlotte Remington Maitland, the past five years have been a haze of pain and loss. Now, with her new husband and teenaged daughter, she's found a second chance at happiness--until the moment her grandfather's will is read. As the sole beneficiary of the vast Remington estate, Charlotte will get everything that's coming to her. A killer will make sure of that--no matter who has to die. . . It's Come Back To Kill Her. Trapped in a house of lies, searching for answers to deadly questions, Charlotte has never been more afraid. Someone knows her family's deepest secrets. Someone who will take Charlotte to the edge of sanity and the dark heart of her greatest fear in order to make her. . . The Final Victim

Henry Howard, Earl of Surrey, was one of the most flamboyant and controversial characters of Henry VIII’s reign.

"Seconds passed; minutes. She could hear movement now in the waiting room she had just left...it was the metal magazine rack she was sure, that crashed to the tile floor. Then quiet. She strained to hear in the darkness. Nothing more, and then... The air moved in the room and she knew. He was here." As a young psychology student, Hailey Dean's world explodes when Will, her fianc, is murdered just weeks before their wedding. Reeling, she fights back the only way she knows how: In court, prosecuting violent crime . . . putting away the bad guys one rapist, doper, and killer at a time. But dedicating her life to justice takes a toll after years of courtroom battles and the endless tide of victims calling out from crime scene photos and autopsy tables. Just as she grows truly weary, a serial killer unlike any other she's encountered begins to stalk the city of Atlanta, targeting young prostitutes, each horrific murder bearing his own unique mark. This courtroom battle will be her last. Hailey heads for Manhattan to pick up the pieces of the life she had before Will's murder, training as a therapist. In a vibrant new world, she finally leaves her ghosts behind. But then her own clients are brutally murdered one by one by a copycat using the same M.O. as the Atlanta killer she hunted down years before. As the body count rises across Manhattan, Hailey is forced to match wits not only against a killer, but the famed NYPD. Unless she returns to her former life and solves the case, still more innocent people will die at the hands of a killer who plans to get her, before she can get him!

Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several hits to his credit including Blockade, Sahara, and Action in the North Atlantic. After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, Final Victim of the Blacklist restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth century cinema and politics.