Peter Bradshaw's finest film reviews--the good, the bad, and the ugly. Peter Bradshaw is an excellent film reviewer for intelligent, curious filmgoers. He's a true journalist who has served as The Guardian's film critic for 20 years and who understands what his readers want to know. His reviews carry his deep experience, knowledge, and understanding of film lightly. Films That Made Me... allows Peter Bradshaw to share his knowledge and guidance directly with readers. His reviews are the substance of this book--from 20 years-worth of Guardian reviewing. Selections are themed, each with a personalized entry-point introduction. Sample contents include: Films that make me sad. Films that make me laugh. Films that make me think. Films that made me feel. Films that make me run for the hills. Films that I want to show to my son. Films that make me think about my parents. Films that make me squirm (in a good way). Films that make me scared. Films that make me Google the real-life people involved (and think about true-life stories.) Films that have me on the edge of my seat.

'Like a pizza delivery driver who travels everywhere by moped, or a volcanologist who keeps turning the central heating up, I'm a film critic who loves going to the cinema.' - Peter Bradshaw. Peter Bradshaw is the film reviewer for intelligent, curious cinemagoers; he has worked at the Guardian for twenty years. The Films That Made Me collates his finest reviews from the last two decades, which carry with them his deep experience, knowledge and understanding of film. Introducing each section with a brief introductory article in his light, humorous tone, and ranging from The Cat in the Hat and the Twilight Saga to Synecdoche: New York, Bradshaw shares the films that he loved, the films that he hated, the films that made him laugh, cry, swoon and scared. Bradshaw's reviews range from the insightful and introspective to the savage and funny. The Films That Made Me is a must read for all film fanatics.

A love story like no other! Perfect for fans of David Nicholls, Jojo Moyes and Richard Curtis films, You, Me and the Movies will leave you crying tears of joy and sadness. When Arden meets Mac she quickly falls for the handsome, charismatic film lecturer. Their love is the sort you see in movies: dramatic, exciting and all-consuming... and complicated. A love like theirs could never last. But years later, whilst visiting a friend in hospital, Arden sees the one face she could never forget. Badly injured, Mac can only make brief references to the classic films they once watched together. Which is all it takes for Arden to remember everything... Will Arden ever find a movie-worthy love again? ________ What everyone is saying about You, Me and the Movies: 'Moving and emotional' Eva Woods, bestselling author of How to be Happy 'I LOVED THIS BOOK!! You, Me and The Movies is beautifully crafted, funny, uplifting and guaranteed to leave you smiling!!! This is one of those BIG WONDERFUL books that pulls you in and doesn't let you go until the very last page.' Lauren North, author of The Perfect Betrayal 'It made me laugh, cry and want to watch lots more old movies' ***** 'Nostalgic and lovely and just leaves you with a warm feeling' ***** 'Pulls you in and doesn't let you go until the very last page' ***** 'I can't begin to say how much I LOVED this book. It had me laughing, falling in love and ultimately crying.' ***** 'I'm an absolute mess. This is a beautiful novel. Completely unexpected... I was captured by the now and then aspect of the story... I'm off now to re-watch The Way We Were.' *****

From the celebrated film critic and author of The Biographical Dictionary of Film--an essential work on the preeminent, indispensable movie directors and the ways in which their work has forged, and continues to forge, the landscape of modern film. Directors operate behind the scenes, managing actors, establishing a cohesive creative vision, at times literally guiding our eyes with the eye of the camera. But we are often so dazzled by the visions on-screen that it is easy to forget the individual who is off-screen orchestrating the entire production--to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through their work, studies the very nature of film direction. With his customary candor about his own delights and disappointments, Thomson analyzes both landmark works and forgotten films from classic directors such as Orson Welles, Alfred Hitchcock, Jean Renoir, and Jean-Luc Godard, as well as contemporary powerhouses such as Jane Campion, Spike Lee, and Quentin Tarantino. He shrewdly interrogates their professional legacies and influence in the industry, while simultaneously assessing the critical impact of an artist's personal life on his or her work. He explores the male directors' dominance of the past, and describes how diversity can change the landscape. Judicious, vivid, and witty, A Light in the Dark is yet another required Thomson text for every movie lover's shelf.

Alfred Hitchcock once famously remarked, "Actors are cattle." In The Camera Lies, Dan Callahan uncovers the sophisticated acting theory that lay beneath the director's notorious indifference towards his performers, spotlighting the great performances of deceit and duplicity he often coaxed from them.

Thirty-five directors reveal which overlooked or critically savaged films they believe deserve a larger audience while offering advice on how to watch each film.

Sure, everyone's seen The Rocky Horror Picture Show, The Texas Chain Saw Massacre, and Attack of the Killer Tomatoes. But as you'll learn in this shockingly tasteless collection of great awful movies, there's so much more to the world of truly bad film. You'll dive into the steaming swamp of such disastrously delicious movies as: Young Hannah, Queen of the Vampires Puppet Master versus Demonic Toys Creature with the Atom Brain Cannibal Holocaust Jesus Christ, Vampire Hunter For each movie, film buff and reviewer Steve Miller includes a list of principal cast, director, producer, a plot overview, why the movie sucked, a rating, choice quotes, interesting trivia, and a quiz. For anyone who's ever enjoyed awful movies, this is the book to have on the couch, along with the popcorn, as the opening credits flash on the screen for Gingerdead Men 2: The Passion of the Crust.