First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

The Feminist Critique of Language provides a wide-ranging selection of writings on language, gender, and feminist thought. It serves both as a guide to the current debates and directions and as a digest of the history of twentieth-century feminist ideas about language. This edition includes extracts from Felly Nkweto Simmonds, Trinh T. Minh-ha, Luce Irigaray, Sara Mills, Margaret Doyle, Debbie Cameron, Susan Ehrlich, Ruth King, Kate Clark, Sally McConnell-Ginet, Deborah Tannen, Aki Uchida, Jennifer Coates and Kira Hall.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Includes Susan Faludi's Backlash, are discussed in relation to abortion, equal pay for equal work, and other political, social, and cultural issues. The book assesses the highly charged sexual politics of the 1990s using the writings of Camilla Paglia, Naomi Wolf, and Katie Roiphe to analyze different levels of postfeminism. With examples from the mass media, film, literature, popular culture, art, and art criticism, this book surveys the impact of the American feminist.

The first collection to bring together well-known scholars writing from feminist perspectives within Critical Discourse Analysis. The theoretical structure of CDA is illustrated with empirical research from a range of locations (from Europe to Asia; the USA to Australasia) and domains (from parliament to the classroom; the media to the workplace).

Feminist critics have long considered language a primary vehicle for the transmission of sexist values in a society. This much-needed sociolinguistic critique examines the representation of women in traditional Japanese language and society. Derogatory and highly-sexualized terms are placed in historical context, and the progress of nonsexist language reform is reviewed. Central to this work are the individual voices of Japanese women who took part in a survey, expressing their candid thoughts and concerns regarding biased gender representations. In their own words, they give voice to the reality of being female within the constraints of a traditional--and sometimes misogynistic--language.