Seekers after wisdom have always been drawn to American Indian ritual and symbol. This history of two nineteenth-century Dreamer-Prophets, Smohalla and Skolaskin, will interest those who seek a better understanding of the traditional Native American commitment to Mother Earth, visionary experiences drawn from ceremony, and the promise of revitalization implicit in the Ghost Dance. To white observers, the Dreamers appeared to imitate Christianity by celebrating the sabbath and preaching a covenant with God, nonviolence, and life after death. But the Prophets also advocated adherence to traditional dress and subsistence patterns and to the spellbinding Washat dance. By engaging in this dance and by observing traditional life-ways, the Prophets claimed, the living Indians might bring their dead back to life and drive the whites from the earth. They themselves brought heaven to earth, they said, by “dying, going there, and returning,” in trances induced by the Washat drums. The Prophets’ sacred longhouses became rallying points for resistance to the United States government. As many as two thousand Indians along the Columbia River, from various tribes, followed the Dreamer religion. Although the Dreamers always opposed war, the active phase of the movement was brought to a close in 1889 when the United States Army incarcerated the younger Prophet Skolaskin at Alcatraz. Smohalla died of old age in 1894. Modern Dreamers of the Columbia plateau still celebrate the Feast of the New Foods in springtime as did their spiritual ancestors. This book contains rare modern photographs of their Washat dances. Readers of Indian history and religion will be fascinated by the descriptions of the Dreamer-Prophets’ unique personalities and their adjustments to physical handicaps. Neglected by scholars, their role in the important pan-Indian revitalization movement has awaited the detailed treatment given here by Robert H. Ruby and John A. Brown.

Along the shores of Tule Lake in northern California, three small bands of Modoc Indians joined forces in the fall and winter of 1872-73 to hold off more than one thousand U.S. soldiers and settlers trying to dislodge them from their ancient refuge in the lava beds.

Thompson reproduces, describes, and discusses a remarkable series of drawings by an anonymous Indian artist who fought with Chief Joseph and later reached Canada. The drawings, in red, blue, and black pencil, include portraits of principal participants in the war, battle scenes, and views of Nez Perce camp life. 60 color illustrations.

Rising from the Ashes explores continuing Native American political, social, and cultural survival and resilience with a focus on the life of Numiipuu (Nez Perce) anthropologist Archie M. Phinney. He lived through tumultuous times as the Bureau of Indian Affairs implemented the Indian Reorganization Act, and he built a successful career as an indigenous nationalist, promoting strong, independent American Indian nations. Rising from the Ashes analyzes concepts of indigenous nationalism and notions of American Indian citizenship before and after tribes found themselves within the boundaries of the United States. Collaborators provide significant contributions to studies of Numiipuu memory, land, loss, and language; Numiipuu, Palus, and Cayuse survival, peoplehood, and spirituality during nineteenth-century U.S. expansion and federal incarceration; Phinney and his dedication to education, indigenous rights, responsibilities, and sovereign Native Nations; American Indian citizenship before U.S. domination and now; the Jicarilla Apaches' self-actuated corporate model; and Native nation-building among the Numiipuu and other Pacific Northwestern tribal nations. Anchoring the collection is a twenty-first-century analysis of American Indian decolonization, sovereignty, and tribal responsibilities and responses.

Although Cora Du Bois began her life in the early twentieth century as a lonely and awkward girl, her intellect and curiosity propelled her into a remarkable life as an anthropologist and diplomat in the vanguard of social and academic change. Du Bois studied with Franz Boas, a founder of American anthropology, and with some of his most eminent students: Ruth Benedict, Alfred Kroeber, and Robert Lowie. During World War II, she served as a high-ranking officer for the Office of Strategic Services as the only woman to head one of the OSS branches of intelligence, Research and Analysis in Southeast Asia. After the war she joined the State Department as chief of the Southeast Asia Branch of the Division of Research for the Far East. She was also the first female full professor, with tenure, appointed at Harvard University and became president of the American Anthropological Association. Du Bois worked to keep her public and private lives separate, especially while facing the FBI's harassment as an opponent of U.S. engagements in Vietnam and as a "liberal" lesbian during the McCarthy era. Susan C. Seymour's biography weaves together Du Bois's personal and professional lives to illustrate this exceptional "first woman" and the complexities of the twentieth century that she both experienced and influenced.

Collection of annotated legends from the Tenino, Umatilla, and Watlala or Cascades Indians.