A 1994 scholarly edition of a major Renaissance text linked with Marlowe's Dr Faustus.

Discusses life, time, beauty, experience, meaning, music, and art.

A devilish debut by a brother-sister team invites us into the world of the elite Marlowe School, where some gifted students are having a hell of a year. (Age 14 and up) One night, in cities all across Europe, five children vanish -- only to appear, years later, at an exclusive New York party with a strange and elegant governess. Rumor and mystery follow the Faust teenagers to the city’s most prestigious high school, where they soar to suspicious heights with the help of their benefactor’s extraordinary "gifts." But as the students claw their way up -- reading minds, erasing scenes, stopping time, stealing power, seducing with artificial beauty -- they start to suffer the sideeffects of their own addictions. And as they make further deals with the devil, they uncover secrets more shocking than their most unforgivable sins. At once chilling and wickedly satirical, this contemporary reimagining of the Faustian bargain is a compelling tale of ambition, consequences, and ultimate redemption.

Explores the influence of the Faust legend on drama and film from the sixteenth century to the contemporary era.

Includes an introduction to the life of Johann Wolfgang von Goethe, and includes notes on principla characters, summaries and commentaries, and more.

The legend of Faust grew up in the sixteenth century, a time of transition between medieval and modern culture in Germany. Johann Wolfgang von Goethe (1749-1832) adopted the story of the wandering conjuror who accepts Mephistopheles's offer of a pact, selling his soul for the devil's greaterknowledge; over a period of 60 years he produced one of the greatest dramatic and poetic masterpieces of European literature.David Luke's recent translation, specially commissioned for The World's Classics series, has all the virtues of previous classic translations of Faust, and none of their shortcomings. Cast in rhymed verse, following the original, it preserves the essence of Goethe's meaning without sacrifice toarchaism or over-modern idiom. It is as near an `equivalent' rendering of the German as has been achieved.