Biografie van de Nederlandse danseres Mata Hari (1876-1917), die in de Eerste Wereldoorlog in Frankrijk ter dood veroordeeld werd vanwege vermeende spionage voor de Duitsers.

"I'd gladly sell my soul to Satan for a year of freedom," cries impetuous Rosamond Vivian to her callous grandfather. Then, one stormy night, a brooding stranger appears in her remote island home, ready to take Rosamond to her word. Spellbound by the mysterious Philip Tempest, Rosamond is seduced with promises of love and freedom, then spirited away on Tempest's sumptuous yacht. But she soon finds herself trapped in a web of intrigue, cruelty, and deceit. Desperate to escape, she flees to Italy, France, and Germany, from Parisian garret to mental asylum, from convent to chateau, as Tempest stalks every step of the fiery beauty who has become his obsession. A story of dark love and passionate obsession that was considered "too sensational" to be published in the authors lifetime, A Long Fatal Love Chase was written for magazine serialization in 1866, two years before the publication of Little Women. Buried among Louisa May Alcott's papers for more than a century, its publication is a literary landmark—a novel that is bold, timeless, and mesmerizing."

One night in December 1800, in the distant mission outpost of San Antonio in northern Mexico, Eulalia Californio and her lover Primo plotted the murder of her abusive husband. While the victim was sleeping, Prio and his brother tied a rope around Juan Californio's neck. One of them sat on his body while the other pulled on the rope and the woman, grabbing her husband by the legs, pulled in the opposite direction. After Juan Californio suffocated, Eulalia ran to the mission and reported that her husband had choked while chewing tobacco. Suspicious, the mission priests reported the crime to the authorities in charge of the nearest presidio. For historians, spousal murders are significant for what they reveal about social and family history, in particular the hidden history of day-to-day gender relations, conflicts, crimes, and punishments. Fatal Love examines this phenomenon in the late colonial Spanish Atlantic, focusing on incidents occurring in New Spain (colonial Mexico), New Granada (colonial Colombia), and Spain from the 1740s to the 1820s. In the more than 200 cases consulted, it considers not only the social features of the murders, but also the legal discourses and judicial practices guiding the historical treatment of spousal murders, helping us understand the historical intersection of domestic violence, private and state/church patriarchy, and the law.

Every family has its secrets… As the first anniversary of her marriage to Vice President Nick Cappuano approaches, Lieutenant Sam Holland is dreaming of Bora Bora—sun, sand and a desperately needed break from the DC grind. But real life has a way of intervening, and Sam soon finds herself taking on one of the most perplexing cases of her career. Government worker Josh Hamilton begs Sam to investigate his shocking claim that his parents stole him from another family thirty years ago. More complicated still, his “father” is none other than the FBI director. When a member of Josh’s family is brutally murdered, Sam begins to question how deep the cover-up goes. Is it possible the revered director was part of a baby-napping ring and others involved are also targets? With a killer intent on deadly revenge and her team still reeling from a devastating loss, Sam’s plate is full—and when Nick and their son, Scotty, take ill, is her dream of a tropical anniversary celebration in peril, too?

A deadly serious affair… The story breaks as Metro PD lieutenant Sam Holland attends a dinner party with her husband, Vice President Nick Cappuano: President Nelson is accused of having an affair. More shocking still, campaign staffer Tara Weber claims the president fathered her newborn son—while the First Lady was undergoing secret cancer treatment. When a high-profile murder case hits Sam’s desk, she’s shocked to uncover a connection to the presidential scandal. With the department caught up in its own internal scandals, and the chief’s job hanging by a thread, Sam questions who she can trust as her team uncovers information that clouds an already-murky case. And with calls for the president to resign getting louder by the minute, Sam needs to close this case before she finds herself living at 1600 Pennsylvania Avenue.

"When a gunshot victim dies in front of Betsy Michaels, his last words make her a killer's next target. The undercover agent investigating the murder is none other than Mark Webber, the man who'd broken her heart. Now she has to trust him with her life. Mark feels duty bound to protect Betsy from the drug smugglers responsible for his partner's death. Yet every time he looks at her, he's reminded of the choices he made that hurt Betsy to the core. And despite their rekindled attraction, this time the danger isn't just to their hearts"--P. [4] of cover.

I may be the villain of the story, but at least I get a leading role. Evil is a term thrown around history and literature as if it's something so easily definable. A concept to fight against. Evil doesn’t exist. Neither does ‘good.’ Vampires do, though. I just happen to be one. I’ve cruised through the centuries managing to avoid all the wars, supernatural and human, but still going to all the best parties. I would say I avoided bloodshed, but it’s kind of part of the whole ‘vampire’ thing. I’ve lived on the fringes of a society that considered cruelty and sadism favorable character traits for almost five hundred years. Now I'm in the middle of a war that might just put my nonbeating heart in a lot of danger. Battles, I can handle. The impossible attraction between me and the vampire slayer, not to mention the penetrating gaze of the king of our race, on the other hand? I might not get out undead.