The book traces the rise and fall of Harvey Matusow, a wise-guy, professional informer-witness of the McCarthy era, whose dramatic recantation led to his own imprisonment but hastened the end of the era. No issue so possessed the nation in the first half of the 1950s as alleged Communist subversion in the United States. Communist Party member, an undercover FBI informer inside the Party, and then a leading witness for the government during the McCarthy era--until he recanted his testimony. His story illuminates a disturbing time in American history, one with renewed relevance today. Matusow was easily the most flamboyant of the professional ex-Communists, a celebrity informer who considered himself booked by Congressional committees not just to testify, but to entertain. He testified that Communists fostered loose sex, taught politicized Mother Goose rhymes to small children, and tried to infiltrate the Boy Scouts. He also named more than 200 people as Communists and was a prosecution witness in major criminal cases. transcripts, personal interviews, private papers, and other primary sources, most never before utilized, to describe the unusual role of ex-Communist informer-witnesses during the McCarthy era. The Justice Department kept several dozen political informers on the government's payroll to testify in hundreds of deportation, sedition, and contempt of Congress cases. Some informers achieved celebrity as the result of high-profile appearances at criminal trials and before Congressional committees. But as the era continued, instances of perjury began to appear. Harvey Matusow's sensational recantation in 1955 gave him his biggest audience yet. It led to the dissolution of the Justice Department's informer stable and ended the public's infatuation with the group. Matusow's unrepentant and at times vaudevillian appearances before the Senate red-hunting committee investigating his recantation, followed by his prosecution for perjury--for the recantation, not his original testimony--and prison sentence, mark the climax of Deadly Farce . McCarran, and Elizabeth Bentley, among many others, offers an inside, entertaining, and closely documented view of a largely untold part of McCarthy-era history. The columnist Murray Kempton described Matusow as a truly remarkable witness in the opera bouffe sense demanded by inquisitions of the 1950s.

The age of Augustus, commonly dated to 30 BC – AD 14, was a pivotal period in world history. A time of tremendous change in Rome, Italy, and throughout the Mediterranean world, many developments were underway when Augustus took charge and a recurring theme is the role that he played in shaping their direction. The Cambridge Companion to the Age of Augustus captures the dynamics and richness of this era by examining important aspects of political and social history, religion, literature, and art and architecture. The sixteen essays, written by distinguished specialists from the United States and Europe, explore the multi-faceted character of the period and the interconnections between social, religious, political, literary, and artistic developments. Introducing the reader to many of the central issues of the Age of Augustus, the essays also break new ground and will stimulate further research and discussion.

Farce elicits an immediate, elemental response from all age levels, cutting across national and intellectual boundaries. It dates back to people’s first attempts to scoff in public at whatever their neighbors cherished in private: social prestige, eccentricities, virtues that are vices, friendships, and enmities. Albert Bermel, teacher, writer, and translator of farce, takes readers on an instructive and hilarious voyage from the classical Greek stage through English Restoration and French farce, to the young Hollywood of Mack Sennett, Chaplin, Keaton, and Lloyd, the other silent farceurs of the Jazz Age, and on to W. C. Fields, Mae West, Sid Caesar, Mel Brooks, Woody Allen, and Monty Python—including other greats along the way like Hope and Crosby, Laurel and Hardy, and the Marx Brothers.

Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.