In this fast paced fictional novel The Familiars Lie, Maize’s resolve is waning thin to abstain from her world of pornography as she prepares to preach on Sunday morning. Anxious, horny and out of sorts, she finds herself drawn in by her hidden demons affectionately known as the Familiars. As Maize spirals more out of control into a binge of sex toys, faceless men, and aimless internet surfing she meets Freddy, the son of a Pentecostal preacher that she initially has a love hate relationship with. He challenges her to confront her estranged relationship with God, deal with the affects of her abusive past that have crept into her present, and face the reality of the possibility she has turned into a hypocritical minister, finding more gratification in pornography than the things that really satisfy!

When Aldwyn, a young alley cat on the run, ducks into a mysterious pet shop, he doesn’t expect his life to change. But that’s exactly what happens when Jack, a young wizard, picks Aldwyn to be his magical familiar. Finally off the tough streets, Aldwyn thinks he’s got it made. He just has to convince the other familiars—the know-it-all blue jay Skylar and the friendly tree frog Gilbert—that he’s the telekinetic cat he claims to be. But when Jack and two other wizards in training are captured by a terrible evil, it will take all of Aldwyn’s street smarts, a few good friends, and a nose for adventure to save the day!

The Season One finale of this riveting multisensory masterpiece from the visionary author of House of Leaves. The Familiar Volume 1 Wherein the cat is found . . . The Familiar Volume 2 Wherein the cat is hungry . . . The Familiar Volume 3 Wherein the cat is blind . . . The Familiar Volume 4 Wherein the cat is toothless . . . The Familiar Volume 5 Wherein the cat is named . . . The astonishing series about a young girl who befriends a cat hunting humanity continues with Volume 5, and the Season One finale, in which the consequences of how we encounter one another come into poignant and terrifying relief—especially on one September night, when an unexpected phone call demanding the return of the little white cat challenges everything the Ibrahims hold dear. They are not alone. Jingjing must contend with a rival he could never have anticipated, while Xanther must relinquish all she thought she knew as a far greater responsibility is set before her. Light wavers and pomegranates reveal their price as the effects of a great transition start to reverberate around everyone, Shnorhk’s efforts to resume playing music cannot escape history’s ghosts. Cas, in upstate New York, comes face-to-face with her lifelong nemesis in a candlelit rendezvous that presages the international crisis soon to come. As more lines tangle, Özgür and Luther brawl with a future that may have chosen them long ago, and Isandòrno crosses a line that will force him over the border into a country he has until now steadfastly refused. All the while, a terrible power roaming the world continues to grow . . .

Substance and the Fundamentality of the Familiar explicates and defends a novel neo-Aristotelian account of the structure of material objects. While there have been numerous treatments of properties, laws, causation, and modality in the neo-Aristotelian metaphysics literature, this book is one of the first full-length treatments of wholes and their parts. Another aim of the book is to further develop the newly revived area concerning the question of fundamental mereology, the question of whether wholes are metaphysically prior to their parts or vice versa. Inman develops a fundamental mereology with a grounding-based conception of the structure and unity of substances at its core, what he calls substantial priority, one that distinctively allows for the fundamentality of ordinary, medium-sized composite objects. He offers both empirical and philosophical considerations against the view that the parts of every composite object are metaphysically prior, in particular the view that ascribes ontological pride of place to the smallest microphysical parts of composite objects, which currently dominates debates in metaphysics, philosophy of science, and philosophy of mind. Ultimately, he demonstrates that substantial priority is well-motivated in virtue of its offering a unified solution to a host of metaphysical problems involving material objects.

Rhetoric and the Familiar examines the writing and oratory of Francis Bacon and John Donne from the perspective of the faculty psychology they both inherited. Both writers inherited the resources of the classical rhetorical tradition through their university education. The book traces, from within that tradition, the sources of Bacon and Donne’s ideas about the processes of mental image making, reasoning, and passionate feeling. It analyzes how knowledge about those mental processes underlies the rhetorical planning of texts by Bacon, such as New Atlantis, Essayes or Counsels, Novum Organum, and the parliamentary speeches, and of texts by Donne such as the Verse Letters, Essayes in Divinity, Holy Sonnets, and the sermons. The book argues that their rhetorical practices reflect a common appropriation of ideas about mental process from faculty psychology, and that they deploy it in divergent ways depending on their rhetorical contexts. It demonstrates the vital importance, in early modern thinking about rhetoric, of considering what familiar remembered material will occur to a given audience, how that differs according to context, as well as the problems the familiar entails.

Craig Littleton's decision to end his marriage would shock his wife, Denise... if she only knew what he was up to. When an accident lands Craig in the ICU, with fuzzy memories of his own life and plans, Denise rushes to his side, ready to care for him. They embark on a quest to help Craig remember who he is and, in the process, they discover dark secrets: An affair? An emptied bank account? A hidden identity? An illegitimate child? But what will she do when she realizes he's not the man she thought he was? Is this trauma a blessing in disguise, a chance for a fresh start? Or will his secrets destroy the life they built together?