Gilded Age Chicago Mysteries: Volume 1 - The Fall of White City Wealthy spinster Evangeline LeClair leads a paradoxical life. By day, she fends off marriage-minded suitors. By night, she teaches English to factory workers at a social settlement in the slums. Evangeline is quite satisfied with the status quo until murder disrupts her routine. One of her students, a penniless immigrant, has been stabbed to death in Chicago's most exclusive hotel. The girl's brother, a known anarchist, is accused of the crime. Evangeline wheedles her admirer, Freddie Simpson, into helping her track down the real killer. Their list of possible suspects is long: a captain of industry, a denizen of the slums, a shady doctor who mixes his own drugs, and a teenage prostitute from a sporting house in the Levee District. The gleaming surface of the World's Fair casts many shadows, and THE FALL OF WHITE CITY exposes the darkness at its core.

'An irresistible page-turner that reads like the most compelling, sleep defying fiction' TIME OUT One was an architect. The other a serial killer. This is the incredible story of these two men and their realization of the Chicago World's Fair of 1893, and its amazing 'White City'; one of the wonders of the world. The architect was Daniel H. Burnham, the driving force behind the White City, the massive, visionary landscape of white buildings set in a wonderland of canals and gardens. The killer was H. H. Holmes, a handsome doctor with striking blue eyes. He used the attraction of the great fair - and his own devilish charms - to lure scores of young women to their deaths. While Burnham overcame politics, infighting, personality clashes and Chicago's infamous weather to transform the swamps of Jackson Park into the greatest show on Earth, Holmes built his own edifice just west of the fairground. He called it the World's Fair Hotel. In reality it was a torture palace, a gas chamber, a crematorium. These two disparate but driven men are brought to life in this mesmerizing, murderous tale of the legendary Fair that transformed America and set it on course for the twentieth century . . .

"You’ll want to race through The Silence of the White City, but it’s best to slow down and savor the full effect of the volatile, intoxicating universe Sáenz has created. This is the first novel of the White City trilogy to be translated into English—the second can’t come fast enough." —AirMail HOW DO YOU STOP A KILLER WHO'S ALWAYS TWO STEPS AHEAD? A madman is holding Vitoria hostage, killing its citizens in brutal ways and staging the bodies. The city's only hope is a brilliant detective struggling to battle his own demons. Inspector Unai López de Ayala, known as "Kraken," is charged with investigating a series of ritualistic murders. The killings are eerily similar to ones that terrorized the citizens of Vitoria twenty years earlier. But back then, police were sure they had discovered the killer, a prestigious archaeologist who is currently in jail. Now Kraken must race to determine whether the killer had an accomplice or if the wrong man has been incarcerated for two decades. This fast-paced, unrelenting thriller weaves in and out of the mythology and legends of the Basque country as it hurtles to its shocking conclusion.

"At the close of the nineteenth century, Chicago offered the world a glimpse of humanity's most breathtaking possibilities and its most jaw-dropping horrors. Even as the White City emerged from the ashes of the Great Fire, serial killers like H.H. Holmes stalked the sparkling new boulevards and tragic accidents plagued the factories, slums and railroads that powered the churn of industrial innovation. Demons, mesmerists and birds of ill omen preyed on the unwary from the shadows. Ship captains spoke to the dead, while undertakers discovered reanimated corpses no longer requiring services. From posh mansions built on massacre grounds to the drowned quarries of a forest preserve, Ursula Bielski follows the dark undercurrents beneath the electric lights of the World's Fair."--

An award-winning Scandinavian novel of one woman’s struggle to pull herself and her daughter from the grasp of a criminal past. “A literary tour de force” (Mystery Scene). A celebrated bestseller in Sweden, and the winner of the prestigious Per Olov Enquist Literary Prize, The White City is an arresting story of betrayal and empowerment as a criminal’s girlfriend is left behind to pick up the pieces of her imploded existence. Karin knew what she was getting herself into when she fell for John, a high-flying wheeler-dealer. But she never imagined things would turn out like this: John is gone and the coke-filled parties, seemingly endless flow of money, and high social status have been replaced by cut telephone lines, cut heat, and cut cash. All that remains of Karin’s former life is the mansion he bought for her—and his daughter, the child Karin once swore she would never bring into their dangerous world. Now she is on her own with baby Dream. As the authorities zero in on organized crime, John’s shady legacy is catching up with her. Over the course of a few days, Karin is forced to take drastic measures to claim what she considers rightfully hers . . . “The ghostly Scandinavian setting and [protagonist] Karin’s closely narrated sense of impending doom . . . make Swedish star Ramqvist’s English-language debut an atmospheric and suspenseful read.” —Booklist

Winner of the 1999 Whitbread First Novel Award ‘Beautiful and brilliant’ Tony Parsons Estate agent Frankie Blue is known on his home turf – White City, Shepherd’s Bush – as ‘Frank the Fib’. He’s a liar – but one who always tries to tell the truth. Frankie has been friends with Diamond Tony, a hairdresser, Colin, a computer nerd, and Nodge, a cabbie, since schooldays. Now they are thirty and trying to live the same life as they did then – drinking, girls, banter, football. Then comes Frankie’s Great Betrayal – Veronica, and marriage, his ticket to a bigger, better grown-up world. From the moment he tells his mates, the whole patchwork of their friendships begins to collapse – revealing the sad, shocking but often hilarious truths that lie underneath. ‘Caustically funny and sometimes very affecting … with sardonic wit and a kind of tough tenderness, Lott portrays people growing up, growing apart or growing together’ Sunday Times ‘Mordantly funny … Observations are vivid, the dialogue crisp and, crucially, the characters are sympathetic’ Tatler

Ray, Conker, and their Rambler friends face the Gog and his machine in a final struggle at the 1893 Chicago Exposition.