Amidst the debate among creationists, Andrew Kulikovsky's call to return to biblical authority is relevant to all evangelicals, whether convinced that the earth is recent or old.

How social upheavals after the collapse of the French Empire shaped the lives and work of artists in early nineteenth-century Europe As the French Empire collapsed between 1812 and 1815, artists throughout Europe were left uncertain and adrift. The final abdication of Emperor Napoleon, clearing the way for a restored monarchy, profoundly unsettled prevailing national, religious, and social boundaries. In Restoration, Thomas Crow combines a sweeping view of European art centers—Rome, Paris, London, Madrid, Brussels, and Vienna—with a close-up look at pivotal artists, including Antonio Canova, Jacques-Louis David, Théodore Géricault, Francisco Goya, Jean-Auguste-Dominique Ingres, Thomas Lawrence, and forgotten but meteoric painters François-Joseph Navez and Antoine Jean-Baptiste Thomas. Whether directly or indirectly, all were joined in a newly international network, from which changing artistic priorities and possibilities emerged out of the ruins of the old. Crow examines how artists of this period faced dramatic circumstances, from political condemnation and difficult diplomatic missions to a catastrophic episode of climate change. Navigating ever-changing pressures, they invented creative ways of incorporating critical events and significant historical actors into fresh artistic works. Crow discusses, among many topics, David’s art and influence during exile, Géricault’s odyssey through outcast Rome, Ingres’s drive to reconcile religious art with contemporary mentalities, the titled victors over Napoleon all sitting for portraits by Lawrence, and the campaign to restore art objects expropriated by the French from Italy, prefiguring the restitution controversies of our own time. Restoration explores how cataclysmic social and political transformations in nineteenth-century Europe reshaped artists’ lives and careers with far-reaching consequences. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.

Neville was born in Barbados, West Indies in 1905 into a poor English family—nine boys and one girl—where he was raised and educated in a traditional Christian manner. His father who knew about the power of imagining, along with the help of his industrious sons, made the Goddard’s into the largest business presence in the island, and at his death left all ten children independently wealthy. At age seventeen Neville left Barbados for New York City where he worked in retail for several years until he became a dancer in Broadway shows. This led to a stint in London where he was introduced to metaphysical thought, and upon returning to New York he began to teach the law of imagining in 1938 to ever-growing audiences in the East, Los Angeles and San Francisco. When he moved his family to Los Angeles in the early 1950s he was attracting crowds of 2,000 for his Sunday talks. Everyone wanted something—homes, new jobs, mates, money—and he successfully taught them how to fulfill those desires through the use of their all-powerful human imaginations. The techniques, testimonies from his audiences, the creative formula, visions, dreams and Bible interpretations are discussed simply and in detail in these lectures. They encourage any seeker to apply his or her imagination for success, and ultimately lead to the appreciation that there is no intermediary between God (man’s I AM) and man. Starting in 1959 he had a series of six visions over a three and a half year period—resurrection/birth from above; David; splitting of the temple/ascension; and the dove’s descent. Then he understood his mission: To first experience these visions, understand their meanings, and then teach the meaning of these signs that are given to man after multiple lifetimes and all states of consciousness have been played by each individual. These signs confirm the awakening of man’s soul. Man’s origin and destiny are divine—from unity into diversity back to unity, with no loss of individuality. All is forgiven and the exile, the prodigal returns to Lordship, greatly expanded by the journey through limitation, illusion and a sleep likened unto death.

What unanswered questions do you have about your life? Some of us struggle to find meaning, others wonder about identity, and all of us want to be loved. Your story—the events and relationships that define you—will guide how you answer those questions. But God has a story too. His story is about sending Jesus to this broken world to mend all ...

God’s Story Will End Better than It Began . . . Experienced Bible teacher Nancy Guthrie traces 9 themes throughout the Bible, revealing how God’s plan for the new creation will be far more glorious than the original. But this new creation glory isn’t just reserved for the future. The hope of God’s plan for his people transforms everything about our lives today.

Scholarship on Irenaeus has long acknowledged the centrality of creation to his theology, yet without fitting this theme securely into the Christological vision of Christ the ‘Recapitulator’. Studies have considered elements of Irenaeus’ cosmology and anthropology in extraction; but without seeing creation as an intrinsic part of his Christocentric vision, these have only partially been able to capture the intricacy and significance of his embrace of the creation saga. Drawing on the most recent Irenaean scholarship, the present volume explores in detail the Christocentric cosmology of one of the second century’s greatest writers, setting him in the context of the theological currents of his day. The result is a volume that offers new insights into the trinitarian articulation of early Christianity, the full significance of humanity as bearing God’s ‘image’, and a fuller reading of the details behind the title, ‘Irenaeus the creationist’.