Rebecca J. Manring offers an illuminating study and translation of three hagiographies of Advaita Acarya, a crucial figure in the early years of the devotional Vaisnavism which originated in Bengal in the fifteenth century. Advaita Acarya was about fifty years older than the movement's putative founder, Caitanya, and is believed to have caused Caitanya's advent by ceaselessly storming heaven, calling for the divine presence to come to earth. Advaita was a scholar and highly respected pillar of society, whose status lent respectability and credibility to the new movement. A significant body of hagiographical and related literature about Advaita Acarya has developed since his death, some as late as the early twentieth century. The three hagiographic texts included in The Fading Light of Advaita Acarya examine the years of Advaita's life that did not overlap with Caitanya's lifetime, and each paints a different picture of its protagonist. Each composition clearly advocates the view that Advaita was himself divine in some way, and a few go so far as to suggest that Advaita reflected even greater divinity than Caitanya, through miraculous stories that can be found nowhere else in Bengali Vaisnava literature. Manring provides a detailed introduction to these texts, as well as remarkably faithful translations of Haricarana Dasa's Advaita Mangala, Laudiya Krsnadasa's Balya-lila-sutra, and Isana Nagara's Advaita Prakasa.

The essays in this volume explore the myriad ways in which caste (varna and jati) has been theorized and critiqued in multiple philosophical, religious, logical and narrative traditions in India. Spanning ancient, medieval and modern times, and in diverse classical and vernacular languages, the chapters show how the social fact of caste, and imaginations of kinship, community and humanity were historically subject to epistemological, spiritual, and existential debate in both elite and popular circles in India. Textual Lives of Caste Across the Ages seeks to bridge the interdisciplinary gap between historians and sociologists by focusing on texts that help us think across the sociological and philosophical, the political and the religious, the epistemological and the aesthetic, and indeed, the elite and the popular. The volume also sets up a conversation between scholars specializing in different regions, archives, and historical periods and demonstrates how caste imaginaries have been deeply diverse and contested in India's past. Reconstructing these diverse traditions of social and existential criticism helps us in our contemporary struggles against caste hierarchy and untouchability and enriches our contemporary critical repertoire.

The Dasam Granth is a 1,428-page anthology of diverse compositions attributed to the tenth Guru of Sikhism, Guru Gobind Singh, and a topic of great controversy among Sikhs. The controversy stems from two major issues: a substantial portion of the Dasam Granth relates tales from Hindu mythology, suggesting a disconnect from normative Sikh theology; and a long composition entitled Charitropakhian tells several hundred rather graphic stories about illicit liaisons between men and women. Sikhs have debated whether the text deserves status as a "scripture" or should be read instead as "literature." Sikh scholars have also long debated whether Guru Gobind Singh in fact authored the entire Dasam Granth. Much of the secondary literature on the Dasam Granth focuses on this authorship issue, and despite an ever-growing body of articles, essays, and books (mainly in Punjabi), the debate has not moved forward. The available manuscript and other historical evidence do not provide conclusive answers regarding authorship. The debate has been so acrimonious at times that in 2000, Sikh leader Joginder Singh Vedanti issued a directive that Sikh scholars not comment on the Dasam Granth publicly at all pending a committee inquiry into the matter. Debating the Dasam Granth is the first English language, book-length critical study of this controversial Sikh text in many years. Based on research on the original text in the Brajbhasha and Punjabi languages, a critical reading of the secondary literature in Punjabi, Hindi, and English, and interviews with scholars and Sikh leaders in India, it offers a thorough introduction to the Dasam Granth, its history, debates about its authenticity, and an in-depth analysis of its most important compositions.

The simplicity, beauty, and intricacies found in nature have captured the minds and hearts of the greatest philosophers throughout time. Even the greatest scientific minds of our time are at a loss to understand nature's great mysteries. Light of the Bhagavata presents a clear and tangible illustration of the purpose and significance of nature and its origin. Light of the Bhagavata captures the philosophy of India in a beautiful Chinese art and cultural presentation.

This book offers new translations of the Tiruppavai and Nacciyar Tirumoli, composed by the ninth-century Tamil mystic and poetess Kotai. Two of the most significant compositions by a female mystic, the Tiruppavai and Nacciyar Tirumoli give expression to her powerful experiences through the use of a vibrant and bold sensuality, in which Visnu is her awesome, mesmerizing, and sometimes cruel lover. Kotai's poetry is characterized by a richness of language in which words are imbued with polyvalence and even the most mundane experiences are infused with the spirit of the divine. Her Tiruppavai and Nacciyar Tirumoli are garlands of words, redolent with meanings waiting to be discovered. Today Kotai is revered as a goddess, and as a testament to the enduring relevance of her poetry, her Tiruppavai and Nacciyar Tirumoli continue to be celebrated in South Indian ritual, music, dance, and the visual arts. This book aims to capture the lyricism, beauty, and power of Kotai's original works. In addition, detailed notes based on traditional commentaries, and discussions of the ritual and performative lives of the Tiruppavai and Nacciyar Tirumoli highlight the importance of this ninth-century poet and her two poems over the past one thousand years.

Reconstructing Tradition explores the devotional Hindu Krishnaite revival of the 15th and 16th centuries and its persistence into modern times through an examination of one of its principal figures, Advaita Acarya. He was the subject of several texts, and Manring considers all of them in terms of changing historical, social, and sectarian contexts.Rebecca Manring considers the role of hagiography in one school of Bengali Vaisnavism against the backdrop of regional religious history, examining the ways in which Advaita Acarya followers designed and used his life story for political and religious purposes.

Buddhist chronicles have long been had a central place in the study of Buddhism. Scholars, however, have relied almost exclusively on Pali works that were composed by elites for learned audiences, to the neglect of a large number of Buddhist histories written in local languages for popular consumption. The Sinhala Thūpavamsa, composed by Parakama Pandita in thirteenth-century Sri Lanka, is an important example of a Buddhist chronicle written in the vernacular Sinhala language. Furthermore, it is among those works that inform public discussion and debate over the place of Buddhism in the Sri Lankan nation state and the role of Buddhist monks in contemporary politics. In this book Stephen Berkwitz offers the first complete English translation of the Sinhala Thūpavamsa. Composed in a literary dialect of Sinhala, it contains a richly descriptive account of how Buddhism spread outside of India, replete with poetic embellishments and interpolations not found in other accounts of those events. Aside from being an important literary work, the Sinhala Thūpavamsa. is a text of considerable historical and religious significance. It comprises several narrative strands that relate the life story of the Buddha and the manner in which Buddhist teachings and institutions were established on the island of Sri Lanka in ancient times. The central focus of this work concerns the variety of relics associated with the historical Buddha, particularly how the relics were acquired and the presumed benefits of venerating them. The text also relates the mythological history of the Buddha's previous lives as a bodhisattva and concludes with a prediction about the future Buddha Maitreya. Reflection on Buddhist ethics and instruction on the Dharma, or the Buddha's teaching, are found throughout the work, indicating that this historical narrative was meant both to recall the past and give rise to religious practice among contemporary readers and listeners. This new translation makes a significant work more widely accessible in the West and adds to our knowledge of how local Buddhist communities imagined and represented their religious and cultural heritages in written works.