Contents: I. Introduction. II. Symbolic analysis of religious architecture. III. Indianization in Southeast Asia: lineage one: 1. Religious foundations. 2. Architecture. 3. Java. 4. Cambodia. 5. Champa. IV. Burma : lineage two: 1. Thai Era. 2. The lineages of stupa forms. V. The philosophical Indianization of Northeast Asia : the third lineage: 1. China. 2. Korea. 3. Japan. 4. Tibet. 5. Mongolia. 6. The Tibetan stupa. Bibliography."This work seeks to explore the development of East Asian architecture based upon its borrowings from the Indian stupa. While most scholars agree that some features of East Asian religious architecture have been strongly influenced by the symbolic architecture of the stupa, this study specifically seeks to identify three distinct architectural "lineages" originating from India to East Asia. These lineages were inspired by the work of Liang Ssu-Ch?eng who first identified several "families" of pagoda structures in Mainland China in the early part of the 20 century. However, here we extend our search to all the nations that have employed the stupa architecture outside India (and Nepal). These other lineages have been identified through careful analysis in archaeological, anthropological, historical, and religious studies."The first of these lineages extends through Indo-China and Indonesia. The second lineage is mainly found extending through Burma. Both lineages, one and two, meet together in later Thai architecture. The third lineage extends across Central Asia to the shores and nations of Far East Asia, such as Japan, Korea and China. As all the lineages are demonstrated to be imbued and propagated by the scared and ancient symbolism of India, each chapter examines the history of Indian thought as it was introduced into a region and then discusses the features of the most well known structures of that region." (jacket)

This book deals with the technical, artistic and architectural aspects of the Hindu and Buddhist monuments from the beginning until today in Southeast Asia.

A History of Architecture is a series of books that focuses on the story of the classical tradition from its origins in Egypt & Mesopotamia through to the present day and the modernist and post-modernist styles.

A close analysis of the architecture of the stupa—a Buddhist symbolic form that is found throughout South, Southeast, and East Asia. The author, who trained as an architect, examines both the physical and metaphysical levels of these buildings, which derive their meaning and significance from Buddhist and Brahmanist influences.

This work is the outcome of painstaking research on the evolution of stupas in Burma, Pagan Period, 11th to 13th centuries a.d. Burma known as the land of pagodas is nowhere so rich in the number of pagodas as in Pagan. The stupendous vastness of the ruins reminiscent of the glory that was of Pagan in its heyday inspired this study. The evolution traced back to the beginning of the stupa structure in India, deals with the various architectural phases (duly illustrated) it passed through ending with the final stage in the Rhwedagum Pagoda in Rangoon (Burma). Apart from the material side of the study, there is the need of looking into the aesthetic and spiritual side of the evolution. That religious architecture is a barometer of the material prosperity and social outlook of the people, besides being the handmaid of the spiritual aspirations of the devotees, is amply discernible in this study. The value of the art survey in this work is further enhanced by the inclusion of over 138 photographs. Moreover, besides the magnificent Pagan art, it gives a comparative view of the religious architectual development in the Asian countries contemporaneous with the Pagan Period.